Ceramic and Fiber Wall Sculpture #848 - White Clay; White and Tan Cotton Fringe

Two panel wall sculpture. Hand formed ceramic pieces in unglazed white stoneware with lavender, white, and tan cotton fringe. Hanging wire is included on each panel. Ships with a sma...

Four panel wall sculpture that measures 48"x30". Hand formed ceramic pieces in unglazed white stoneware. Pictured with cotton and tencel fringe detailing in white, tan, rust, and blu...

Two panel wall sculpture. Hand formed ceramic pieces in unglazed white stoneware with black and white cotton fringe. Hanging wire is included on each panel. Ships with a small comb f...

Five panel wall sculpture. Hand formed ceramic pieces in unglazed white stoneware. Pictured with cotton fringe detailing in white, grey and tan. Hanging wire is included on each pane...

Thabit, our extraordinary new collection of handcrafted sculptures meticulously fashioned from gres and rafia, in partnership with an esteemed artistic ceramic studio. Inspired by th...

- Handspun and handwoven wool, oil paint - 2022 - Unique piece - Framing by Laetitia Verchere - Edition of 10. Dimensions: 11.8 x 11.8 in // 30 x 30 cm.

Contemporary abstract wooden "VERVE" wall-mounted sculpture created by circular sawing, sandy-white painted on white-stuff. Signed Christofer Kochs, 2019 Due to the exaggerated leng...

'Achromatic Fold in White II' is a unique sculpture by the British artist Steven Edwards, created from parian porcelain. Steven Edwards is a ceramic artist whose work investigates the language of making through the materiality and physicality of clay. Fascinated by process-led making, he uses traditional techniques that provoke unanticipated outcomes, using clay as a medium that sustains the narrative of the making process. The resulting forms embody his interaction and manipulation of the clay using bespoke tools to explore the intrinsic properties of the material. His creative practice starts by purposely placing clay under stress to reveal the natural tension and movement in its surface and form. Throughout the whole making process, he pushes, pulls, compresses and slices the material to provoke a reaction. The final forms are a combination of these making scenarios, translating a theme of duality in their appearance – the contrast of visual distortion and precision, the stillness and movement in form and the surface deception between synthetic and natural. Whilst challenging and pushing his material to the limits, often using clay bodies in ways they are not designed for, Edwards purposely exploits unexpected outcomes. Creating a sense of unease, during the making his clay cracks and buckles, resulting in permanent scars that illustrate the extremes that have been asked of it. Purely aesthetic, these fissures within the surface are an important counter point to the idealised sugary-hued confectionery layered rings. Edwards has exhibited his work at premiere contemporary design and craft shows including British Ceramics...