Pierson Wall Decorations

GOTTFRIED SCHULTZ German, 1842-1919 Still-Life with Fruits and Wine on a Marble Surface with a Small Fly Oil on linen Signed upper left "G. Schultz" Item # 402UJE16Z An intricately painted still-life scene centered around a blown glass goblet of white wine centered on a marble table top. Red and white grapes spill across the surface with a sprig of the grape vine together with several large leaves resting on the top while peaches, a pear, two plums and an open apricot are laid out on the table. A single fly looks on at the table of sweet fruits and juices, its tiny body casting...

Three Dogs – Antique Etching by Samuel Howitt from 'Miscellaneous Etchings', 1812 This charming early 19th-century etching by Samuel Howitt (1756–1822) depicts three dogs in a momen...

A bright and lively serigraph titled “Embossed Flowers” by Serbian American artist Daniel Gelakoska. Artist embossed seal “Daniel Gelakoska Printworks...

For your consideration, a 1960s mid-century modern abstract painting Mexico City. Signed in lower left corner hard to read. In the style of Leonardo Nierman. Oil on Masonite Dimensi...

An original Robert Emmett Owen painting of New England Landscape. Offering a beautiful oil on canvas painting by American Impressionist painter...

Painting by Robert Hector Geenens. Started with fantastic realism, often surrealism, open to dreams and imagination. Tended afterwards towards lyric abstraction and magic abstracti...

Large oil on canvas signed M. S. and dated 1950. Martin Snipper b.1914-d.2008, he was a San Francisco/Bay Area artist and patron of the arts. American, mid 20th century.

“In order to use colour effectively it is necessary to recognise that colour deceives continually.” Josef Albers “We never really perceive what colour really is, as it physically is. This fact makes colour the most relative medium in art.” Josef Albers “The structures are irrational statements which illustrate the artist’s claim that the eye seeks, in endless exploration, to fathom and master the contradictions of reversed symmetry. One begins to study the structure at some point where isometric order is suggested. One finds evidence for the reading of the work, but when one tries to take in the whole structure as a unit, new evidence requires a drastic reorganization of the work’s implications. That which was above shifts to below, that which was negative becomes positive, that which was full becomes vacant, that which was in front has moved to the rear. Having found a balance, the eye’s testing finds the entire constellation shifting into its reverse.” Gerald Nordland, in his essay for the “White Embossings on Gray” catalogue For sale, one print from Albers’ late in life exploration of color and perception, the “White Embossings on Gray” Series. For this series, renowned California print...

1961 Moisès Villèlia Linocut — “Aumun” (Colour Variant), No. 89/100, with Alain Arias-Misson Poem, Framed & Free Worldwide Shipping Red pulses through Villèlia’s organic lattice lik...

Framed oil on canvas abstract painting, unsigned. Purchased from an estate in San Francisco / Bay Area. This is a very good quality painting (not a weekend type painter). Califor...

A wonderfuly composed, vibrantly colored, original watercolor painting by American/California artist Milford Zornes. The work is titled "Hacienda en Colima" and features a pensive, ...

Abstract oil on canvas by California artist Carlos Lopez. Framed, matted and behind glass. Signed and with artist bio on back.