Adrian Alan Vases and Vessels

A Pair Of Louis XVI Gilt-Bronze Mounted Green Marble Vases. Each vase is of baluster form, the green Cipollino marble body encircled by laurel and vine leaf gilt-bronze mounts. The ...

A Fine Pair of Gilt-Bronze Mounted Cobalt Blue Sèvres Style Porcelain Vases and Covers. Each vase is of amphora form with domed covers, scrolled handles and square section re-entran...

This unusual pair of Sèvres-Style jardinières are each of square section inset with finely painted porcelain panels, depicting floral sprays and genre scenes in the manner of Boucher...

A Fine and Large Pair of Vienna Style Porcelain Vases and Covers, on Stands. Each of elongated slender out-shape. Each with cobalt blue-ground neck and cover with gilt-embossed deco...

A Gilt-Bronze Mounted Chinese-Style Porcelain Vase With Dragon Handles and Elephant Head Feet, In the Manner of Ferdinand Barbedienne. French, Circa 1860.

A Very Fine Pair of Regence Style Gilt-Bronze and Rouge Griotte Marble Jardinières on Stands. Each jardinière has a scrolling foliate frieze above a tapering rouge Griotte marble...

A Pair of Sèvres-Style Gilt-Bronze Mounted Two Handled Vases with Covers, each painted with a continuous scene within a 'jewelled' gilt and bleu celeste border. The front of each v...

A Fine Pair of Napoléon III Gilt-Bronze and Patinated Bronze Athéniennes Modelled in the Classical Antique Style, Attributed to Henri Picard. The bronze impressed with the number R...

A Fine and Large Pair of Vienna Style Porcelain Vases and Covers, on Stands. Each of urn out-shape with loop handles. Each with cobalt blue-ground neck and cover with gilt-embossed ...

A Pair of Large Gilt-Bronze Mounted Sèvres Style Turquoise Ground Porcelain Vases. Each of baluster form with gilt-bronze collar above an inverted pear-shaped body flanked by acanth...

An Exceptional Pair of Gilt-Bronze Mounted Sèvres Style Iridescent-Ground Porcelain Vases and Covers. Each vase of slender oviform, with domed cover and cone finial, the elongated...

A Baroque Style Sculptural Carved Wood Cradle. The oval shaped shell with scrolled finial surmounted by a putto in flight. The front underside with a climbing putto. The shell held...

A Pair of Sèvres Porcelain Presentation Vases, Designed by Albert-Ernest Carrier-Belleuse. France, Dated 1874. Marked to the base of each vase ‘Doré A Sèvr...

A Pair of Large Gilt-Bronze Mounted Sèvres-Style Cobalt Blue Ground Porcelain Vases and Covers. Signed 'H. Desprez'. Each of baluster form. One painted to the front with Louis XV a...

A Large And Rare Pair of ‘Neo-Grec’ Style Multipatinated Bronze Amphora Vases by Ferdinand Levillain and Ferdinand Barbedienne. Signed to the cast ‘F. Levillain Fecit 1880’ and ‘F. Barbedienne’. This large pair of multipatinated vases are of amphora form modelled in the ‘Neo-Grec’ style with trumpet shaped necks and scrolling handles terminating in masks; the vases are raised on circular spreading bases put down on plinths. Each vase is finely ornamented with laurel leaves and garlands to the neck, the main body with a superb banded frieze cast in low relief depicting the Centauromachy. In the Centauromachy, the Lapiths battle with the Centaurs at the wedding feast of Pirithous. An enduring classical theme linked with the idea of culture versus nature, the Centauromachy was widely depicted in ancient Greece from the Southern Metopes of the Parthenon Freieze to the Temple of Apollo Epikourious at Bassai, it also appears as a subject on numerous Attic vases such as the Ilioupersis krater. A popular theme for artists from the Renaissance onwards it was depicted by amongst others, Michelangelo, Piero di Cosimo, Luca Signorelli, Sebastiano Ricci...

A Pair of Gilt-Bronze And Rouge Griotte Marble Vases and Covers. By Ferdinand Barbedienne, Paris. Designed in the Neo-Grec style these elegant vases stand atop Rouge Griotte marb...

A pair of Charles X gilt-bronze mounted cut crystal glass vases. Each of ovoid form with ribbed sides, mounted with foliate-scroll handles, on a square leaf-tip base with paw feet...

A rare and large pair of neo-grec gilt and patinated bronze amphora vases. Designed by Ferdinand Levillain and cast by Ferdinand Barbedienne. Signed ‘F. Levillain’ and ‘F. Barbedienne’. These spectacular floor-standing Neo-Grec vases...

A Fine Pair of Gilt-Bronze Mounted Sèvres Style Porcelain Vases and Covers. The painted reserves signed 'G. Poitevin.'. This fine pair of pair of vase...

A pair of petite Louis XVI style gilt-bronze mounted fluorspar cassolettes. Each cassolette having an ovoid form fluorspar body surmounted by a gilt-bronze stiff-leaf cast neck, ...

A pair of gilt and patinated bronze Ewers in the Manner of Clodion, by Maison Giroux. Signed ‘Alph. Giroux Paris’. Each ewer having a tapering ovoid body finely cast with a pa...

A large and finely cast neo-grec gilt and patinated bronze jardinière by Ferdinand Barbedienne. Signed 'F. BARBEDIENNE'. This rare Jardinière or ...

