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Jerome Myers Art

American, 1867-1940

Born in Petersburg, Virginia in 1867, Jerome Myers became an important painter of urban realism, starting with a series of images of ghetto life in 1887, the year he began studying at the Cooper Union. One of his earliest works is Backyard from that year, in a private collection, which already shows a raw, unidealized view of New York City. Thus, he actually anticipated the productions of the Ashcan School. Myers continued his studies at the Art Students League where his teacher was George de Forest Brush, the academic painter of idealized Native Americans. Brush's classicism did not rub off on Myers, who had no patience for careful drawing. He was even disturbed by the presence of a studio model, so he completed a series of self-portrait drawings to satisfy the faculty's requirements. For Myers, the academic experience was too imitative. However, he stayed around for eight years. Like artists of the Ashcan School, Myers went directly to the streets of New York for inspiration. He carried a 9x11 inch sketch pad wherever he went, like a "day and night prowler in and out of the crowds," explained Guy Pène du Bois. By 1895, Myers found a position in the New-York Tribune's art department. Probably because of academic indoctrination, Myers thought it was necessary to travel to Paris. There, he shared a room with Solon Borglum and noted the pathetic ruins of American students who had lingered too long. Myers realized the trip was not really that helpful and returned to America. "I asked myself what Paris could give, and the answer was 'Nothing’" Later in a newspaper article, Myers was extolled as "the only artist of consequence in the United States, possibly, who had no European training." He met the influential art dealer William Macbeth, who agreed to exhibit his art and the painter noted ". . . almost overnight, I had become a professional artist," thanks to this encounter. This led to various exhibitions, including the St. Louis World's Fair in 1904, where his painting Night Concert won a bronze medal. In 1908, Macbeth gave Myers his first one-man show in January, a month before the famous exhibition of Robert Henri's group The Eight. In many respects, the style of Myers paralleled the gritty urban realism of Henri, George Luks, John Sloan, Everett Shinn, Theresa Bernstein and William Glackens. Although Myers was a friend of Henri, he was not part of the group because Henri regarded Myers's art as too sentimental. Sloan thought it was more a question of Myers being roughly the same age as Henri and thus could not have been a disciple. Myers did, however, participate in the "Exhibition of Independent Artists" in 1910, which Henri and his colleagues organized. Then Myers hosted a group in his studio that was to become the American Association of Painters and Sculptors (AAPS), the group responsible for the Armory Show in 1913. Myers, who exhibited two paintings there along with fifteen drawings, was dismayed that the European art in the show attracted the most attention. In addition, the work turned out to be radical modernist-oriented, excluding the contemporary realists entirely. Myers returned to the streets of New York, especially the places where immigrants gathered on the Lower East Side. He noted, when the immigrants "merge here with New York, something happens that gives vibrancy I didn't get in any other place." He also depicted the moment of leisure, for example, at the East River Pier and night concerts in the parks. Myers relished in the outdoor activities of New Yorkers, and at the end of his life, he regretted a new distrusting atmosphere in which people tended to stay more at home: "Something is gone. Something is missing." I say to myself, "It is the warmth of human contact. New Yorkers no longer live in the open." Myers continued to exhibit and win prizes, five at the National Academy of Design. His works are to be found in major American museums.

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Jerome Myers, Virginia Modeling, Hand-Colored Etching, Signed “Imp”, c. 1920
Jerome Myers, Virginia Modeling, Hand-Colored Etching, Signed “Imp”, c. 1920

Jerome Myers, Virginia Modeling, Hand-Colored Etching, Signed “Imp”, c. 1920

By Jerome Myers

Located in Morristown, NJ

Jerome Myers (American, 1867–1940) "Virginia Modeling," ca. 1912–1920 Hand-colored etching on paper, pencil signed Jerome Myers imp. with pencil notation on the back left corner of VIRGINIA MODELING Possibly an artist’s proof outside the edition of 50 Description: An exceptional and intimate hand-colored etching by Jerome Myers, a foundational member of the Ashcan School and one of early 20th-century America’s most lyrical chroniclers of urban life. Virginia Modeling depicts Myers’s young daughter seated at a table forming a small clay figure beside a lush floral arrangement—a tender scene of childhood creativity rendered with the artist’s characteristic delicacy. This composition is based on a 1912 preparatory drawing now held in the Cooper Hewitt Smithsonian Design Museum. The etching was created around 1920 and is hand-colored in subtle tones, likely by the artist himself or in collaboration with his wife, artist Ethel Myers. The work is pencil signed and marked imp, indicating that the artist printed or supervised the printing of this impression himself—suggesting a personal connection to this particular work. Virginia Myers...

Category

1920s American Art Nouveau Vintage Jerome Myers Art

Materials

Paper

Children in Mulberry Street

Children in Mulberry Street

By Jerome Myers

Located in New York, NY

Jerome Myers (1867-1940), Children in Mulberry Street, c. 1910, soft ground etching and plate tone, signed in pencil lower right. In good condition (apart from weakening at platemark...

