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Italian Early 18th Century Baroque Tortoiseshell Table Clock

$22,948.03List Price

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Louis XV tortoiseshell Boulle Timepiece with ‘Silent’ pull quarter repeat by St. Martin, Paris, circa 1720 Waisted case with fine ormolu mounts and cut brass inlay to the stained tortoiseshell with ‘mother of pearl’ and coloured floral decoration. Gilded top surmounted by a cherub feeding through a straw from a scallop shell over leafy corner mounts. Shaped bead-bordered glazed door applied with an apron mount of a child chromos holding a sandglass and staff, set within a leafy trail surround. Brass lined recessed arch windows to the sides, the interior of the case with symmetrical Rococo panel...

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Austrian 18th Century Baroque Period Bracket Clock, Signed Andreas Hohenadl

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Rare French 18th Century Louis XV Vernis Martin Cartel Clock by Festeau le Jeune

Rare French 18th Century Louis XV Vernis Martin Cartel Clock by Festeau le Jeune

Rare French 18th Century Louis XV Vernis Martin Cartel Clock by Festeau le Jeune

Located in Worpswede / Bremen, DE

The clock case decorated overall with very fine ‘Vernis Martin’ lacquer paint with floral sprays and garlands. The waisted case with pierced foliate bronze mounts and surmounted by a foliate finial with a bird. On scroll feet, the bracked conformingly mounted and decorated with a scene with dogs. A fine three week going movement, striking half and full hours on a silvered bronze bell. Festeau Le Jeune became master in 1769. Clock case and bracket are stamped by the ebenist ‘A. Gosselin’ (Antoine Gosselin 1731-1794, Paris, master in 1752), as well as the stamp of the Parisian gilt ‘JME’. In French interior design, Vernis Martin is a type of lustrous lacquer substitute widely used in the 18th century to decorate a wide variety of items from furniture and coaches to such personal articles as fans and snuffboxes. The technique was named after the French brothers Guillaume and Etienne-Simon Martin, who perfected the process, but covers work by other craftsmen as well. Highly praised by Voltaire, it was developed to imitate East Asian lacquerware...

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Rare Late 18th Century Neoclassical Louis XVI Ormolu Mantel Clock

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Located in Worpswede / Bremen, DE

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Important German Neoclassical Table Clock by David Roentgen

Important German Neoclassical Table Clock by David Roentgen

Important German Neoclassical Table Clock by David Roentgen

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Located in Worpswede / Bremen, DE

An important and rare table clock from the workshop of David Roentgen. The case with an oval stepped plinth top with gilt bronze handle, decoration of the case with ormolu mille raie banding, beaded edges and brass fluted columns to the front flanking the square brass dial, foliate engraved spandrels to the corners, centred by the white enamel Arabic chapter ring, signed Delolme, pierced brass hands, convex glazed bezel, square plated eight-day movement with four back-pinned pillars, verge escapement, silk suspension, rack and count wheel strike, striking the hours and quarters on two bells above, the back plate also signed, glazed side panels. There is only a small series of comparable table clocks from the workshop of David Roentgen known. The present clock seems to be the first example of the cooperation between David Roentgen and the court clockmaker Delolme in Brunswick. The case is meticulously crafted and both case and movement are of superb quality. David Roentgen, called the "most celebrated ébéniste in Europe" by his contemporaries, was a successful entrepreneur who transformed the business founded by his father, Abraham Roentgen...

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