Large Antique Italian Renaissance Polychrome & Gilt Carved Frame 17th or 18th C

A rare Venetian hand-carved and gilt picture frame, with hand-painted detail and background panels. Opening size: 24 1/2" x 19 3/8".

Carved wooden frame, polychromed and gilded made with different elements of marked Renaissance influence, resulting in an architectural composition with staggered base, two ribbed pi...

Framework. Gilded and polychrome wood, 17th century. Presents loss in lower left area. Frame made of carved wood gilded and polychrome in certain areas that presents a decoration bas...

Small Baroque frame, lacquered and gilded. Openwork wooden frame richly carved with leaf subjects. Italy, 17th century.

19th century Italian frame in Renaissance style wood marquetry. 19th century Italian Renaissance style wood marquetry frame. Frame: H: 25.5cm, W: 20cm, D: 1cm Interior view: H: 14,...

This rare Venetian frame entirely carved in high-relief shows a rich decor of scrolls, garlands, daisy flowers and thistles. At the four corners of the frame are depicted large acant...

A large gilded Baroque frame made of carved wood with stucco applications, partially polychrome-painted. Inner dimensions: 116 x 78 cm The tall, rectangular frame is crowned by a lar...

Enamel cloissoné and gilt bronze picture frame. France, late 19th century.

A spectacular and monumental early 18th Century Austrian carved frame. Almost certainly originally made as an ecclesiastical or architectural surround for an altarpiece, large painti...

Framework. Carved wood, late 17th-early 18th century. Rectangular frame that presents a "base structure" of straight lines, combining moldings of different widths and finishes (inside, a golden band with Fine plant details towards the corners; then a thin red one, and a wider green one, these two the latter imitating marble; outside, another fine gilt molding), enhanced with a series of carvings of vegetal elements in the corners (symmetrical composition), two ovoid elements on the long sides and a highly elaborate cresting with vegetal elements, rockeries, scrolls, flowers and imitation of fabrics (which are joined with those ovoid elements mentioned). The combination of red, green and gold is common in certain types of frames (compare, for example, with the terracotta of Salamanca made around the middle of the 16th century by Juan de Juni, which is kept in the Victoria and Albert Museum). On it, a series of carvings with a lot of movement and depth have been added, showing Baroque influence (reminiscent in certain details of works such as the frame of the Immaculate Conception by Alonso Cano...