Bone Tea Caddies

The burgundy / brown lacquer is decorated with gold depicting figures and buildings in a landscape. The caddy stands on four carved wooden feet in the shape of claws. The interior contains a single pewter canister...

Unusual pagoda form caddy finely figured veneers. Interior lids are original and match the exterior of the caddy, resting on brass ball feet

PRESENTING a LOVELY 19C Anglo Indian Bombay MOP (Mother of Pearl) Sadeli Mosaic Trinket Box from circa 1875-85. Gorgeously detailed and hand-crafted ‘sadeli mosaic’ inlay, from the Bombay Area, with deep greens with silver, pewter, mother of pearl, bone and ebony in geometric patterns. The box case, is made of sandalwood but completely covered in MOP, bone, faux ivory, ebony and mosaic inlay. Edged with faux ivory and banded with a different pattern of sadeli mosaic. Some minor damage to the top (repair is obvious in pics) and ivorine replacements to some edging, but it still a BEAUTIFUL BOX and of real QUALITY! The mosaic work is FABULOUS! Box opens to reveal its original blue velvet lining. It sits on 4 (recently added) silvered button feet. SADELI MOSAIC: “Anglo Indian boxes were made in India for the English residents from the early part of the 18th century. They were brought back or sent back to England usually by the people who had commissioned them. From the beginning of the nineteenth century they were imported more commercially, although not in any significant numbers until the middle decades. They were very highly valued, especially the early ones, to the extent that the designs were copied on late 19th and early 20th century tins. The ancient art of Sadeli Mosaic is said to have been introduced from Shiraz in Persia via Sind to Bombay, a long time before the Anglo Indian boxes were made. It was a technique, which required a high degree of skill and patience. It was executed very lavishly, in that the frequent cuts wasted a great amount of the precious materials used. The workmanship was however more than commensurable to the value of the materials. Ivory, silver, pewter (or other metals), wood and horn were cut into faceted rods which were bound together to form geometric patterns. When the glue has set, the rods were sliced in transverse sections. This gave the maker a number of angled circular pieces in the original pattern. Several variations of patterns could be achieved by combining the materials in different ways. The ivory was sometimes dyed green to give an extra color. The mosaic pieces in a combination of patterns, often separated by ivory, ebony, horn or silver stringing were used to veneer sandalwood boxes. In the early boxes, which date from the turn of the 18th to the 19th century, there are large panels of mosaic covering tops and sides of boxes. It took incredible skill to cover such large areas without any shakes or wavering of the pattern. The corners and joins on these boxes are impeccably matched. The makers (reputed to be Persian) of Sadeli mosaic made in the first two decades of the 19th century displayed a total understanding of the qualities of the different materials they used. They combined substances, which can expand and contract according to atmospheric conditions with others, which are hard and unyielding. The result was a sharp definition of the lines and patterns, which made up the whole design. On the early boxes the designs look deceptively simple. The fact is, they emerged from a culture, which had mastered geometry and understood how to generate a pattern from a set number of points. The patterns are so harmoniously combined that their incredible complexity is not immediately apparent. The earliest Sadeli boxes...

Nice mellow patina on this 18th century English mahogany tea caddy with three interior compartments. Two end sections have incised geometric carved lids. Tapered all around from top ...

1920s Antique Moroccan Silver Plated Footed Tea Caddy with hinged lid. This authentic Moroccan brass silver plated box has a beautiful etched geometri...

Antique English shagreen cased six sided wooden tea caddy with nice silver mounts, bone finial and undivided interior. Comes with small silver pin to ...

A lovely bow front tortoiseshell tea caddy inlaid with mother of pearl flowers and topped with a silver badge. English, circa 1870.

An anglo Indian workbox made of ebony. The tray lifts up from the box on the lid which is also inlaid in ivory and ebony and has a bone round disc that is signed New Bedford 1810. Th...

This silver trinket or jewelry box dates to the late 19th century and is presumed have been made in India. The silver tests to between .850 and 900 and as such, is slightly below .92...

A stunning, fine quality English Victorian brass-mounted walnut tea caddy, retailed by Wedgwood & Sons, 9 Cornhill, London. Exquisitely hand-crafted in the mid-19th century, rectangular chest form finished in rich burled walnut, having a shaped hinged lid featuring an inset Wedgwood Jasperware plaque of Cupid riding a lion. Locking, retaining the original key, the top opening to reveal an interior fitted with two lidded compartments, one lid marked B (black tea...

A Chinese export tea caddy dating from the first half of the 19th century of cylindrical octagonal form in black lacquer with gilt decoration throughout. The body is decorated with f...

Tortoiseshell tea caddy with inlaid mother of pearl from England. Metal lined under two lids.  Excellent condition, circa 1860.