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Russian Silver-Gilt, Diamonds, Nephrite, and Guilloche Enamel Letter Opener

$8,500List Price

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Antique Letter Opener Silver-Gilt & guilloché Enamel attr. to Fabergé Circa 1900

Antique Letter Opener Silver-Gilt & guilloché Enamel attr. to Fabergé Circa 1900

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Fine Russian silver-gilt and guilloché enamel letter opener attributed to Fabergé, with illegible hallmarks , possibly Faberge cyrillic mark / 88". The finial in the form of a carv...

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Early 20th Century Russian Empire Collectible Jewelry

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A Russian Neoclassical paper knife or letter opener in the style of a Roman gladius sword. The blade is made of polished nephrite jade stone. Pink guilloche enamel handle with gilt a...

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Faberge Gold and Gem Set Paperknife by Eric Kollin

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LEONID KOCHERGIN 1900 Russian Empire Enameled Letter Opener In 14Kt Gold Silver

LEONID KOCHERGIN 1900 Russian Empire Enameled Letter Opener In 14Kt Gold Silver

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LEONID KOCHERGIN 1900 Russian Empire Enameled Letter Opener In 14Kt Gold Silver

Located in Miami, FL

Russian letter opener designed by Leonid Kochergin. This is a very handsome luxurious desk letter-opener, created during the imperial Russian period in the city Saint Petersburg, be...

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20th Century French Letter Opener Nicely Decorated with Green Stone on the Top

20th Century French Letter Opener Nicely Decorated with Green Stone on the Top

Located in Sofia, BG

French metal letter opener decorated with two woman's head on both sides ending with a green stone on the top. France, circa 1930.

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Vintage Zolotas Letter Opener Nephrite Jade Blade 22k Gold Hilt

Vintage Zolotas Letter Opener Nephrite Jade Blade 22k Gold Hilt

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Original Zolotas Greek Famous Designer Vintage Letter Opener 22k Yellow Gold 38 grams total Condition: pre-owned in excellent condition. Natural Nephrite Jade blade Made in Greece in...

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Vintage Deep Green .4 Carat Diamond 18k Yellow Gold Ball Pen Sandalwood Box Set

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Indulge in luxury and add a touch of vintage elegance to your desk with this stunning Vintage Deep Green .4 Carat Diamond 18K Yellow Gold Ball Pen Sandalwood Box...

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Antique David Andersen Sterling Silver & Plique a Jour Enamel Letter Opener

Antique David Andersen Sterling Silver & Plique a Jour Enamel Letter Opener

By David Andersen

Located in Philadelphia, PA

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Royal Brierley Crystal and Brass Letter Opener, Boxed, England A finely crafted letter opener by Royal Brierley, England, featuring a deeply cut faceted crystal handle and a tapered ...

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20th Century British Solid Silver Letter Opener, Asprey & Co, c.1996

20th Century British Solid Silver Letter Opener, Asprey & Co, c.1996

By Asprey International Limited

Located in Royal Tunbridge Wells, Kent

20th Century British solid silver letter opener, terminating with a woven silver decoration mounted with a lapiz cabochon, in its original retail case. Hallmarked English silver (925...

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A Rare Alexis Falize Antique Gold and Cloisonné Enamel Locket, Circa 1867

A Rare Alexis Falize Antique Gold and Cloisonné Enamel Locket, Circa 1867

By Falize Frères

Located in Long Island City, NY, NY

A Rare Alexis Falize Antique Gold and Cloisonné Enamel Locket, Circa 1867 This exquisite oval-shaped locket, crafted circa 1869, epitomizes the fusion of French artistry and Japanese aesthetic that characterized Alexis Falize's work during the late 19th century. The obverse features a meticulously rendered cloisonné enamel scene of a bird perched gracefully on a branch, while the reverse presents a serene landscape, showcasing Falize's mastery of the cloisonné technique and his deep appreciation for Japanese motifs.​ The locket is housed in its original Japanese silk box, reflecting the authenticity and preservation of this remarkable piece. Falize, a distinguished Parisian jeweler (1811–1898), was profoundly influenced by Japanese and Chinese art, integrating Oriental motifs and palettes into his creations. This fascination was part of the broader Japonisme movement that swept through Europe following Japan's opening to Western trade in 1854, introducing Japanese decorative arts to a captivated Western audience.​ Employing the cloisonné enamel technique—a method prevalent in traditional Japanese and Chinese metalwork—Falize delineated intricate designs using fine metal wires to create compartments (cloisons), which were then filled with vibrant enamels. This locket exemplifies such craftsmanship, with its vivid colors and precise detailing. Notably, Falize collaborated with esteemed enameller Antoine Tard, renowned for his Oriental-style cloisonné enamels. Tard's exceptional skill earned him accolades, including a gold collaborator’s medal at the 1867 Exposition Universelle in Paris. Their partnership produced some of the most celebrated cloisonné jewels of the era.​ Comparable works by Falize are held in prestigious institutions worldwide. The British Museum houses a gold locket adorned with cloisonné enamel by Falize, highlighting the significance of his work in their collection. The Metropolitan Museum of Art features a reversible brooch attributed to Falize, further exemplifying his expertise in cloisonné enamel. Additionally, the Cleveland Museum of Art acquired a similar cloisonné locket marked by Falize, underscoring the widespread recognition of his craftsmanship. The Victoria and Albert Museum and the Schmuckmuseum in Pforzheim also include Falize's cloisonné enamelled lockets in their collections, attesting to the enduring legacy of his work. ​ In the realm of private collections, Wartski London has featured rare cloisonné...

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An Exquisite and Rare French Louis XVI Style Ormolu-Mounted Bloodstone Inkwell

An Exquisite and Rare French Louis XVI Style Ormolu-Mounted Bloodstone Inkwell

Located in Long Island City, NY, NY

An Exquisite and Rare French Louis XVI Style Ormolu-Mounted Bloodstone Inkwell, circa 1875. A truly exceptional and jewel like quality inkwell encrier, made with the finest ormolu, mounted on bloodstone. A true collectors and one of a kind piece. Revival of the ancient régime in the late 19th century was paramount to the French furniture and bronze casting firms of the Belle Epoque. Imitation in the highest regard and replication of those tastes and styles was prevalent throughout the Paris Faubourg, where the most talented bronziers and ébénistes established their workshops. The present inkwell encrier recalls the late 18th century's obsession with hardstones - a taste expounded above all by the duc d'Aumont and, subsequently Marie-Antoinette. Such hardstone-mounted pieces, reminiscent of Renaissance schatzkammer objects, enjoyed a revived popularity at the end of the 18th century through the impetus of both the marchands-mercier and, more importantly, the hôtel des Menus-Plaisirs, where the duc d'Aumont himself established a workshop in 1770 specializing in the cutting and polishing of precious hardstones. This exceptional inkwell encrier, sumptuously-mounted with finely chased gilt-bronzes, incorporates a highly-prized material such as bloodstone. Sometimes called the Sunstone, the meaning of Bloodstone comes entangled in fascinating history. The Ancient Greeks held the Bloodstone as a gem with glorious powers. They referred to it as Heliotrope, which directly translates to Sunstone. It was believed to have heavenly healing powers gifted by the gods and most certainly when it came to healing all things related to the blood. Even as we move forward into the Middle Ages, the Bloodstone takes another mystical story under its wing. It was believed to be formed from Christ's blood. It was said that during the Crucifixion, a few red spots of his blood dripped...

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