B & G / Bing & Grondahl, Sitting lion cub in porcelain

Royal Copenhagen. Figurine in porcelain, lioness. Decoration number 804. In perfect condition. 1st factory quality. Measures: 32.5 cm x 15 cm.

B & G / Bing & Grondahl porcelain figure. Sitting cat. Number 2476. Measures: 13 cm x 11,5 cm In perfect condition. 1st. factory quality.

Amphora, Czechoslovakia. Hand-painted porcelain figurine of a lioness on the rock. 1930/40's. Measures: 22 x 17 cm. In excellent condition. Stamped.

Amphora, Czechoslovakia. Hand-painted Art Deco porcelain figurine of a lion on the rock. 1930s / 40s. Measures: 19 x 17 cm. In excellent ...

Introducing a captivating ceramic Lioness sculpture, meticulously hand-sculpted by Teboho and hand-painted by Virginia at Imvelo Natural Art, South Africa. Measuring 6 inches high, 1...

A white ceramic panther from the 1970s with a silver-plated eye detail. The panther shows signs of wear given by time, but gives it the right fl...

Imvelo Natural Art presents a stunning ceramic Lioness sculpture from South Africa. Hand-sculpted by Teboho and hand-painted by Virginia, this piece stands 7 inches high, 14 inches l...

SALE ONE WEEK ONLY The monumental "Lynx", the snarling cat, was modeled by Royal Copenhagen artist Knud Kyhn, and created ca. 1950. It’s a monumental piece and remarkably well-preserved with an expressive snarl. The figure is marked by Royal Copenhagen Denmark as shown and numbered 2487. It is in excellent condition with no damage. Knud Kyhn (1880-1969) was a very productive artist who throughout his life created works of art that are still valued all over the world. In Denmark, he is especially known for his many animal figurines, which he created through his many years of service at Royal Copenhagen. He worked for the Royal Porcelain Factory from 1903 - 1910, 1924 - 1932 and 1936 - 1967, interrupted only by a period of work for Herman A. Kahler in Naestved in the early 1920s and at Bing & Grondahl 1908 - 1915 and 1933 - 1935. He was a Danish painter, draftsman and ceramic sculptor. He was the nephew of the landscape painter, Vilhelm Kahn, and was educated at the Kunstakademiet and Kunstnernes Frie Studieskoler in 1904. He worked for the Royal Porcelain Factory, and a period with Herman Kahler in Naestved. He continued the tradition from the Fynbos and focused on animals and their movements as well as on the play of light in paintings...