Garra Hook Sculpture on Display Stand Mid-Sepik River Papua New Guinea

A ritual artifact from the tribe of the Asmat poeple, an ethnic group of New Guinea living in the Papua province of Indonesia and South-western regions of Papua New Guinea, bis or bisj pole is carved out of a wild Mangrove tree and can reach a stunning height Their carvings depict stacked human and animal figures standing and on top always phallic symbols, in the shape of a canoe prow. Bis poles...

Collected in Tiwi Island off the coast of Northern Australia, this Bima Figure Carving was carved and painted by Myra Ann Tipiloura out of Iron wood. It w...

Carved out of a single block of wood, this Gabon Fang male reliquary statue of stylized proportion impresses the viewers with a robust stance and meditative expression. Traditionally...

A yam ancestor TOTEM pole from the mid-Sepik River region of Papua New Guinea. Carved out of a solid wood by the Abelam people, who cultivated yams as their main crop, the pole featu...

The Sepik River region of Papua New Guinea is celebrated as one of the world's great centres of indigenous sculpture, where carving traditions developed as an essential expression of...

The Sepik River region of Papua New Guinea has long been recognised as one of the great centres of Oceanic art, renowned for its extraordinary diversity of sculptural traditions. Stretching through remote villages connected by waterways and shared ceremonial practices, the region fostered distinctive artistic languages that gave visual form to ancestry, spirituality and communal identity. Carved figures depicting ancestors, protective spirits and mythological beings served as intermediaries between the visible and unseen worlds, occupying an essential place within ritual life. Styles vary considerably between communities, from the flowing forms associated with Iatmul carving to the dramatic hooked silhouettes of yipwon figures. Despite these differences, Sepik sculpture is united by its expressive power and its role in maintaining relationships between the living, their ancestors and the forces that shaped the world around them. This compelling ancestral figure originates from the Middle Sepik River region of Papua New Guinea and dates to the early to mid-twentieth century. Carved from dense hardwood, it embodies the dramatic abstraction and spiritual intensity for which Sepik sculpture is celebrated. The figure stands in a dynamic posture with sharply bent knees and angular arms, its hands splayed and feet flattened in a manner that conveys both tension and authority. The body has been deeply incised and enriched with natural earth pigments in red, white and black, creating a striking interplay between carved texture and painted surface. Blackened pigment defines the principal forms, while contrasting colours emphasise the limbs, facial features and other key details, heightening the visual impact of the composition. The head is particularly arresting. Elongated and mask-like in appearance, it features a pronounced brow and a dramatic beak-like hooked nose that projects confidently from the face. Set within hollowed sockets are a pair of inlaid cowrie shell eyes, their luminous surfaces animating the figure with an intense and watchful presence. This combination of angular anatomy, exaggerated facial structure and shell ornamentation is consistent with the carving traditions of the Iatmul peoples and related communities of the Middle Sepik, where ancestral imagery occupied a central role in ceremonial life. Figures of this type were often displayed within ceremonial structures or brought into ritual contexts to invoke the guidance, protection and authority of ancestral spirits. They acted as powerful reminders of lineage and continuity, reinforcing the bonds between generations while maintaining connections with the supernatural realm. Rich in character and sculptural strength, this figure exemplifies the expressive sophistication of Sepik art...

Early Papua New Guinea abstract hook figure or mask with two opposing hooks, and central looped design, Sepik River area. Some chips missing to central loops. Small hole at top for s...

Yiman (Alamblak) People, Southern Hills, Middle Sepik River 42 x 10 x 2 in. / 107 x 25 x 5 cm The Yipwon are the patron spirits of hunting and warfare.