A Rare Austrian Art Nouveau Silver and Enamel Owl Seal by Georg Adam Scheid

An Exquisite and Rare French Louis XVI Style Ormolu-Mounted Bloodstone Inkwell, circa 1875. A truly exceptional and jewel like quality inkwell encrier, made with the finest ormolu, mounted on bloodstone. A true collectors and one of a kind piece. Revival of the ancient régime in the late 19th century was paramount to the French furniture and bronze casting firms of the Belle Epoque. Imitation in the highest regard and replication of those tastes and styles was prevalent throughout the Paris Faubourg, where the most talented bronziers and ébénistes established their workshops. The present inkwell encrier recalls the late 18th century's obsession with hardstones - a taste expounded above all by the duc d'Aumont and, subsequently Marie-Antoinette. Such hardstone-mounted pieces, reminiscent of Renaissance schatzkammer objects, enjoyed a revived popularity at the end of the 18th century through the impetus of both the marchands-mercier and, more importantly, the hôtel des Menus-Plaisirs, where the duc d'Aumont himself established a workshop in 1770 specializing in the cutting and polishing of precious hardstones. This exceptional inkwell encrier, sumptuously-mounted with finely chased gilt-bronzes, incorporates a highly-prized material such as bloodstone. Sometimes called the Sunstone, the meaning of Bloodstone comes entangled in fascinating history. The Ancient Greeks held the Bloodstone as a gem with glorious powers. They referred to it as Heliotrope, which directly translates to Sunstone. It was believed to have heavenly healing powers gifted by the gods and most certainly when it came to healing all things related to the blood. Even as we move forward into the Middle Ages, the Bloodstone takes another mystical story under its wing. It was believed to be formed from Christ's blood. It was said that during the Crucifixion, a few red spots of his blood dripped...

An Important and Monumental Art Nouveau Ormolu-Mounted Ceramic "Exhibition" Vase, C. 1895 Spectacularly mounted naturalist vase; the base dressed and balustered, the neck finished in double openwork bulb, the surface describing sinuous reliefs. Polychrome glazed ceramic in Beige, blue, and green. The shoulder is decorated with a gilded bronze roundel with five ormolu bronze female...

A Rare Alexis Falize Antique Gold and Cloisonné Enamel Locket, Circa 1867 This exquisite oval-shaped locket, crafted circa 1869, epitomizes the fusion of French artistry and Japanese aesthetic that characterized Alexis Falize's work during the late 19th century. The obverse features a meticulously rendered cloisonné enamel scene of a bird perched gracefully on a branch, while the reverse presents a serene landscape, showcasing Falize's mastery of the cloisonné technique and his deep appreciation for Japanese motifs.​ The locket is housed in its original Japanese silk box, reflecting the authenticity and preservation of this remarkable piece. Falize, a distinguished Parisian jeweler (1811–1898), was profoundly influenced by Japanese and Chinese art, integrating Oriental motifs and palettes into his creations. This fascination was part of the broader Japonisme movement that swept through Europe following Japan's opening to Western trade in 1854, introducing Japanese decorative arts to a captivated Western audience.​ Employing the cloisonné enamel technique—a method prevalent in traditional Japanese and Chinese metalwork—Falize delineated intricate designs using fine metal wires to create compartments (cloisons), which were then filled with vibrant enamels. This locket exemplifies such craftsmanship, with its vivid colors and precise detailing. Notably, Falize collaborated with esteemed enameller Antoine Tard, renowned for his Oriental-style cloisonné enamels. Tard's exceptional skill earned him accolades, including a gold collaborator’s medal at the 1867 Exposition Universelle in Paris. Their partnership produced some of the most celebrated cloisonné jewels of the era.​ Comparable works by Falize are held in prestigious institutions worldwide. The British Museum houses a gold locket adorned with cloisonné enamel by Falize, highlighting the significance of his work in their collection. The Metropolitan Museum of Art features a reversible brooch attributed to Falize, further exemplifying his expertise in cloisonné enamel. Additionally, the Cleveland Museum of Art acquired a similar cloisonné locket marked by Falize, underscoring the widespread recognition of his craftsmanship. The Victoria and Albert Museum and the Schmuckmuseum in Pforzheim also include Falize's cloisonné enamelled lockets in their collections, attesting to the enduring legacy of his work. ​ In the realm of private collections, Wartski London has featured rare cloisonné...

An exceptionally rare and important pair of Italian sterling silver Marine-Themed Oyster Platters by the legendary Mario Buccellati, Milan, among the most celebrated silversmiths of ...

A fine Austrian letter seal (or so-called Petschaft). In silver with traces of gilding and inlaid panels of mother of pearl. The body with an embossed woman in profile with long fl...

A beautiful metal and cork bottle stopper. Some wear with a nice patina, but this is old-age. Made of metal and cork. A beautiful nice barware item or just a display item in your collections of...

A masterpiece of late 19th-century craftsmanship. This wax seal features an exquisite Art Nouveau Muse figure sculpted in fine sterling silver. The intricate detailing on the woman’s...

A Continental Silver Pepper Peperette In The Form of An Owl With Glass Eyes. A lovely 19th century (Victorian era) German silver pepperette or pounce pot (used to contain fine sand ...