Rare 16th-Century French Polychrome Wooden Pietà Sculpture

Immerse yourself in the poignant beauty of this significant carved wood and polychrome sculpture depicting the iconic scene of the Pieta. Crafted possibly in Spain during the 19th century, this artwork stands as a striking testament to sacred art and artistic mastery of the era. The sculpture, executed with exceptional quality, captures the delicacy and devotion of the Pieta scene, where the Virgin Mary cradles the body of Jesus Christ after the crucifixion. Despite some minor losses, as shown in the accompanying photos, these do not significantly diminish the value or beauty of the piece. Measuring 108x60x55 cm, including the wooden base, this sculpture possesses an imposing presence that will command attention in any space. The expressiveness of the figures and the meticulous attention to detail attest to the sculptor's talent and deep understanding of the religious theme. Whether as the centerpiece of a sacred art collection or as a standout element in a devotional space, this Pieta sculpture...

A charming carved and polychromed wooden Virgin and Child, attributed to the Italian School and dating to the 16th century. The composition reflects Renaissance ideals, with a calm, ...

A beautifully carved Spanish sculpture of the Immaculate Conception dating from the 17th century, executed in polychromed and gilded wood. Measuring 75 cm high, 38 cm wide and 24 cm...

Virgin and Child, polychrome wood carving, Hispanic school, 16th-17th century This carved and polychrome wood sculpture depicts the Virgin Mary with the Child in her arms, crowned an...

IMPORTANT GERMAN PIETÀ FROM THE 14th CENTURY ORIGIN: GERMANY, REGION DE COLOGNE PERIOD: BEGINNING IF THE 14th CENTURY, ca. 1330 Height: 98 cm Length: 45 cm Depth: 33 cm Polychromed linden wood Good condition of conservation Provenance : particular Alsatian collection The theme of the Pietà or Vesperbild appears in Germany at the end of the 13th century, reflecting the mysticism of the late Middle Ages. Although the theme does not exist in the Gospels, it was often mentioned in contemporary devotional literature. Indeed, during the first half of the 14th century, mystical thought and devotional practices changed under the impulse of a number of religious, among them Heinrich Suso and St Bridget. In his writings, Suso placed important emphasis on contemplation and meditation in the footsteps of Christ's martyrdom. This will have great impact in the field of art, especially in Germany and later in France. The emphasis will from now on be on grief, death is shown in a straightforward way. The wounds of Christ are gaping and bloody. The suffering of Christ and the seven sorrows of the Virgin Mary are meditated upon. This piece demonstrates the interest of the faithful in these representations where pathos reigns. The virgin is represented seated in a frontal position. The bust is very elongated. She is wearing a red dress with a simple neckline and a blue mantel...

A finely sculpted French late 19th century polychrome terracotta Pietà depicting the Virgin Mary supporting the body of Christ after the Crucifixion. The composition is executed with...

A Carved and Polychrome-Painted Group of the Virgin and Christ, 18th Century The modelled standing in robes holding the Christ child, on a rockwork base with a seraphim mask to the ...

France, circa 1850 An exceptional and monumental Neo-Gothic Pietà, masterfully carved in wood and dating to France around 1850. Depicting the Virgin Mary mourning the body of Christ...