Category

1910s American Realist Jerome Myers Art

Materials

Etching

MOTHER AND CHILD RESTING #1

MOTHER AND CHILD RESTING #1

By Jerome Myers

Located in Portland, ME

Myers, Jerome (American. 1867-1940). MOTHER AND CHILD RESTING #1 Softground etching, not dated. Signed in pencil, lower right and also in the plate. 5 1/4 x 9 3/8 inches (plate), 12 ...

Category

Early 20th Century Jerome Myers Art

Materials

Etching

Children Playing on The Slide,  Ashcan School - Lower East Side
Children Playing on The Slide,  Ashcan School - Lower East Side

Children Playing on The Slide, Ashcan School - Lower East Side

By Jerome Myers

Located in Miami, FL

Immigrant children from New York's Lower East Side are joyfully captured whizzing down on a slide. From the window of a tenement building, a lone adult with child witnesses the foli...

Category

Early 1900s Ashcan School Jerome Myers Art

Materials

Canvas, Oil

UNTITLED (STREET SCENE WITH PUSHCART)
UNTITLED (STREET SCENE WITH PUSHCART)

UNTITLED (STREET SCENE WITH PUSHCART)

By Jerome Myers

Located in Portland, ME

Myers, Jerome. UNTILED (STREET SCENE WITH PUSHCART). Etching with hand-coloring, not dated, but about 1910. Edition of 50. Signed in pencil and numbered 32/50. 7 3/8 x 9 3/4 inches, ...

Category

Early 20th Century Jerome Myers Art

Materials

Etching

Morning on the East Side

Morning on the East Side

By Jerome Myers

Located in New York, NY

Jerome Myers (1867-1940), Morning on the East Side, c. 1910, colored etching, signed in pencil lower right and annotated “imp.”; numbered and titled (twice) lower left. In very good ...

Category

1910s Jerome Myers Art

Materials

Color, Etching

At the Show

At the Show

By Jerome Myers

Located in New York, NY

Jerome Myers (1867-1940), At the Show, etching and drypoint, c. 1920, signed in pencil lower right. In good condition, with margins (paper losses upper corners), faint ink marks and ...

Category

1920s American Realist Jerome Myers Art

Materials

Drypoint, Etching

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Previously Available Items
Signed Jerome Myers Engraving of Sleeping Children
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Jerome MyersSand Circle, 1915

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H 5.75 in W 7 in

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Located in New York, NY

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"East Side Corner, New York City" Jerome Myers Ashcan Cityscape, Market Scene
"East Side Corner, New York City" Jerome Myers Ashcan Cityscape, Market Scene

"East Side Corner, New York City" Jerome Myers Ashcan Cityscape, Market Scene

By Jerome Myers

Located in New York, NY

Jerome Myers (1867 - 1940) East Side Corner, New York City, 1934 Oil on board 20 x 16 inches Signed lower right Provenance: Collection of G. David Thompson, Pittsburgh George David Thompson (1899 – 1965) was an American investment banker, industrialist, and modern art collector, based in Pittsburgh. He started as a banker, but by 1945 was running four steel mills. In 1959 Pittsburgh's Carnegie Museum of Art rejected his offer of over 600 artworks, unwilling to build a gallery bearing his name, and he gradually sold much of his collection, although he left the Carnegie Museum over 100 artworks when he died in 1965. In May 1961, New York's Solomon R. Guggenheim Museum held an exhibition entitled One Hundred Paintings from the G. David Thompson Collection, with works by Cézanne, Monet, Degas, Josef Albers, Braque, Klee, Legér, Matisse, Miró, and Mondrian, with Picasso being the most represented, with 12 works. Born in Petersburg, Virginia in 1867, Myers became an important painter of urban realism, starting with a series of images of ghetto life in 1887, the year he began studying at the Cooper Union.  One of his earliest works is Backyard from that year, in a private collection, which already shows a raw, unidealized view of New York City.  Thus he actually anticipated the productions of the Ashcan School.  Myers continued his studies at the Art Students League where his teacher was George de Forest Brush, the academic painter of idealized Native Americans. Brush's classicism did not rub off on Myers, who had no patience for careful drawing - he was even disturbed by the presence of a studio model, so he completed a series of self-portrait drawings to satisfy the faculty's requirements.  For Myers, the academic experience was too imitative, however he stayed around for eight years.  Like artists of the Ashcan School, Myers went directly to the streets of New York for inspiration.  He carried a 9" x 11" sketch pad wherever he went, like a "day and night prowler...

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Jerome Myers art for sale on 1stDibs.

Find a wide variety of authentic Jerome Myers art available for sale on 1stDibs. You can also browse by medium to find art by Jerome Myers in etching, canvas, drypoint and more. Not every interior allows for large Jerome Myers art, so small editions measuring 5 inches across are available. Customers who are interested in this artist might also find the work of George Biddle, Stephen Parrish, and Saul Chase. Jerome Myers art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $525 and tops out at $25,000, while the average work can sell for $850.

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