Early 19th Century Mantel Clock, Pendule, La Lieuse, La Lecture, Empire, c. 1810

Royal Empire mantel clock / pendulum clock, fire-gilt, around 1805-1815, Paris Solid bronze, fire-gilded, Paris around 1805-1815, original French Empire from the first period. ...

First Empire 19th Century Mantel Clock Chiseled and mercury-gilded bronze, with an enameled porcelain dial signed "Thiery à Paris," Roman numerals, and Arabic numerals for minutes, ...

The circular white-enameled dial signed ”Detour Paris” with Roman hours and Arabic quarter marks, a further inner Arabic chapter ring for the day of month. Pierced gilt hands and a b...

A very impressive and stylish early 19th Century gilded ormolu and green marble mantle clock, having two classical maidens either side feeding Rams, an Eagle above the circular white...

An Important French Empire Ormolu Mantel Clock “Lettre d’Amour,” Attributed to François-Louis Savart, Paris The clock is formed with a rectangular case rising from a shaped plinth base set on four flattened bun feet. The base displays a continuous frieze cast in relief with two sheep flanking a central urn, framed by scrolling foliage at each end. Above, the main case supports a circular white enamel dial with Roman numerals and two winding apertures, enclosed within a beaded ormolu bezel. Beneath the dial, a rectangular panel is cast with a reclining male figure in a landscape setting, accompanied by trees. To the left, a female figure is seated on a cushion supported by an X form empire stool, her body turned toward the dial. She raises one hand toward her face while a bird rests on her knee, and she holds a circular medallion bearing a profile portrait. To the right, a tripod table stands on three supports formed as winged griffins with lion heads and clawed feet. The table surface holds a writing box with an open lid, a quill, and a candlestick. The surfaces throughout are finished in gilt, with visible chasing across the figures, drapery, and ornamental borders. The clock is attributed to François Louis Savart, a bronzier active in Paris. Savart produced objects in gilt bronze including clocks, candelabra, and decorative mounts. He maintained a workshop in Paris where he developed figural clock models incorporating classical motifs and narrative subjects. Comparable models associated with Savart include figural compositions with seated female figures, auxiliary furniture elements, and narrative relief panels, reflecting established design types within Parisian bronze production. Savart’s workshop operated within the Paris bronze industry, where cast ormolu objects were produced using sand casting followed by chasing and gilding. The construction of this clock case reflects the use of multiple cast components assembled into a unified structure, including separately cast figures, furniture elements, and applied relief panels. The inclusion of tripod tables, X form seating, and winged supports corresponds to design sources drawn from Greco Roman models that were adapted in Empire period decorative arts. The precise casting, crisp chasing, and consistent gilt surface across the figures, mounts, and relief panels indicate a high level of production quality, with the complexity of the assembled components supporting its desirability among Paris ormolu figural clocks...

A mercury gilt bronze clock depicting two young women dressed in antique style sitting in Etruscan-style shepherdesses on either side of a draped table with claw feet, studying a map...

A gold, antique French table clock, pendulum made of hand crafted fire-gilded bronze, in good condition. The circular enamel dial of the Pa...

A very good quality French 19th Century gilded ormolu and bronze mantel clock having a mother and child above and to the side of the clock face. Mounted on a white marble base.

A most beautiful French ornolu mantel clock by Leroy à Paris A lovely French late Empire/early Charles X mantel clock with an ormolu case, c. 1825. The ormolu brass case depicts a celebration of Science and Learning. It is dominated by a rectangular superstructure containing the movement, flanked by an engine-turned column with a celestial globe on top on the left and an elegant lady reading a book on the right. The superstructure is surmounted by a bookcase and a bust of Socrates...

An Empire Mantel Clock by H.Robert-Horloger De La Reine, Paris, date circa 1820-1830 A superb Empire gilt and patinated bronze mantel clock of eight day duration signed on the white enamel dial H.Robert-Horloger a la Reine . The dial with Roman numerals and gilded steel Breguet style hands for the hours and minutes. The movement with anchor escapement, silk thread suspension, striking on a single bell, with outside count wheel. The extremely fine case featuring the standing figure of Urania, Muse of Astronomy holding a pen in her left hand which points to a star-studded globe adorned with the signs of the zodiac around its circumference, the globe set on the back of four putti upon a plinth, containing the dial with a serpent-wrapped Paris, date circa 1820-30 Height 73 cm, width 50cm, depth 22 cm. In addition to the above prestigious locations, clocks of this model can be found at Warsaw Castle and in the Bayerischen Nationalmuseum, Munich. The Parisian clockmaker Bailly (d. after 1818) was one of the finest of his day and as such earned the title of Horloger de LL. MM. II. Et RR (Clockmaker to Their Imperial and Royal Majesties). Working from rue de Richelieu he was with Lepaute one of the main suppliers to the Garde-Meuble. Bailly, who retired in 1818 had the responsibility of maintaining the clocks at Compiègne and the Trianons and is known to have used cases by the leading Parisian bronziers including Pierre-Philippe Thomire and Claude Galle as well as Ferdinand Schwerdfeger who supplied him with a case for a regulator surmounted by a star-studded and zodiac banded globe...