Pair of Whimsical Bronzes, Gorham Foundry, Edison Co. Maxfield Parrish Artist

Pair Of French Spelter Figures, depicting a boy and girl selling fruit, raised up on circular stepped bases. Dimensions Height 11 Inches Width 5.5 Inches Depth 5.5 Inches

Pair 19th Century Petite Spelter Statues will make perfect Antique Bookends as well! Cast in spelter and given a patinaed bronze finish, then set on p...

This small pair of fine Italian Grand Tour bronze figures are of classical putti naked apart from a belt of vine leaves and grapes around their lower torso...

A good quality pair of late 19th century bronzed Spelter figures of young Dutch lovers, set of marbled bases. Measures: 13.5" (35cm) high.

19th century French bronze sculptures of young farm boys by Emile Laporte (1858 - 1907), France. One boy carrying a basket of flowers, the other a bundle of sticks. Signed, mounted o...

This pair of Art Deco bronze figural bookends are signed, but the artist could not be identified. It is presumed this pair of bookends was made in Austria in approximately 1920 in th...

A lovely and high quality true pair of small scale Continental 19th century patinated, silvered bronze and ormolu statues signed E le Guill. Each statue is raised by a circular mottl...

A pair of 19th century French bronze figures of a boy and girl, each figure seated and dressed in robes, supported on finely cast gilt bronze cylindrical plinths...

A splendid and true pair of French 19th century Neo-Classical st. patinated bronze statues of Hermes and a nobleman, signed and stamped by Susse Frère...

Pair of French Art Nouveau patinated spelter sculptures French, early 20th century Measures: Figure with lyre: Height 92cm, width 48cm, depth 38cm Other figure: Height 90cm, width 52cm, depth 33cm The spelter works in this pair are after two of the leading Art Nouveau period sculptors: George Maxim and Auguste Moreau. The sculptures portray young women in animated, dance-like postures, wearing flowing dress that recalls Greek wet drapery. One figure holds a musical instrument, while the other spreads her arms as if to music. The figures stand on integral rocky bases above matching marble plinths. Each piece is affixed with a plaque, one reading ‘Libellule par Geo Maxim...