A pair of ‘Japonaise’ style silver plated and engraved glass decanters, in the Manner of Christofle. This charming pair of glass decanters are decorated in the 'Japonisme' style p...

A pair of patinated bronze vases cast after the antique. Each vase is of krater form with elaborate scrolling volute handles with swan heads a...

A pair of Victorian silver-plated and cut-glass vases by Joseph Rodgers & Sons. With marks for Joseph Rodgers & Son. Sheffield. ...

A fine pair of Vienna style covered cylindrical vases, on square footed socle bases. The vases are decorated with classical scenes including Jupiter an...

A fine pair of patinated bronze bacchanalian vases, after Clodion. Cast after the design by Clodion, the vases are modelled with masks depicting chimerical ibex flanked by laurel ...

A fine pair of Sèvres-style napoleonic gilt bronze mounted cobalt-blue ground porcelain vases. Signed by the artist 'H. Desprez Sevres'. Each vase is of inverted ovoid form finely painted all-over with Napoleonic battle...

An exceptional and important pair of exhibition quality gilt bronze mounted Sèvres-style porcelain vases and covers. Signed ‘Lucot’. This exceptional pair of vases are of inver...

An elegant cut-crystal and silver plated centrepieceby La Compagnie des Cristalleries de Baccarat. Stamped to the underside with the Baccarat cachet. This large centrepiece is of oval form with a silver-plated basketweave frame with scrolled handles and centred to the front with courting doves. It is raised on foliate cast toupee feet and inset with a hob-nail cut crystal basin...

A fine pair of patinated bronze models of the townley vase, cast after the antique, by Auguste-Maximilien Delafontaine. The bronze stamped to the under...

A fine pair of patinated bronze and rouge griotte marble urns and covers, in the manner of Clodion. Of fine patina each urn has an ovoid shaped body cast in high relief with vine ...

'The Temptation' by Eugene-Victor Cherrier. A fine patinated bronze ewer modeled in high relief depicting Adam and Eve in the Garden of Eden. Sig...

A pair of Louis XVI style gilt bronze and marble Cassolettes. Each with a Verde antico marble urn and cover embellished with foliate garlands and berried finial, supported on ram'...

A large and finely cast gilt and patinated bronze neoclassical style vase. This impressive vase is of oval shape with gilt and patinated bronze decoration of classical figures and...

A fine pair of Louis XVI style gilt bronze-mounted Bleu Turquin marble urns with Satyr masks, attributed to Maxime Secrétant. French, circa 1890. ...

A fine gilt bronze and Champlevé Enamel Garniture Set comprising a pair of candelabra and a brûle-parfum and cover. French, circa 1890. The brûle -parfum or censor with a domed champlevé enamel lid above a gilt bronze pierced guilloche border with ram's head mounts supported by a baluster column flanked by seated putti finely cast with musical instruments on a circular base. The candelabra en suite having a pair of of putti figures supporting candlearms with circular champlevé enamel drip trays and sconces. Champlevé enamelling, is similar to cloisonné in that the enamel is applied to discrete cells separated by metal. However, in champlevé, cells or troughs are cast into or cut away from the metal base, leaving a raised metal line between the cells which forms the outline of a design. The cells are then filled with molten or powdered glass and fired. Height of central vase: 25 cm Width of central vase: 15 cm...

An important and monumental Louis-Philippe Verre opaline vase. French, circa 1830. Standing at almost 54 inches (136 cm) this impressive vase is in white opaline glass with per...

An unusual pair of George IV silver-gilt cup and covers by John Bridge for Rundell, Bridge & Rundell. English, circa 1824-1826. Hallmarks for Rundell, Bridge & Rundell, London...

An important and extremely large pair of Magenta Ground Vienna Porcelain Exhibition vases. Austrian, circa 1900. Each vase with blue underglazed ‘Beehive’ mark to interior of neck. Each vase is finely painted with classical scenes to the front and allegorical scenes to the back on a rich magenta ground with gilt foliate decoration. The vases are mounted by extraordinary gilt handles headed by winged female masks to the sides and grotesque masks to the shoulders. The spreading necks decorated with Greek key decoration are surmounted by domed covers and the vases are raised on baluster form supports put down on drum bases finely painted with panels stylised arabesque. The Vienna Porcelain Manufactory was founded in 1718 only eight years after Johann Friedrich Bottger and Ehrenfried Walther von Tschirnhaus had succeeded in unearthing the secret of Porcelain Manufacture for August the Strong, Elector of Saxony. On May 25, 1718, Emperor Karl VI signed a "special privilege" awarding Claudius Innocentius du Paquier the exclusive right to produce porcelain in the Austrian crown lands. Production being almost exclusively for the imperial household and the court nobility. During the rococo era, Empress Maria Theresia placed the company under imperial ownership and it was during this period that the manufactory began to produce the famous rococo genre scenes after Watteau. Under the management of Conrad Sorgel von Sorgenthal, the Vienna Porcelain Manufactory achieved an international reputation for its neo-classical style. After the wars with France brought the manufactory to the brink of ruin, the Vienna Congress at the beginning of the Nineteenth Century gave porcelain from Vienna a renewed upswing. Many important personalities of the time, including Czar Alexander I of Russia...