French 19th century Belle Epoque Period Sévres Porcelain and Ormolu clock set

A high quality and most decorative Chinese Export Porcelain and French 19th century Ormolu mounted garniture set, stamped S.F.R.A. This stunning three piece garniture set consist of ...

A sensational and high quality French 19th century Belle Epoque Period Louis XVI st. white Carrara marble and Ormolu clock garniture set. This stunning garniture set consists of a cl...

An extraordinary and high quality French 19th century Louis XIV st. ormolu three piece clock and candelabras garniture set. Each raised by square tapered fluted feet with fine acanth...

A striking and high quality French 18th century Louis XVI period white Carrara marble and ormolu garniture clock set signed by Jean-Simon Bourdier. The clock is raised by elegant mot...

An exquisite 19th century French gilt bronze and hand painted jeweled Sevres Porcelain clock set. Fine gilt bronze and hand painted jeweled...

Finest quality French sevres antique (late 19th century) garniture set including mantel clock and pair of candelabra by Raingo Freres of Paris, with clock movement by Vincenti et Ci...

This magnificent five-piece clock set is designed in the style of 18th century porcelain produced by the famous Sèvres Manufactory in France. The set is comprised of a mantel clock, a pair of flanking vases—which double-up as candelabra—and two candlesticks. The five items are crafted from ‘bleu Sèvres’ (navy) colored porcelain, which has been finely parcel gilt, jewelled and painted, and mounted in gilt bronze (ormolu). The mantel clock is composed of a circular porcelain dial, with a central painting of cherubs in flight, encircled by black Roman Numerals within white medallions. This is set within a gilt bronze bezel, crowned by a porcelain lidded urn, fitted with gilt bronze satyr head handles, draped with flower swags, and topped by a gilt bronze grape cluster finial. The clock case is supported on four porcelain columns, which are surmounted by a gilt bronze pinecone-tipped staff, draped with tasselled fabrics. A gilt bronze sculpture of a dancing Maenad (also called a Bacchante)—a female follower of the classical god of wine and ecstasy, Dionysus (or Bacchus). The woman plays the tambourine and is accompanied by a putto. The clock is placed on a shaped gilt bronze base, with two projecting scrolled wings, decorated with gilt bronze acanthus leaves and porcelain patera. The base is mounted with porcelain paintings of classical trophies, and putti within a gilt bronze cartouche frame. It is set on two gilt bronze feet, which are decorated with pointed porcelain covers and gilt bronze rosettes. Depending on personal preference, the vases that accompany the clock can be left as they are or made to serve as candelabra. When vases, they are topped by porcelain domed lids, with gilt bronze grape finials. To turn the items into candelabra, these lids are replaced by gilt bronze covers. Each cover is fitted with six gilt bronze branches—five of which are scrolling and decorated with acanthus leaves, and one extends upwards in a straight line. These terminate in wide drip-pans and urn-shaped capitals. The porcelain vase bodies feature fine paintings of couples courting in garden settings, and they are fitted with gilt bronze cherub head...

A very fine quality French late 19th century Sevres style and gilded ormolu clock garniture. Having a pair of four branch candelabra, each with ram's head and female mask mounts, dra...