Founded by one-time Parisian wallpaper dealer Ferdinand Barbedienne and engineer Achille Collas, one of the most revered foundries in 19th-century France began with the invention of a revolutionary 1830s-era device that could produce proportional reproductions — large or small — of sculptures. Collas’s machine, which yielded miniature likenesses of antiquities for the interiors of homes the world over, was pivotal to the success of the F. Barbedienne Foundry. The successful firm earned prestigious awards and critical acclaim and created exquisite bronze candleholders, clocks and lamps for a range of wealthy and prominent clients.
The duo first launched their company under the name Société Collas et Barbedienne, and early on, they optimized chemical processes for pigmenting and patinating their bronze statuettes. After Collas died in 1859, Barbedienne forged on alone, and the company’s name changed to simply F. Barbedienne.
Barbedienne employed more than 300 workers at that point, and the Maison created a range of furnishings and decorative objects that featured the integration of marble and ormolu accents. However, with the onset of the Franco-Prussian War of 1870, the foundry was forced to retrofit its molds, and the production of cannons replaced sculptures, furniture and vases.
When Ferdinand Barbedienne passed away in 1891, his nephew and heir, Gustave Leblanc, took over as president, changing the name to Leblanc-Barbedienne. Leblanc expanded production into Germany, the United Kingdom and the United States, carrying on the company's legacy with monumental sculptures, and models and securing production rights for famous statues. Paul-Alexandre Dumas, an Art Nouveau maker and student of Louis Majorelle, succeeded Leblanc until the company's closing in 1952.
Barbedienne pieces had been exhibited regularly in the 19th century and were especially prevalent at Europe’s international expositions and world’s fairs, where they received numerous prizes. Today, the Musée d’Orsay in Paris holds dozens of Barbedienne works in its collection, including intricate mirrors, vases and cups created by Louis-Constant Sévin at the foundry. For more than two decades, Sévin created lamps, boxes and more at Maison Barbedienne. Working alongside award-winning chaser Désiré Attarge, Sévin designed Napoleon III-era works that greatly appealed to European nobility.
Other notable artists who collaborated with Barbedienne included Eugene Aizelin, Emmanuel Fremiet, Antonin Mercié, Emile Guillemin, Edouard Lievre, Ferdinand Levillain and Auguste Rodin.
On 1stDibs, find a collection of antique Ferdinand Barbedienne decorative objects, lighting and more.
Ferdinand Barbedienne, A French Ormolu and Champleve Enamel Jardiniere, C. 1870
By Louis-Constant Sevin, Ferdinand Barbedienne
Located in Long Island City, NY, NY
Ferdinand Barbedienne, A French Ormolu and Champleve Enamel Jardiniere, C. 1870, The Design Attributed to Louis Constant Sevin. An exceptional qualit...
Ormolu, Enamel, Bronze
F. Barbedienne, A Suite of Three French Ormolu and Champleve Enamel Jardinieres
By Ferdinand Barbedienne
Located in Long Island City, NY, NY
Ferdinand Barbedienne, An Exquisite Suite of Three French Ormolu and Champleve Enamel Jardinieres / Garniture C. 1870, The Design Attributed to Louis Constant Sevin. Comprising of t...
Bronze, Enamel, Ormolu
Exquisite Neo-Grec Ormolu & Champleve Enamel Jardiniere by Barbedienne & Sévin
By Louis-Constant Sevin, Ferdinand Barbedienne
Located in Long Island City, NY, NY
A French Neo-Grec Ormolu and Champlevé Enamel Jardinière by Ferdinand Barbedienne and Louis-Constant Sévin, circa 1870 An outstanding ormolu-mounted and champlevé enamel jardinière,...
Enamel, Ormolu
Extremely Rare Pair of Ferdinand Barbedienne Ormolu and Champlevé Enamel Vases
By Ferdinand Barbedienne, Louis-Constant Sevin
Located in Long Island City, NY, NY
An extremely rare, museum quality pair of Ferdinand Barbedienne ormolu and champlevé enamel vases, circa 1870, certainly designed by Louis Constant Sevin...
Enamel, Ormolu
Important, Rare French Ormolu Sevres Style Porcelain Jewelry Box on Bronze Table
Located in Long Island City, NY, NY
A rare and important French ormolu/bronze and Sevres style turquoise porcelain jewelry box casket on matching French ormolu/bronze table with Sevres style porcelain plaques. Of palatial / monumental size! "The Marie Antoinette Jewelry...
