Antique Vietnamese Shell Inlaid Tea Tray

Unusual Chinese Scholars’ Incense Tray, beautifully crafted of wood covered in a parquetry of small pieces of coconut wood in a “Cracked Ice” pattern, small footed base with flared rim with beaded edge. Complete with a Japanese Collectors’ wood storage box labeled: “Chinese coconut...

Chinese Decorative Lacquered Wood Jardiniere, small, elegant form carved from a single segment of wood, raised high on four cabriole curving legs, top consisting of a rectangular ope...

Chinese red lacquered painting table, soft wood construction with unusual detailed relief skirt carving depicting figures and flowers, three deep drawers with inset brass hardware, i...

Large Antique Thai Bencharong Stem Plate. A stoneware tazza having a domed pedestal base under a foliate rim dish. Traditionally enameled in a green an...

A small altar tray, hand-crafted in teak with mother-of-pearl inlays. China, late 19th Century. Rustic teak in a dark brown/red semi-gloss finish. Four stretchers connect the turn...

This 19th-century serving tray exemplifies Qing-dynasty refinement with simplicity of form and an emphasis on natural materials. Crafted from a tightly-grained hardwood, the elegant ...

A Korean lacquered wood low table with exotic elaborate inlay work circa 19th century (Joseon Dynasty). The low table, supported by slightly curved legs, was traditionally placed on the floor or bed in as a luxury item in a noble wealthy household. Like Soban, the low profile was meant to be used sitting down on the floor or matt. It is suitable to be used as a coffee table for modern time. With its rectangular form, the prototype was likely from Chinese Kang table. Lacquered in black (with time the color always turned slightly brownish due to oxidation caused by light), the table showcases elaborate inlay work with exotic materials including crushed Mother-of-Pearl, golden tortoise shell, stingray Shagreen and twisted brass wires. The iconic motif in the center is "Dragon and Phoenix Chasing Fire Pearl", an auspicious symbol often used in wedding ceremony. The eyes of the dragon and phoenix were heighted with MOP shells. The horns and beards of the dragon were made of tortoise shell. The textured scale and feature were depicted with Shagreen. The mythological animals are surrounded with clouds formed by inlayed brass wire and islands of crushed MOP. On four corners anchored a square motif each with symbol of Bagua with four trigrams. Impressively, the fine inlay work continued onto the outer border. Buddhism symbols such as fans, pair of chimes, conch, and ribbons were depicted in great details. The aprons are also decorated with brass wire scrolls and various floral motifs in shagreen. The design on this table is of classic motif found in Korea lacquer table...

A small low table with lacquer and intricate mother-of-pearl inlay design from Ryukyu Islands kingdom circa 17-18th century. Ryukyuan kingdom was used to be an independent island cou...