Adrian Alan Sculptures

A Life-size White Marble Bust of the Capuan Venus By Gaetano Rossi After The Antique, On Pedestal. On a green scagliola and marble pedestal. Signed and dated ‘G.NO Rossi, 1876’. D...

Émile-Coriolan-Hippolyte Guillemin (French, 1841-1907) A Lifesize Patinated-Bronze Bust Of A Warrior, Entitled ‘Janissaire du Sultan Mahmoud II’ (‘Guardsman to Sultan Mahmud II’). W...

Emmanuel Frémiet (1824–1910) Chevaux de Course et Jockeys (Two Racehorses and Jockeys) France, circa 1910 Signed: E. Frémiet Foundry mark: F. Barbedienne A fine, richly patinated b...

John Willis-Good (British, 1845 - 1879) ‘After The Race’. A Silvered Bronze Equestrian Group Cast By Elkington & Co, Birmingham. Depicting a racehorse with jockey up, at the dynam...

A Large Patinated Bronze Equestrian Group of ‘The Sun King' Louis XIV on Horseback, After François Girardon. King Louis XIV dressed as a Roman Emperor, his right arm slightly raised...

Émile-Coriolan-Hippolyte Guillemin (French, 1841-1907) A Fine Multipatinated Bronze Orientalist Bust of A Young Woman. Signed and dated 'Ele. ...

Sir George James Frampton (British, 1860-1928) A Patinated Bronze Statue Of Peter Pan Depicted playing the pipes and conducting with his right hand. Standing on a naturalistically cast base. Signed 'G F' in a monogram and 'P P' in a roundel. Dated 1913. England, Dated 1913. Provenance: Gerald Rufus Isaacs, 2nd Marquess of Reading (1889 –1960) and Eva Violet Mond Isaacs, Second Marchioness of Reading (1895–1973). Thence by descent until sold in 1996. The present charming statuette of Peter Pan, dated 1913, is an exceptionally fine and early reduction of the life-size bronze exhibited by Frampton at the Royal Academy in 1911. Barrie unveiled the statue in Kensington Gardens on 30 April 1912, without fanfare and without permission, so that it might appear to children that the fairies had put it in place overnight. He published a notice in The Times newspaper the following day, 1 May: "There is a surprise in store for the children who go to Kensington Gardens to feed the ducks in the Serpentine this morning. Down by the little bay on the south-western side of the tail of the Serpentine they will find a May-day gift by Mr J.M. Barrie, a figure of Peter Pan blowing his pipe on the stump of a tree, with fairies and mice and squirrels all around. It is the work of Sir George Frampton...

A White Marble Figural Group of Venus and Cupid by Henri Weigele. Signed ‘H. Weigele’ and titled ‘IL PASSEPA' Born in Schierbach, Haut-Rhin, Henri Weigele (1858- 1927) studied sc...

A Pair Of Napoleon III Patinated-Bronze Figures, Modelled As Classically Robed Maidens Bearing Urns, by Victor Paillard. The models attributed to Albert-Ernest Carrier-Belleuse (French, 1824-1887). Each with oval stamp 'VOR PAILLARD / FANTS DES BRONZE / A PARIS' France, Circa 1865 Victor Paillard (French, 1805-1886) Paillard first exhibited his work at the Exposition des produits de l'industrie in 1839. He had been experimenting with gilt and silvered bronze since...

‘Open Sesame’ A Finely Cast Gilt and Patinated Bronze Concealed Erotic Figure Of A Young Woman in A Cloak, by Carl Kauba. This rare gilt and patinated bronze by Carl Kauba is finel...

A Bronze Figure of 'La Nature se dévoilant devant la Science' by Louis-Ernest Barrias. Inscribed 'E. Barrias' and with Susse Frères foundry cachet and further Susse inscription. S...

Luca Madrassi (Italian, 1848–1916) A Fine And Large Patinated Bronze Figure Of A Sea Nymph, Entitled ‘La Fée Des Mers’ (The Spirit Of The Seas) The semi clad winged nymph, holding a...

A Fine Pair of Patinated Bronze Allegorical Busts of Autumn and Summer By Pierre-Louis Détrier. Finely modelled and cast, the busts depict young maidens allegorical of Summer and Au...

A Large and Important Multi-Patinated Bronze Figure of an Arab Warrior by Henri Honoré Plé. Signed Henri Plé to the base. The figure is finely modelled as an Arab warrior, with sw...

A Fine Pair of Bronze Figures Entitled 'Avant le Combat' and 'Apres le Combat', Cast from the models by Etienne-Henri Dumaige (1830 - 1888). Signed H. Dumaige, with title plaquet...

A Pair of Patinated Bronze Figures Of The Egyptian High Priest 'Pastophore' and The Egyptian Scribe 'Hierogrammate' By Emile Louis Picault (French, 1833-1915). Each signed 'Picau...

