Carlo Signori Abstract Marble Sculpture, 1960s

Carrara marble double column abstract sculpture. Carved abstract detail and geometric forms. Columns slide onto rods on a marble base. Unknown artist. Signed B. 88.

Bronze abstract face sculpture by Jean-Robert Ipoustéguy (January 6, 1920 – February 8, 2006, a figurative French sculptor.. Signed on back underside Ipoustegy '66 2/9. I'm many museum and public art collections such as: Abu Dhabi, National Museum of Saadiyat Island. Baltimore, Baltimore Museum of Art. Berlin, Nationalgalerie. Bobigny, Fonds Départemental d’Art Contemporain. Cambridge, Massachusetts, US (Massachusetts Institute of Technology, MIT) — Cénotaphe (1957)[8] Châlons en Champagne, Musée des Beaux-Arts et d'Archéologie. Chicago, Art Institute. Copenhagen, Carlsberg Glyptotek. Darmstadt, Hessiches Landesmuseum. Dun sur Meuse, Centre Ipoustéguy Evanston, Illinois, Mary and Leigh...

Large abstract marble sculpture on metal base in the style of Leonardo Nierman, initialed "LH". We are unsure of the artist.

This beautiful marble sculpture by Emile Gilioli is made of rose veined marble (white/pink). The sculpture is signed and dated on wooden base. "Emile Gilioli was born to a family on Italian shoemakers who had settled beside the Canal Saint-Martin. After the first World War, the family moved back towards Italy, settling in Nice. In 1932, Gilioli took courses at the Ecole des Arts Decoratifs de Nice, notably with the future artist Marie Raymond. During the Second World War, Gilioli was mobilized in Grenoble where he passed the remainder of the conflict. He made the acquaintance of Andry Fracy, a conservationist at the Grenoble Musee des baux-arts and led him to discover cubism. After the war, Gilioli settled in Saint-Martin-de-La-Cluze near Grenoble, where he sculpted in his workshop. His art was associated in a certain way with the deeds of the French Renaissance. He became friendly with Thomas Gleb...