L’Etude et La Philosophie Louis XVI Ormolu Mantel Clock

The circular white-enameled dial signed ”Detour Paris” with Roman hours and Arabic quarter marks, a further inner Arabic chapter ring for the day of month. Pierced gilt hands and a b...

A Louis XVI mantle clock depicting “L’Etude et La Philosophie” (Learning and Philosophy). The clock is comprised of a circular white-enamelled dial wi...

A Fine quality French 19th century gilded ormolu and white marble mantel clock in the Louis XVI style. Having a two handled urn to the top with flowers and garlands draping down to t...

Late 19th century french Louis XVI ormolu gilt bronze mantel clock by Lemerle-Charpentier & Cie. By: Lemerle-Charpentier & Cie. Materi...

An Important French Empire Ormolu Mantel Clock “Lettre d’Amour,” Attributed to François-Louis Savart, Paris The clock is formed with a rectangular case rising from a shaped plinth base set on four flattened bun feet. The base displays a continuous frieze cast in relief with two sheep flanking a central urn, framed by scrolling foliage at each end. Above, the main case supports a circular white enamel dial with Roman numerals and two winding apertures, enclosed within a beaded ormolu bezel. Beneath the dial, a rectangular panel is cast with a reclining male figure in a landscape setting, accompanied by trees. To the left, a female figure is seated on a cushion supported by an X form empire stool, her body turned toward the dial. She raises one hand toward her face while a bird rests on her knee, and she holds a circular medallion bearing a profile portrait. To the right, a tripod table stands on three supports formed as winged griffins with lion heads and clawed feet. The table surface holds a writing box with an open lid, a quill, and a candlestick. The surfaces throughout are finished in gilt, with visible chasing across the figures, drapery, and ornamental borders. The clock is attributed to François Louis Savart, a bronzier active in Paris. Savart produced objects in gilt bronze including clocks, candelabra, and decorative mounts. He maintained a workshop in Paris where he developed figural clock models incorporating classical motifs and narrative subjects. Comparable models associated with Savart include figural compositions with seated female figures, auxiliary furniture elements, and narrative relief panels, reflecting established design types within Parisian bronze production. Savart’s workshop operated within the Paris bronze industry, where cast ormolu objects were produced using sand casting followed by chasing and gilding. The construction of this clock case reflects the use of multiple cast components assembled into a unified structure, including separately cast figures, furniture elements, and applied relief panels. The inclusion of tripod tables, X form seating, and winged supports corresponds to design sources drawn from Greco Roman models that were adapted in Empire period decorative arts. The precise casting, crisp chasing, and consistent gilt surface across the figures, mounts, and relief panels indicate a high level of production quality, with the complexity of the assembled components supporting its desirability among Paris ormolu figural clocks...

Pendule La Lieuse - The Reader Paris Bronze, marble, enamel Empire around 1813 Dimensions: H x W x D: 30 x 30 x 15 cm Description: The "La Lieuse" pendulum is probably the best-kn...

A most spectacular and sensational quality French mid 19th century Louis XVI st. clock in ormolu signed ‘BEURDELEY À PARIS’. The large scaled clock is raised by bun supports decorate...

A stunning and most impressive French 19th century Louis XVI st. ormolu clock by Roque, Paris. The clock is raised by elegant circular mottled feet with fine wrap around foliate band...

A spectacular and very important French early 19th century Louis XVI st. white Carrara marble and ormolu clock by Raingo Frères. The clock is raised by elegant topie shaped feet with fine wrap around berried laurel bands below the white Carrara marble base with rounded sides decorated with richly chased pierced intertwined berried laurel and blooming flower bands, and a finely detailed central plaque depicting charming cherubs playing musical instruments. Above are two exquisite patinated bronze maidens sitting on a mottled support with lovely foliate designs each draped in wonderfully executed garments and holding a wreath and flowers with a charming winged cherub extending his arms up. At the center is the elegant enameled dial with Arabic hour numerals amidst lovely floral garlands and numbers indicating the date at the border with delicate pierced ormolu hands with a remarkable pieced foliate design at the back. Above is the lightly curved fluted top crown with a stunning array of richly chased branches and blooming flowers in a superb satin and burnished finish. All original gilt and patina throughout. Raingo Fréres, established in 1813 in Paris, specialized in the high precision clock...

An extremely elegant and very high-quality French 18th century Louis XVI period ormolu, Bleu Turquin and white Carrara marble clock signed by Jean-Baptiste Dutertre. The clock is rai...