A Fine Patinated Bronze Figural Group of Cupid and Psyche, Entitled 'L'Amour Vainqueur' ('A Love Vanquished') By Adolphe Itasse (French, 1830 - 1893). On a revolving rouge de Fran...

A Fine Patinated Bronze Group, Entitled 'Thesée Combattant le Centaure Bianor' ('Theseus Fighting the Centaur Bianor'), Cast by Ferdinand Barbedienne, From the Model By Antoine Louis...

A Large Patinated Bronze Sculpture of Emperor Napoleon on Horseback, Cast by Susse Frères, Paris, From the Model By Alfred Émilien O'Hara, Comte de Nieuwerkerke (1811-1892). Dark br...

An Orientalist Lifesize Figural Bronze Statue, Attributed to Louis Hottot (French, 1834-1906). Modelled as a lady in Ottoman dress standing beneath an Eastern style pagoda with minaret. Depicting as if answering a call and stepping forward in greeting. France, Circa 1890. This impressive figural group is a rare work in bronze attributed to the Orientalist sculptor Louis Hottot whose oeuvre is more readily associated with what was called ‘bronze imitation’, referring to sculpture in white-metal or, as it is known today, spelter. That this large statue is cast from superior and costly bronze is indicative of its rarity and importance. The Orientalist subject relates to paintings by Jean-Léon Gérôme (1824–1904), Ludwig Deutsch (1855–1935) Gustav Bauernfeind...

A Fine White Marble Figure of a Kneeling Cherub, By Pio Fedi. Signed to the base 'Pio Fedi Faceva'. Italian, Circa 1860. Pio Fedi (1815-1892) was an Italia...

A Pair of Oval Bronze Reliefs After Clodion. Each inscribed to the cast Clodion. Each plaque depicts a Bacchic scene of a maiden dancing with a young s...

Alfred Boucher (French, 1850-1934), ‘Diana the Huntress’, A Near Lifesize Statuary Marble Group. Modelled nude with head turned looking to her left, striding forward holding the greyhound by its collar with her right hand and a giltwood bow in her left hand. On an integral carved base with foliage support. Signed 'A. BOUCHER' Boucher’s choice of pose is deliberately indebted to the celebrated mid-16th century painting of Diana the Huntress by an anonymous artist of the School of Fontainebleau. The painting is a mythical representation of Diane de Poitiers, the mistress of King Henry II, in the guise of the goddess Diana, who is shown nude, walking forward beside a greyhound, looking over her left shoulder and holding a bow. Another clear antecedent for Boucher’s ‘Diane the Huntress...

‘The Monkey Rider’ – Paul Joseph Raymond Gayrard (1807 - 1855). Signed to the base ‘Paul Gayrard’ and dated 1846. A rare patinated bronze group of a monkey in the guise of a Jockey riding a racehorse, startled by a barking dog at his feet. French, Dated 1846. The mid-nineteenth century saw a surge of interest in animalier bronzes with whimsical and anthropomorphic subjects becoming particularly fashionable. In a similar vain to Christophe Fratin’s humanised depiction's of Bears posed as lamp lighters, dentists and reading books, Gayrard created his famous Monkey bronzes. He was awarded a First Class Medal at the 1846 Salon for his humorous group ‘The Monkey Steeplechase’, which can be related to subject of the present sculpture, ‘Monkey Rider’. With the publication of Darwin’s ‘Origin of Species in 1859’ the popularity of anthropomorphically conceived subjects began to decline. As such these sculptures were only created during a very brief window of time and are consequently very rare. PAul Joseph Ryamond Gayrard Paul Joseph Raymond Gayrard (1807 – 1855) born in Clermont-Ferrand, France. He studied at an early age under his father the sculptor and engraver Raymond Gayrard, before becoming a student of François Rude and later David d'Angers. He first exhibited at the Paris Salon in 1827 and continued to submit works throughout his lifetime winning a Second Class Medal in 1834 and a First Class Medal in 1846 and 1848. His last recorded exhibit was in 1855. He executed many busts of notables of the day which proved popular with the haute bourgeois, but it was his talent for animalier that confirmed his reputation as a sculptor of considerable talent. His known bronze animal models date from the years 1846 until 1848 with his powerful plaster of a 'Harness Horse...

Antoine-Louis Barye (French, 1795-1875). ‘Éléphant du Sénégal’ (‘Senegalese Elephant’). Patinated bronze. Cast by Ferdinand Barbedienne, Paris, from the model by Antoine-Louis B...

Isidore Jules Bonheur (French, 1827-1901) ‘Le Grand Jockey ‘ Signed 'I Bonheur' and with foundry stamp PEYROL EDITEUR'. Bronze, rich mid-brown pa...

An Art Deco statuary marble figure of Cleopatra. The half-lifesize standing figure posed with her right foot raised and looking to dexta, in front of a recumbent sphinx raised on a stepped entablature. On a Siena marble pedestal carved with panelled front. Italian, Early 20th century. Intertwining history and legend, the story of Cleopatra (68-30 B.C.) has inspired artists for centuries. The present depiction dates to a period of Egyptomania inspired by Howard Carter...

