18 C. Louis XVI French Ormolu Mtd. Queen’s Manufacture Porcelain Clock, F. Godon

A Magnificent and Large Louis XVI Period (18th Century) French portico clock, with a double marble column mount and adorned with gilded bronze chains. The pendulum takes the form of ...

An Important French Empire Ormolu Mantel Clock “Lettre d’Amour,” Attributed to François-Louis Savart, Paris The clock is formed with a rectangular case rising from a shaped plinth base set on four flattened bun feet. The base displays a continuous frieze cast in relief with two sheep flanking a central urn, framed by scrolling foliage at each end. Above, the main case supports a circular white enamel dial with Roman numerals and two winding apertures, enclosed within a beaded ormolu bezel. Beneath the dial, a rectangular panel is cast with a reclining male figure in a landscape setting, accompanied by trees. To the left, a female figure is seated on a cushion supported by an X form empire stool, her body turned toward the dial. She raises one hand toward her face while a bird rests on her knee, and she holds a circular medallion bearing a profile portrait. To the right, a tripod table stands on three supports formed as winged griffins with lion heads and clawed feet. The table surface holds a writing box with an open lid, a quill, and a candlestick. The surfaces throughout are finished in gilt, with visible chasing across the figures, drapery, and ornamental borders. The clock is attributed to François Louis Savart, a bronzier active in Paris. Savart produced objects in gilt bronze including clocks, candelabra, and decorative mounts. He maintained a workshop in Paris where he developed figural clock models incorporating classical motifs and narrative subjects. Comparable models associated with Savart include figural compositions with seated female figures, auxiliary furniture elements, and narrative relief panels, reflecting established design types within Parisian bronze production. Savart’s workshop operated within the Paris bronze industry, where cast ormolu objects were produced using sand casting followed by chasing and gilding. The construction of this clock case reflects the use of multiple cast components assembled into a unified structure, including separately cast figures, furniture elements, and applied relief panels. The inclusion of tripod tables, X form seating, and winged supports corresponds to design sources drawn from Greco Roman models that were adapted in Empire period decorative arts. The precise casting, crisp chasing, and consistent gilt surface across the figures, mounts, and relief panels indicate a high level of production quality, with the complexity of the assembled components supporting its desirability among Paris ormolu figural clocks...

A very unusual and quite monumental antique French Louis XVI style Napoleon III ormolu mantel clock by Maison Marquis, the Movement by Languereau, Paris, 1860: surmounted by an urn i...

Antique French Louis XVI period dore bronze striking cartel clock, 18th century. With it's horological functions completely intact this stunning clock is in excellent condition with ...

A breathtaking antique French Belle Époque period (1871-1914) porcelain mounted mixed metal mantel clock. Born in France in the late 19th / early 20th century, fine quality Parisian work, exceptionally executed in luxuriously opulent 18th century Louis XV Rocaille taste, finished on all sides so it can be placed anywhere in the room, featuring a visually striking sculptural floral fiolate adorned gilt metal case, heavily embellished with fine porcelain flowers...

A superb early antique French ormolu and Sèvres style porcelain clock. It is made of exquisite ormolu (finely gilded bronze) mounted with very finely painted Sèvres style porcelain, ...

A Fine quality French 19th century gilded ormolu and white marble mantel clock in the Louis XVI style. Having a two handled urn to the top with flowers and garlands draping down to t...

A magnificent French 19th century Louis XVI st. Sèvres porcelain and ormolu clock. The clock is raised by fine topie shaped feet below the ormolu base which is decorated with elegant...