Mid-18th Century Jars

This splendid five-piece Delft garniture, made in Holland in the mid-18th century, circa 1760, captures the harmony and refinement of 18th-century Dutch faience at its height. ...

18th Century Absinthe infusion Albarello or Wet Drug Jar, Interesting Rare Jar. Historical Repairs. Circa 1760.

Lovely 18th century Georgian lidded jar or condiment pot hand carved and turned from a beautiful piece of yew wood. Rich and warm patina from age and use...

This large, antique earthenware olive oil jar was created in Biot, Provence, Southern France, circa 1760. Made of blond clay and neutral in color, the terracotta vase has a tradition...

A very lovely Kangxi Chinese porcelain ginger jar with hand-painted, blue overglaze decoration with "one hundred treasures" motif. Jar has original p...

A large and impressive Dutch Delft jar of octagonal shape with fluted sides, mark for Johannes Van Duijn, De Porceleyne Schotel Factory, 1764 - 1773, Delft, Holland, the Netherlands....

An Antique German Engraved Pewter Jar, 18th Century Description: The jug features a lidded design, and the lid is adorned with a figural element of a lamb, adding to its decorative ...

Collection of Five Chinese Export 'Batavia-ware' and Famille Rose Jars and Covers Qianlong Period, China, Circa 1750s This handsome collection of five graduated covered jars is a magnificent and rare example of mid-18th-century Chinese Export porcelain, illustrating the highly successful fusion of Chinese ceramic technology and European market demand during the height of the global trade era. ________________________________________ Description and Aesthetic Medium: Porcelain with underglaze brown glaze and overglaze Famille Rose enamels. Period: Qianlong (1736–1795). Origin: Jingdezhen kilns, China, made for the European export market. The collection comprises two large, two medium, and one small jar, intended to be displayed together as a garniture—a decorative set prized for mantelpieces and cabinets in opulent European interiors. • The 'Batavia' Ground: Each piece is characterized by a luxurious, deep chocolate-brown glaze covering the exterior, a distinctive aesthetic known historically as "Batavia-ware" or descriptively as café au lait. This rich, monochrome ground was achieved by bathing the porcelain in an iron-rich slip before glazing and firing. • The Famille Rose Reserves: The dark ground provides a dramatic backdrop for finely painted, leaf-shaped reserves (panels). These panels are adorned with exquisite floral sprays executed in the vibrant Famille Rose palette (meaning "pink family"), which was introduced to China from Europe in the early 18th century. The opaque enamels—dominated by the rose-pink created from colloidal gold—allow for subtle shading and realism, brilliantly depicting the peony (mudan), the Chinese flower of wealth, nobility, and honor. • The Covers: The domed covers maintain this contrast, with a high, lustrous brown glaze broken by Famille Rose floral sprays that echo the motifs on the body. ________________________________________ Historical Context: Global Trade and Naming The name "Batavia-ware" is a crucial historical reference, even though the porcelain was manufactured in the kilns of Jingdezhen. 1. The Dutch East India Company (VOC): Batavia (modern-day Jakarta, Indonesia) served as the fortified administrative and trading headquarters of the Dutch East India Company (VOC) in Asia. 2. The Trade Route: Porcelain destined for the European market was collected from various Chinese ports and then centrally transshipped through Batavia. This particular style became famously associated with that major transit port among Western collectors, hence the name, which links the sophisticated manufacturing of China to the powerful trade infrastructure of the Dutch. 3. 18th-Century Opulence: Garnitures like this were highly desirable statements of wealth and worldliness in 18th-century Europe. Their acquisition signified participation in the exotic, global market and a cosmopolitan taste capable of appreciating the high technical and artistic quality of Chinese porcelain. The successful combination of the deep, rich brown glaze—which evokes a feeling of luxurious Eastern lacquer or polished wood—with the delicate, luminous European-inspired Famille Rose palette represents a brilliant convergence of East-West artistic demands at the height of the Qianlong Emperor’s reign. ________________________________________ Dimensions Largest Jar: 7 1/2 inches high x 7 1/2 inches diameter; Second Jar: 7 1/4 inches high x 6 1/2 inches diameter; Third Jar: 5 1/2 inches high x 5 inches diameter; Pair of Smaller Jars...

An exceptional, fine and impressive pair of antique Georgian English sterling silver tea caddies; an addition to our silver teaware collection. These exceptional antique George II sterling silver tea caddies have a circular baluster shaped form. The surface of each antique tea caddy is embellished with very sharp, finely chased floral and foliate decoration, incorporating a scroll bordered vacant cartouche to either side. The ornamentation to the body of each piece incorporates a plain applied moulded girdle. These caddies are fitted with a cylindrical push fit covers encircled with leaf decorated textures. The covers are surmounted with the original cast sterling silver leaf decorated finials. These impressive antique tea caddies...

traditional antique beer jug "Birnenkrug" translated: pear jug Bavaria or Austria middle of 18th century with a pewter lid Ø mouth: 7cm ~ Ø max 14cm ~ weight: 1149grs

A rare, 18th century English Bilston or Battersea enamel green tea caddy. Likely manufactured in South Staffordshire. Of octagonal form with ...

Rare pair of 18th Century French bath warmers handcrafted with copper and iron in utilitarian yet sculptural form, still functional and miraculously retaining the original lids.

A Rare & Exceptional George II Rococo Irish Milk Jug Made in Dublin circa 1750 by Samuel Welder. The Jug is of typical Irish design and stands on three unusual paw and shell feet wh...