'Cupid & Psyche' - An important parcel-gilt and patinated bronze figure, by François-Raoul Larche. Signed to the base 'Raoul Larche 1891'. This finely cast parcel-gilt bronze figure depicts Cupid and Psyche with Zephyr. François-Raoul Larche (1860-1912), the son of an ornamental sculptor, was a well-known Art Nouveau sculptor...

A pair of patinated bronze busts. French, circa 1870.

Bronze figure of 'La Nature se dévoilant devant la Science' by Louis-Ernest Barrias. Inscribed 'E. Barrias' and with Susse Frères foundry cachet and further Susse inscription. Thi...

'The Temptation' by Eugene-Victor Cherrier. A fine patinated bronze ewer modeled in high relief depicting Adam and Eve in the Garden of Eden. Sig...

'Le Puits Qui Parle' (The Speaking Well) - An Important Exhibition Bronze Group, by Paul Eugène Mengin. Signed to the cast 'P MENGIN', and inscri...

An exceptional pair of restoration period gilt-bronze allegorical groups depicting music and wine. Each group is set on a naturalistically modelled base and finely modelled and ch...

An exceptional pair of restoration period gilt-bronze figural groups, allegorical of hunting and fishing. Each group is set on a naturalistically modelled base and finely modelled...

'Bacchantes', a fine patinated bronze figural group after Claude Michael Clodion, French (1738-1814). French, circa 1870. Signed 'Clodion' to the base and inscribed 'BACCHANTE...

'Moses and Jochebed - A Fine Patinated Bronze Figural Group After A Model by 'François Truphème', Cast by 'Thiebaut Frères'. Signed 'Fois Truphème 1863' and 'fdu par Vor Thiebaut'....

Pietro Bazzanti (Italian, 1825-1895) - ‘Mosè Salvato Dalle Acque’. An Important Exhibition Florentine Marble Group of Moses Rescued from the Waters, on a carved Rosso Levanto Pedest...

'The Juggler' - A fine Art Deco silvered bronze figure, by Claire J. R. Colinet. French, circa 1925. Engraved to base 'CL J.R. Colinet'. This dramatic and large silvered b...

A fine patinated bronze figure of a Native American scout by Carl Kauba. Austrian, circa 1910. Signed in the cast 'Carl Kauba'. The figure cast as an American Native scou...

A fine patinated bronze figure of a Native American scout with rifle, by Carl Kauba. Austrian, circa 1910. Signed in the cast 'Carl Kauba'. The figure cast as an American...

A fine patinated bronze Putto figure emblematic of architecture, after Claude Michel Clodion. French, circa 1890. Standing at 55 cm (22 inches) tal...

'L'innocence Tourmentée Par L'amour' - A fine patinated bronze figural group by Luca Madrassi. French, circa 1900. Inscribed 'L.MADRASSI.PARIS'. With Gervais foundry cachet...

'Bonne Année, Bonne Santé' -A fine patinated bronze figure by Adolphe Maubach. French, circa 1900. Signed 'Adolphe Maurbach' and bearing a gilt-bronze title plaque 'Bonne Anné...

'Grand Nu Aux Feuillages', a fine patinated bronzed figural group by Alois Mayer.  German, circa 1900. Signed 'A. Mayer'. Alois Mayer (1855-1936) Was a German Sculptor who...

A pair of large and finely patinated bronze models of a standing bull and a running cow after models by Isidor-Jules Bonheur, Cast on a Naturalistic Base. French, circa 1890. Signed 'I BONHEUR' and stamped 'PEYROL EDITEUR'. Bonheur was a regular exhibitor at the Paris Salon and his naturalistic depiction of farm animals, including cattle, was one of his most popular subjects. The bronze was cast by his brother-in-law, Hippolyte Peyrol, who ran one of the most successful art foundries in Paris at this time. Isidore-Jules Bonheur (1827-1901) was the son of the painter Raymond Bonheur and younger brother of Rosa Bonheur, the famous sculptor. He was born in Bordeaux and studied painting, at first with his father and then with the Ecole des Beaux Arts in Paris, moving on to sculpture in 1848. He made his debut at the Paris Salon in 1848 with a painting and plaster study of the same subject ‘African horseman attacked by a lioness’. From then onwards, Bonheur exhibited regularly at the Salon as well as other exhibitions, winning medals in 1865 and 1869 together with the prized Gold Medal at the Exposition Universelle of 1889. He was awarded the Legion d’Honneur in 1895. Most of Bonheur’s casts were by his uncle by marriage, Hippolyte Peyrol, whose tiny foundry mark is often very difficult to find. Bonheur’s studies range from farm animals, bears and tigers in a very naturalistic vein to equestrian groups. Although noted primarily for his small groups he did complete two large scale commissions, one to his sister Rosa, at Fontainbleau and the other, two stone lions at the steps of the Royal...