John Cox Dillman Engleheart Wall Decorations

An original British School Regency Period watercolor portrait, mounted in a Georgian Period fruitwood frame – Dated 1834. These watercolors were largely painted by young girls fro...

American oil on canvas portrait of seated young lady in the original gilt wood floral flame, New York, Mid-19th century.

Y. Gianni (Italian) The Gulf of Naples, 19th Century. A beautiful signed "Y. Gianni" gouche on paper, framed and matted with description & name on matti...

Very nice pair of oil on canvas depicting animated countryside landscapes. signed by Edmund Pick Morino, Early 20th Century Artist. Beautiful landscapes of nature, which gives a feel...

17th century, The condemnation and martyrdom of the four crowned saints by Giuliano Dinarelli Mid-17th century, Italy, Bologna Oil on canvas, frame ...

1950 oil on canvas, The lagoon, Valencia, Spain signed by Lopez with a beautiful frame Traditional landscape of Valencia Called "Albufera".

Nice little watercolour representing the city of Venice in Italy. We see a gondolier on the Rio de la Canonica canal located between the Ducal Palace and the prison. These two buildings are linked by the famous Bridge of Sighs...

A mid-century ink painting of a cat by French artist Marie Paulette Lagosse (1921-1996) circa 1969 and its antique stucco frame. The picture is protecte...

An early 19th century painting, oil on linen, showing an English pastoral farm scene, artist unknown. The right foreground shows three farm workers clearing hay in a meadow. Other figures can be seen in the mid-ground along with a hay laden wagon harnessed to horses. A thatched roof cottage is painted in the distance. In the central background, two horses are grazing in front of split rail fence...

Italian oval oil on board gilt carved wood portrait of a gentleman in the original floral and berry frame, 18th century.

Miniature portrait of a distinguished lady, signed Stieler. Bronze frame behind oval round glass, 19th century Signed Stieler, Joseph Karl Stieler (1781- Mainz - 1858 Munich) was a German painter. The size is 10 cm x 7.5 cm x 1 cm 1820-1830 From 1820 until 1855 he worked as royal court painter of the Bavarian kings. He is known for his Neoclassical portraits, especially for the Gallery of Beauties at Nymphenburg Palace in Munich. Born in the city of Mainz to a long-established family of engravers, punchcutters and die makers, Stieler received some artistic training from his father, August Friedrich Stieler (1736–1789). After the early death of his father, Joseph Karl autodidactically completed his apprenticeship and began his career as a painter of miniatures, which were increasingly sought after by bourgeois circles After Mainz had been occupied by French revolutionary troops in 1792, Stieler followed the expelled court of Prince-Archbishop Friedrich Karl Joseph von Erthal to Aschaffenburg. Here he met with the later Archbishop Karl Theodor Anton Maria von Dalberg, who became his most important patron and sponsor. From 1802 to 1805 he attended the Academy of Fine Arts Vienna in the master class of Heinrich Füger. Stieler's portrait style was most especially shaped during his work in the Parisian atelier of François Gérard, a student of Jacques-Louis David. In 1808, he established himself as an independent portraitist in the city of Frankfurt and in 1810 travelled through Italy. From 1812 he worked at the court of King Maximilian I Joseph of Bavaria. In 1816, he again travelled to Vienna to paint the portrait of Emperor Francis I of Austria. Between February and April 1820, he worked on his portrait of Ludwig van Beethoven, which is probably the most well-known representation of the composer today. In 1847 he also painted the portrait of Lola Montez...

19th century Roman painter Still life with cherubs, flower festoons and herma with faun Measures: Oil on canvas, cm H 78 x W 95 without frame Cm H 122.00 x W 106 x D 8 with frame. The work, painted in oil on canvas, octagonal in shape, represents a nature with three putti or cupids playing with flower festoons in a wooded environment in which is placed a herma with faun and, on the left, a large neoclassical marble vase...