Bronze, Enamel, Ormolu
An Exquisite and Rare French Louis XVI Style Ormolu-Mounted Bloodstone Inkwell
Located in Long Island City, NY, NY
An Exquisite and Rare French Louis XVI Style Ormolu-Mounted Bloodstone Inkwell, circa 1875. A truly exceptional and jewel like quality inkwell encrier, made with the finest ormolu, mounted on bloodstone. A true collectors and one of a kind piece. Revival of the ancient régime in the late 19th century was paramount to the French furniture and bronze casting firms of the Belle Epoque. Imitation in the highest regard and replication of those tastes and styles was prevalent throughout the Paris Faubourg, where the most talented bronziers and ébénistes established their workshops. The present inkwell encrier recalls the late 18th century's obsession with hardstones - a taste expounded above all by the duc d'Aumont and, subsequently Marie-Antoinette. Such hardstone-mounted pieces, reminiscent of Renaissance schatzkammer objects, enjoyed a revived popularity at the end of the 18th century through the impetus of both the marchands-mercier and, more importantly, the hôtel des Menus-Plaisirs, where the duc d'Aumont himself established a workshop in 1770 specializing in the cutting and polishing of precious hardstones. This exceptional inkwell encrier, sumptuously-mounted with finely chased gilt-bronzes, incorporates a highly-prized material such as bloodstone. Sometimes called the Sunstone, the meaning of Bloodstone comes entangled in fascinating history. The Ancient Greeks held the Bloodstone as a gem with glorious powers. They referred to it as Heliotrope, which directly translates to Sunstone. It was believed to have heavenly healing powers gifted by the gods and most certainly when it came to healing all things related to the blood. Even as we move forward into the Middle Ages, the Bloodstone takes another mystical story under its wing. It was believed to be formed from Christ's blood. It was said that during the Crucifixion, a few red spots of his blood dripped...
Ormolu, Bronze
F. Barbedienne French Ormolu and Champlevé Enamel Jardinière
Located in New York, NY
A high quality and richly detailed French 19th century ormolu and champlevé enamel jardinière, signed by the renowned bronzier F. Barbedienne and attributed to the celebrated designe...
Enamel, Ormolu
A 19th C. French Ormolu Champlevé Enamel Footed Centerpiece, Att. Barbedienne
By Ferdinand Barbedienne
Located in New York, NY
An Incredible 19th Century French Ormolu Champlevé Enamel Footed Centerpiece, Att. Barbedienne. This captivating piece stands as a testament to the impeccable craftsmanship of its e...
Ormolu
Japonisme Ormolu and Cloisonne Enamel Jardiniere by Ferdinand Barbedienne
By Ferdinand Barbedienne, F. Barbedienne Foundry
Located in New York, NY
A dual-handled jardinière with black cloisonne ornamented with flowers, butterflies and foliage. Origin: France, Paris Date: Last quarter of the 19th Century Stamped F. BARBEDI...
Bronze, Enamel
Ormolu and Cloisonné Enamel Jardinière Attributed to F. Barbedienne
By F. Barbedienne Foundry
Located in London, GB
The large central circular form cloisonne enamel jardinière decorated with vari colored plum flowers and butterflies on a blue ground, with a pierced ormolu rim featuring a pineapple motif resting on a finely cast ormolu base with four legs in the form of winged Foo lions. The ormolu French, the enamel Chinese. This impressive jardinie`re is very much in the manner of objects in enamel produced by Ferdinand Barbedienne in Paris in the last quarter of the 19th century which proved universally popular. Often these pieces were designed by Edouard Lievre (d. 1886) in the Oriental taste. Ferdinand Barbedienne was a famous French metal worker and manufacturer. He presided over one of the most renowned and prolific foundries of Belle Époque Paris. His atelier created sculptures, clocks and bronze mounts of the highest quality, and his works were shown at numerous international exhibitions of the period, where he was rewarded with many medals. Among them the Grande Me´daille d'Honneur, in Paris in 1855 is particularly noteworthy. In 1838 he associated with the engineer Achille Collas (1795-1859) who had just invented a process to reproduce statues at a smaller scale. Together they founded in 1839 the company "Collas et Barbedienne" to reproduce casts of both contemporary artists and Greek and Roman antiquities. While working with Collas, Barbedienne actively pursued contracts with many sculptors of Paris contracting with David D'Angers, Jean-Baptiste Clesinger, and even producing some casts for Antoine Louis Barye as well as others. From 1860 to the years 1890, Barbedienne, eager to research new processes, experimented new techniques in champleve´ and cloisonne´-enamels, to compete with Japanese importations, very fashionable then. When Collas died in 1859, the business was left to Barbedienne as sole owner. The company who had over 300 employees was prosperous as well in the field of reproductions as in its department specialized in the casting of monumental bronzes. In 1865, he was appointed President of the Reunion of Bronze Makers until 1885. After the 1870 war...
Enamel, Ormolu
Enamel and gilt bronze jardiniere. France, late 19th century.
Located in Buenos Aires, Buenos Aires
Enamel and gilt bronze jardiniere. France, late 19th century.
Bronze, Enamel
19th century Petite ‘Sèvres’ Jardinière with Gilt Bronze Mount, France, c. 1870
Located in London, GB
A very beautiful antique petite-size French ‘Sèvres’ jardinière, planter, cachepot or table centerpiece bowl, made in France in the Napoléon III era ...
Bronze
