Japanese Meiji Lacquer Writing Set

This exquisite Meiji-period lacquer document box known as a ryoshibako showcases the meticulous artistry of maki-e, a technique of raised lacquer decoration. Adorned with gold and vi...

Edo-Period Lacquerware Chest 19th-century This exquisite chest, inspired by Hasami-Bako travel trunks, is a striking example of Japanese lacquerware. The hiramaki-e technique—applie...

This Meiji-period lacquer tray represents the mastery of Japanese craftsmen in the art of lacquer work. Precious materials are precisely inlaid in the lacquer base, creating a highly...

This intriguing Chinese zhadou is intricately carved of fine cinnabar lacquer. A work of exceptional artistry, this covered bowl is adorned with an intricately carved floral motif on all surfaces, including the cover and the wide rim. Also known as a cuspidor or spittoon, this rare container would have been used by members of the imperial family and scholar- officials at the court. Carved during the Kangxi period (1662-1722), this charming piece exhibits the high detail and charm associated with items from that period, making it a true treasure, Early 18th century (Kangxi dynasty) Measures: 6 ¼” wide x 3 ¼” high Cinnabar has been revered for its color all over the world. It has been found in the royal burial chambers of the Mayas, in the rituals of India, and in the ruins of ancient Greece and Rome. In China, cinnabar and gold were the two most important elements in alchemy. Mined since the Neolithic Age, cinnabar is the ore of mercury, and as such, it can be incredibly toxic, especially when mining. In fact, during the Roman Empire, miners at Spain’s Almadén mine in Spain were frequently exposed to mercury fumes, and the subsequent, often fatal, sickness was considered an occupational hazard. The most popular known use of cinnabar is in Chinese carved lacquer-ware, a technique that is believed to have originated in the Song Dynasty, in which cinnabar is ground to a powder and added to clear lacquer. As with mining, there was inherent danger of mercury poisoning for those who carved the lacquer, as mercury was also released into the air when artisans ground the pigments. Most antique cinnabar...

With intricate construction and exquisite decoration, this fine tabletop writing set is a masterpiece of Japanese lacquerware. The matching set includes a writing table (bundai) and poem box (tanzaku bako), both decorated with gilt lacquer in the style of takamaki-e and hiramaki-e urushi lacquer. Framed by everted ends, the lacquered table top is masterfully worked, depicting a robed man seated on a veranda within an idyllic mountain-and-water landscape. Swirling clouds drift overhead and pine trees bend towards the sky, formed of raised lacquer (takamaki-e) and mother of pearl inlay (raden). Dark lacquer at the corners imitate metal hardware and the sculptural corner legs are decorated with raised motifs of maple leaves. The writing table includes a matching poem box (tanzaku bako), used for storing paper cards of painted calligraphy and poetry. The lid is similarly decorated in shimmering gilt lacquer with a raised design of a fine carriage beneath a pine tree, draped in cloths and shaded by bamboo blinds...

The Design & Impact: This museum quality, tiered writing box (kasane suzuribako) represents a breathtaking convergence of traditional calligraphy (shodo) and the highly formalize...

Wheels Submerged in flowing water motif, believed to be a subject popular in samurai families. Example of the same subject matter in Tokyo National Museum.

An impressive matching set comprising a ryôshibako (document box) and a suzuribako (writing box), both decorated with cranes, young pine trees, and celestial motifs of sun (hi) and m...