Ivy Brown Sculptures

Federica Patera & Andrea Sbra Perego, bridge language and cosmogony. Starting from a single linguistic element like a verbal root, they trace its evolution around the world and t...

Two artworks: Federica Patera & Andrea Sbra Perego, bridge language and cosmogony. Starting from a single linguistic element like a verbal root, they trace its evolution around ...

As an artist, I am a storyteller wielding visual art as my medium. My creative journey is fueled by a relentless thirst for knowledge acquired through both hands-on experience and ke...

"I started creating fingerprinted pinned books after seeing a photo of Americans being lynched in the south popped up in my social media feed. I was shocked and horrified to see it. ...

Megan Klim's mixed media work juxtaposes several materials on one picture plane.  She highlights their inherent qualities to create surface tension which sparks a conversation and in...

Material: Ink, Acetate, Pins, Repurposed Banned Book Leaving Pennsylvania through New Hope was the last leg of my escape from the psychiatric hospital. A few days later, my friend a...

Material: Racing spikes, ink, acetate, pins This piece traces Huhn’s journey back to the freedom she discovered when she fled a psychiatric hospital in Pennsylvania and ran, literal...

Material: Ink, Acetate, Pins, Repurposed Banned Book "I stumbled upon this book while I was out in California, shortly after the end of a relationship. The title of this show is the...

Material: Ink, acetate, resin, rubber, repurposed banned book I read this novel as soon as I heard that Rutgers University had banned it. It is as close to a perfect beginning as I ...

“When I was sixteen I was in a serious car accident that left me with a traumatic brain injury (TBI). As a result, I spent years in psychiatric hospitals before the condition was par...

Material: Ink, Acetate, Pins, Repurposed Banned Book Coates details the weight of being perfect as a marginalized American—always prepared and without the privilege to make mistakes...

My work with pattern tissue has evolved over the past 5 years. I acquired waste dressmaker pattern paper from a now defunct factory. It was part of my wild hoard of random materials...

Megan Klim's mixed media work juxtaposes several materials on one picture plane.  She highlights their inherent qualities to create surface tension which sparks a conversation and in...

Megan Klim's mixed media work juxtaposes several materials on one picture plane.  She highlights their inherent qualities to create surface tension which sparks a conversation and in...

Megan Klim's mixed media work juxtaposes several materials on one picture plane.  She highlights their inherent qualities to create surface tension which sparks a conversation and in...

Heide Hatry is a NYC-based German artist, former rare bookseller, and best known for her work employing animal parts or other discarded, disdained, or “taboo” materials. She has cura...

Heide Hatry is a NYC-based German artist, former rare bookseller, and best known for her work employing animal parts or other discarded, disdained, or “taboo” materials. She has cura...

Heide Hatry is a NYC-based German artist, former rare bookseller, and best known for her work employing animal parts or other discarded, disdained, or “taboo” materials. She has cura...

Heide Hatry is a NYC-based German artist, former rare bookseller, and best known for her work employing animal parts or other discarded, disdained, or “taboo” materials. She has cura...

Heide Hatry is a NYC-based German artist, former rare bookseller, and best known for her work employing animal parts or other discarded, disdained, or “taboo” materials. She has cura...

Heide Hatry is a NYC-based German artist, former rare bookseller, and best known for her work employing animal parts or other discarded, disdained, or “taboo” materials. She has cura...

Heide Hatry is a NYC-based German artist, former rare bookseller, and best known for her work employing animal parts or other discarded, disdained, or “taboo” materials. She has cura...

Heide Hatry is a NYC-based German artist, former rare bookseller, and best known for her work employing animal parts or other discarded, disdained, or “taboo” materials. She has cura...

Heide Hatry is a NYC-based German artist, former rare bookseller, and best known for her work employing animal parts or other discarded, disdained, or “taboo” materials. She has cura...

Heide Hatry is a NYC-based German artist, former rare bookseller, and best known for her work employing animal parts or other discarded, disdained, or “taboo” materials. She has cura...

Heide Hatry is a NYC-based German artist, former rare bookseller, and best known for her work employing animal parts or other discarded, disdained, or “taboo” materials. She has cura...

Heide Hatry is a NYC-based German artist, former rare bookseller, and best known for her work employing animal parts or other discarded, disdained, or “taboo” materials. She has cura...

Heide Hatry is a NYC-based German artist, former rare bookseller, and best known for her work employing animal parts or other discarded, disdained, or “taboo” materials. She has cura...

Heide Hatry is a NYC-based German artist, former rare bookseller, and best known for her work employing animal parts or other discarded, disdained, or “taboo” materials. She has cura...

