Johann Maresch More Furniture and Collectibles

Wall decoration mirror guitar Infiny made with mirrored led lights with glass and plexiglass creating an infiny mirrored effect. With original and except...

Austrian silver mounted meerschaum carved pipe, circa 1890. Note, missing stem.

Johann Michael Bergauer (Simonsfeld, 1676 - Innsbruck, 1745 circa) Mechanical equatorial sundial Signed: Michael Bergauer Insprugg? Innsbruck? Ante 1745 Gilded and silvered brass; glass. Measures: closed 1.29 x 3.50 x 4.92 in (33 x 89 x 125 mm); open 5.19 x 3.50 x 3.81 in (132 x 89 x 97 mm). Weight: the sundial 0.49 lb (224 g); the case 0, 20 lb (95 g) Original wooden case covered in brown leather. State of conservation: very good. It has some signs of use. The spring that allowed for the two parts of the instrument to remain open is missing (absent even in the comparative specimens kept in museums). The sundial is composed of two overlapping plates hinged together on the north edge. The base plate is octagonal and is supported by three turned legs. The upper face is gilded and a compass with a magnetic variation index has been inserted. The rest of the surface is occupied by a rich decoration of engraved scrolls, centered around the inscription “Michael Bergauer Insprugg”. A foldable oval support with a plumb-bob is attached with a hinge on the southern edge. On the reverse of the base plate a table of the latitudes of some European cities (expanded with the vertical writing “Meiland 40” on the edge and “Rome” deleted) and of Jerusalem has been engraved. A Cam marked for 0 °-70 ° is applied near the northern edge. This can be adjusted to change the inclination of the upper plate according to the latitude; originally a spring, now lost, made it possible to keep the two plates of the clock open. The second plate is round, has a toothed edge and measures 3.26 in (83 mm) in diameter: it is slightly smaller than the octagonal base which it rests upon and overlaps when the instrument is closed. The recto is gilded and there are three concentric graduated circles engraved on it: - the outermost is the equatorial hour dial, numbered I-XII, I-XII; - the second-one is that of days 1-30 of the lunar month and has “Aetas lunae” engraved on it; - the third, silvered, is a subsidiary hour dial, with double numbering 1-12; originally it could have been rotated. The engravings of the first two circles are enameled in red. In the center - on the polar axis - there is an alidade, at the end of which is associated the silvered minute dial. This, in turn, is welded, perpendicularly, to a small disc, also silvered, with a triangular gnomon. The plate, alidade and minute dial are connected to each other by toothed mechanisms. Below is the procedure for measuring the time: 1) Adjust the Cam under the base of the clock, based on the latitude of your location; 2) Place the watch on a flat surface using the plumb-bob and with the side closest to the compass facing south; 3) Keeping the instrument still, manually rotate the alidade until the shadow cast by the triangular gnomon on the small silvered disc falls on the line marked below it; 4) The hour and minutes can therefore be read on the hour and minute dials set on the alidade respectively. Johann Michael Bergauer, who sometimes only signs his works as Michael Bergauer, was born in Simonsfeld, north of Vienna. His apprenticeship as a watchmaker took place in Landshut and he probably worked as a laborer in Augsburg before becoming a watchmaker at the court of Karl Philipp von der Pfalz in Innsbruck in 1708. In the following years, his repeated attempts to obtain Innsbruck citizenship are documented and, in 1721, he is listed as a resident. In 1724 he was admitted to the guild of watchmakers, with which however he had continuous problems. In 1732 he presented a "masterpiece". This is the last reference to his business; he must have died before or in 1745 because in that year his widow appealed to the City Council. The mechanical sundial...

Large Majolica Palissy tobacco jar attributed to Thomas Sergent, circa 1880 unsigned. Naturalistic movement of the end of 19th century. The jar have the shape of a trunk with a bir...

This silver and enamel cigarette case is hallmarked by an unknown maker and is presumed to have been made in Austria in approximately 1920. The case is composed of .800 silver and ha...

A large tobacco pipe from old Burma (Myanmar), circa 1850. Solid wood bowl, chamber and shank. The stem is made of bone, attached to the shank by a mor...

Pedal harp with a gilt capital-form head and column, resting on a base with a ribbed frieze and lion-paw feet. The soundboard of the otherwise black lacquered body is decorated with...

A very nice early 20th century Austrian jewelers metal anvil. Perfect as a paper weight, gift for a jewelry collector or of course, as a tool. Nice older addition to any collection....

Rare and unusual late 19th century Meerschaum pipe, finely carved in the form of Mephistopheles, the legendary devil of the Faust tale. Retaining its original amber mouthpiece and ho...

FREE WORLDWIDE SHIPPING Swiss Black Forest tobacco jar carved in the form of a blacksmith’s anvil, dating to circa 1900. This inventive carved object combines functional tobacco sto...

Elegant French vitrine cabinet signed by renowned Art Nouveau designer Louis Majorelle. The cabinet is composed of mahogany, walnut and multiple exotic...

A Palissy School of Paris Majolica hanging wall plaque, France, modeled by François Maurice, circa 1870-1875. Modeled from life, this extremely dimensional and realistic piece is gl...