Antique Chamberlain Co Encaustic Heraldic Tile Panel

A set of four 6-inch antique encaustic heraldic tiles by Chamberlains of Worcester circa 1845. Dating from the mid 19th century, these four reclaimed tiles are mounted on a bespoke ...

A late 19th century encaustic floor tile by Craven Dunhill and Co (stamped) depicting four passant lions in deep red and buff tones. This 6-inch tile includes a bespoke steel stand a...

This captivating early 20th Century plaster English heraldic plaque boasts a regal ensemble of crowned lions, a prominent cross, and elegantly draped swags adorned with delicate tass...

Large 19th Century Florentine Heraldic Pietra Dura Plaque, Allegory of Peace, c.1890 This magnificent late 19th-century Italian Pietra Dura (Florentine mosaic) plaque is a virtuoso work of lapidary art, representing the absolute pinnacle of luxury commissions from the historic workshops of Florence. Often described as "painting in stone," this complex technique involves the meticulous cutting, fitting, and polishing of specimen hardstones and semi-precious minerals to create a seamless, fluid pictorial composition. Unlike standard, decorative multi-figure works, this specific plaque is a highly sophisticated, bespoke Heraldic and Allegorical Commission. Woven directly into the stone landscape are precise aristocratic charges: a prominent coat of arms featuring three chevrons, balanced by three doves perched in the trees. In European heraldry, the three chevrons traditionally symbolise amplified protection, faithful service, and the robust founding or fortification of a noble house. The three doves perched in flourishing branches signify peace, fidelity, and a family lineage rooted in prosperous, divine tranquility rather than bloody conquest. The plaque acts as a beautiful Allegory of Harmony and Peace, depicting a seated musician serenading a companion under the direct protection of the noble family crest. The master lapidary artist has seamlessly utilised the natural veining, variegation, and shading of choice jaspers, agates, chalcedonies, and colored marbles to simulate the organic textures of fabric folds, tree bark, and lifelike tones, all set against a flawless, solid black Belgian marble ground. History & Origin Technique: Commesso Fiorentino / Pietra Dura (Florentine Inlay Mosaic) Period: Late 19th Century (Circa 1880–1900) Origin: Florence, Italy Materials: Inlaid specimen hardstones (including jaspers, agates, and porphyry) on a black marble base. Dealer’s Comments "This is an absolute masterpiece of the craft, and its sheer physical presence is extraordinary. At 54cm square and weighing a very heavy 6.6kg, it is a truly substantial piece of lapidary art. What elevates this far above standard Florentine plaques...