Heide Hatry is a NYC-based German artist, former rare bookseller, and best known for her work employing animal parts or other discarded, disdained, or “taboo” materials. She has cura...

Pablo Garcia-Lopez, MFA, PhD Pablo Garcia-Lopez was born in Madrid in 1977. He has a Bachelor’s Degree in Biochemistry from Autonoma University, and a PhD in Neuroscience from Complu...

Pablo Garcia-Lopez, MFA, PhD Pablo Garcia-Lopez was born in Madrid in 1977. He has a Bachelor’s Degree in Biochemistry from Autonoma University, and a PhD in Neuroscience from Complu...

The Corals Series explores the connection between language and cosmogony, focusing on the readability of words within the artwork. This aspect relates to two main concepts: on one ha...

In the Corals Series, the potential for misunderstanding lies in the form of the works, which resemble corals: they might look like plants or stone, but they are actually animals liv...

“My art explores the similarity between seemingly disparate cultures through the lens of my African American ancestry. I examine my family’s plight shaped by the history of racism an...

“My art explores the similarity between seemingly disparate cultures through the lens of my African American ancestry. I examine my family’s plight shaped by the history of racism a...

“My art explores the similarity between seemingly disparate cultures through the lens of my African American ancestry. I examine my family’s plight shaped by the history of racism a...

“My art explores the similarity between seemingly disparate cultures through the lens of my African American ancestry. I examine my family’s plight shaped by the history of racism a...

“My art explores the similarity between seemingly disparate cultures through the lens of my African American ancestry. I examine my family’s plight shaped by the history of racism a...

“My art explores the similarity between seemingly disparate cultures through the lens of my African American ancestry. I examine my family’s plight shaped by the history of racism an...

“My art explores the similarity between seemingly disparate cultures through the lens of my African American ancestry. I examine my family’s plight shaped by the history of racism an...

“My art explores the similarity between seemingly disparate cultures through the lens of my African American ancestry. I examine my family’s plight shaped by the history of racism an...

Poem that goes with this artwork: 'From My Point Of View' On his morning rounds the Master Goes to learn how all things fare; Searches pasture after pasture, Sheep and cattle eyes w...

Poem that goes with this artwork: 'From My Point Of View' On his morning rounds the Master Goes to learn how all things fare; Searches pasture after pasture, Sheep and cattle eyes w...

Tufnell's focus is primarily on sculpture, and he typically works with a variety of materials, including wood, metal, and found objects. While some of his sculptures do incorporate h...

Tufnell's focus is primarily on sculpture, and he typically works with a variety of materials, including wood, metal, and found objects. While some of his sculptures do incorporate h...

Tufnell's focus is primarily on sculpture, and he typically works with a variety of materials, including wood, metal, and found objects. While some of his sculptures do incorporate h...

Tufnell's focus is primarily on sculpture, and he typically works with a variety of materials, including wood, metal, and found objects. While some of his sculptures do incorporate h...

My sculptural work, even with its overt use of modern materials and experimentation, actually operates within our most traditional art forms: still life, landscape, and portraiture. ...

Tufnell's focus is primarily on sculpture, and he typically works with a variety of materials, including wood, metal, and found objects. While some of his sculptures do incorporate h...

Tufnell's focus is primarily on sculpture, and he typically works with a variety of materials, including wood, metal, and found objects. While some of his sculptures do incorporate h...

The draw of clay for Anastassia is in its innate ability to connect us to our unconscious and past experiences of touch. Her work, led by intuition and a sense of play, explores the ...

The draw of clay for Anastassia is in its innate ability to connect us to our unconscious and past experiences of touch. Her work, led by intuition and a sense of play, explores the ...

The draw of clay for Anastassia is in its innate ability to connect us to our unconscious and past experiences of touch. Her work, led by intuition and a sense of play, explores the ...

The draw of clay for Anastassia is in its innate ability to connect us to our unconscious and past experiences of touch. Her work, led by intuition and a sense of play, explores the ...

The draw of clay for Anastassia is in its innate ability to connect us to our unconscious and past experiences of touch. Her work, led by intuition and a sense of play, explores the ...

The draw of clay for Anastassia is in its innate ability to connect us to our unconscious and past experiences of touch. Her work, led by intuition and a sense of play, explores the ...

The draw of clay for Anastassia is in its innate ability to connect us to our unconscious and past experiences of touch. Her work, led by intuition and a sense of play, explores the ...

The draw of clay for Anastassia is in its innate ability to connect us to our unconscious and past experiences of touch. Her work, led by intuition and a sense of play, explores the ...

The draw of clay for Anastassia is in its innate ability to connect us to our unconscious and past experiences of touch. Her work, led by intuition and a sense of play, explores the ...