Maxime Dethomas Art

Teriade, E. (director) Texts by Georges Braque, Paul Valéry, André Gide, André Malraux, James Joyce, Ernest Hemingway, et. al. Verve, Volume One No. 2; Verve for For Spring 1938 (Mar...

1970s Pair of black and white important numbered and signed etching. Japan 1973. Every item of our Gallery, upon request, is accompanied by a certificate of authenticity issued by S...

George Bellows Business-Men's Class, Y.M.C.A, 1916 Signed, numbered "No. 41" and titled lower margin Lithograph on wove paper 11 1/2 x 17 1/8 inches Edition of 64 Provenance: Hirschl & Adler Galleries, New York Private Collection, Ohio Literature: Mason, 20. After his arrival from Columbus, Ohio in 1904, Bellows lived at the West Side YMCA. It was there that he met Eugene Speicher, another aspiring young artist who was to become his lifelong friend. Always interested in the anatomy of the human body, Bellows often satirized the various types who, while leading a sedentary life, feel compelled to devote a portion of their daily routine to physical self-improvement. Throughout his brief but illustrious career, George Wesley Bellows created striking scenes that documented ordinary American life in all its beauty and banality. Considered an American Realist, the artist eschewed embellishment, finding inspiration in the gritty boroughs of New York City, the rocky coastline of Maine, and, later, in his friends and family. Bellows garnered early recognition for his arresting portrayals of illegal prizefighting, dramatic works executed in dark tonal palettes that underscore the brutality of the violent sport. Bellows’ elderly Methodist parents hoped their son might pursue the ministry, a calling the extroverted athlete never received. The Columbus native competed on the baseball team at Ohio State University and also served as an illustrator for the college yearbook. In the fall of 1904—just months shy of his expected graduation—Bellows defied his father’s wishes and boarded a train to New York City in hopes of becoming a magazine illustrator like his idols Howard Chandler Christy and Charles Dana Gibson. Before leaving, he reportedly turned down an offer to play professional baseball with the Cincinnati Reds...

4th issue of VERVE, "the magazine to look for" Teriade, E. (director), texts by Henri Michaux, Paul Valéry, Rainer Maria Rilke, Jean-Paul Sartre et. al Verve Volume One No. 4; No. 4...

Richard Corman Jean-Michel Basquiat 1984 (Red), 2020 Offset lithograph poster on color archival pigment paper Signed and numbered 2/100 by Richard Corman in silver sharpie on the fro...

Alexander Calder The Flying Colors, 1974 Signed with artist's monogram and dated, from the edition of 250, published by State Street, New York for Braniff International Airline, with...

This is an exclusive handprinted limited edition cyanotype. "Mediterranean Blue Sea Waves" is a handmade cyanotype print of the subtle tidal flow moving in on the Mediterranean Sea. ...

True Love By Tracey Emin Tracey Emin is a prominent British artist and one of the leading figures of the Young British Artists (YBAs) movement. Renowned for her provocative and au...

Any Port in a Storm II is a lithograph on paper, 9.25 x 9 inches image size. From the edition of 395, numbered LIII/C (there were also 275 Arabic and 20 AP), framed in a contemporary...

Colour etching “Prova d’autore” signed localised and dated ‘Raphael Roma “70”. It depicts in his unmistakable style a couple pictured in an intimate but discreet pose. Antonietta Ra...

This one-of-a-kind cyanotype monotype layers soft, sinuous bands of blue to create a serene, wave-like field of motion. The artist shapes light-sensitive chemistry directly on waterc...

This one-of-a-kind cyanotype monotype layers soft, sinuous bands of blue to create a serene, wave-like field of motion. The artist shapes light-sensitive chemistry directly on waterc...