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Art Decò Italian Signed Hand-Painted Wunderkammer Artwork

$1,647.41
£1,221.89
€1,400VAT Included
CA$2,311.57
A$2,348.75
CHF 1,330.64
MX$28,578.48
NOK 15,602.81
SEK 15,687.81
DKK 10,682.27

About the Item

Art Decò Italian Signed Hand-Painted Wunderkammer Artwork Fully enamelled and hand-painted shell Features the F.D. monogram A magnificent objet d’art produced in Italy in the purest Art Deco style. This shell is decorated with incredible skill and imagination. Hand-painted across its entire surface with stunning decorative colored motifs. The FD monogram, together with the extraordinary craftsmanship of this exclusive piece worthy of the most prestigious noble cabinets of curiosities, suggests that these beautiful ‘Divertissements’ may be attributed to the great Italian Futurist artist Fortunato Depero. This object is part of a series of three. This artwork, never before on the market, comes from an important European private collection. Fortunato Depero (30 March 1892 – 29 November 1960) was an Italian futurist painter, writer, sculptor, and graphic designer. Although born in Fondo or in the neighboring village of Malosco, according to other sources (in the Italian Trentino region, at that time the County of Tyrol in the Austrian-Hungarian empire),Depero grew up in Rovereto and it was here he first began exhibiting his works, while serving as an apprentice to a marble worker. It was on a 1913 trip to Florence that he discovered a copy of the paper Lacerba and an article by one of the founders of the futurism movement, Filippo Tommaso Marinetti. Depero was inspired, and in 1914, moved to Rome and met fellow futurist Giacomo Balla. It was with Balla in 1915 that he wrote the manifesto Ricostruzione futurista dell’universo ("Futurist Reconstruction of the Universe") which expanded upon the ideas introduced by the other futurists. It sought the abstract equivalent for all forms and elements of the universe. The goal was to make the universe "more joyful" through an integral recreation. In the same year, he was designing stage sets and costumes for a ballet. In 1919, Depero founded the House of Futurist Art in Rovereto, which specialised in producing toys, tapestries and furniture in the futurist style. In 1925 he represented the futurists at the Exposition Internationale des Arts Décoratifs et Industriels Modernes(International Exposition of Modern Industrial and Decorative Arts), and presented a Futurist Hall at the Monza Biennial. In 1927, together with his friend, advertising agent and publisher Fedele Azari (Dinamo-Azari), Fortunato Depero designed Depero futurista 1913–1927 – the so-called "bolted book" – which was printed in letterpress with his direct supervision and involvement by the Mercurio print works of Rovereto. Depero futurista 1913–1927 was a commercial book to be sold, to promote and document the work of Depero, and to legitimise him as an artist. It was a showcase portfolio relating to a specific period (1913–1927), but also an atypical and pioneering artwork in the form of a book, an ideological declaration. It is a work that celebrates Depero, the artist, graphic designer and artisan, a blend described as ‘total fusion’ by Giacomo Balla and Depero in their manifesto of 1915 Ricostruzione futurista dell’universo. 1928 saw Depero move to New York City. From this year to 1930, his works were not successful. The city was still reeling from the effects of the Wall Street crash, so his paintings did not sell while the Futurist House, his first commercial enterprise there, closed after barely two months of operations. He experienced a degree of success later on, doing costumes for stage productions and designing covers for magazines including MovieMaker, The New Yorkerand Vogue, among others. He also dabbled in interior design during his stay, working on two restaurants which were later demolished to make way for the Rockefeller Center. He also did work for the New York Daily News and Macy's, and built a house on 23rd Street. In 1930, he returned to Italy. In the 1930s and 40s, Depero continued working, although due to futurism being linked with fascism, the movement started to wane. The artistic development of the movement in this period can mostly be attributed to him and Balla. One of the projects he was involved in during this time was Dinamo magazine, which he founded and edited. After the end of the Second World War, Depero had trouble with authorities in Europe and in 1947 decided to try New York again. This time, he found the reception not quite as welcoming. One of his achievements on his second stay in the United States was the publication of So I Think, So I Paint, a translation of his autobiography initially released in 1940: Fortunato Depero nelle opere e nella vita (literally, Fortunato Depero, his works and his life). From the winter of 1947 to late October 1949, Depero lived in a cottage in New Milford, Connecticut, relaxing and continuing with his long-standing plans to open a museum. His host was William Hillman, an associate of the then-President, Harry S. Truman. After New Milford, Depero returned to Rovereto, where he would live out his days. In August 1959, Galleria Museo Depero opened, fulfilling one of his long-term ambitions. On 29 November 1960, after being ill with diabetes and spending the last two years unable to paint due to hemiparesis, Depero died aged 68 in Rovereto. Many of his works are featured in the permanent collection of the Museum of Modern and Contemporary Art of Trento and Rovereto (MART). The Casa d'Arte Futurista Depero, Italy's only museum dedicated to the Futurist movement, containing 3,000 objects, is now one of MART's venues. Closed for many years for extensive refurbishment, the Casa d'Arte Futurista Depero reopened in 2009. A number of important artists, thinkers, and architects worked on the Casa with Depero―especially those who were from the region―including Fausto Melotti, Gino Pollini, and Carlo Belli. Depero's designs and artworks completed for advertising were mainly monochromatic or utilized a spot colour to emphasise text. His full-color designs followed Futurist color schemes featuring red, brown, ocher and the occasional accents of bright blue or aqua. From 22 February to 28 June 2014, the Center for Italian Modern Art exhibited Depero's work which engaged in dialogues with Dada and Metaphysical Painting, Espirit Nouveau, and Art Deco. From 10 October 2014 - 18 January 2015, the Museu Fundación Juan March Madrid, exhibited Futurist Depero (1913-1950).  The exhibition of nearly 300 pieces showed “renewed vision of Italian Futurism, which has gone down in history for the radical nature of its proposals: abolishing the art of the past and glorifying dynamism, the machine, speed and war”.
  • Attributed to:
    Fortunato Depero (Artist)
  • Dimensions:
    Height: 3.15 in (8 cm)Width: 4.73 in (12 cm)Depth: 5.91 in (15 cm)
  • Style:
    Art Deco (Of the Period)
  • Materials and Techniques:
  • Place of Origin:
  • Period:
  • Date of Manufacture:
    1935 ca.
  • Condition:
    Wear consistent with age and use. Minor fading.
  • Seller Location:
    Roma, IT
  • Reference Number:
    1stDibs: LU4827249327832

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