
Porcelain KPM Berlin Vase Designed by Trude Petri
By KPM Porcelain
Located in Vienna, AT
Buttle-shaped white porcelain with glossy glaze, designed by Trude Petri in the 1953.
Vintage 1950s German Mid-Century Modern Vases
Porcelain
The Königliche Porzellan-Manufaktur Berlin, or KPM (Royal Porcelain Factory, Berlin, in English) was one of the most influential porcelain factories to emerge in 18th-century Germany, along with Nymphenburg and Meissen. KPM was the third incarnation of a company originally founded in 1751 by Wilhelm Caspar Wegely to take advantage of the burgeoning market for “white gold.” On the verge of bankruptcy, Wegely sold his inventory and tools to Johann Ernst Gotzkowsky, who in 1761 established another porcelain factory, which also failed, and was subsequently taken over by Frederick II of Prussia in 1763. Like Augustus II, Elector of Saxony, the patron of Meissen and a keen collector who described himself as suffering (quite happily) from “porcelain sickness,” Frederick II was proud to refer to himself as KPM’s “best customer.” KPM produces china and figurines to this day, and throughout its long history, it has been a style-setter for elegant tableware, particularly in the 1930’s, the period during which their popular patterns Urbino, Urania and Arkadia were designed.
Thanks to its royal patronage, KPM had the resources and contacts necessary to establish itself as a leading luxury producer, and supplied Russian and European elites with tableware in the Rococo and Neoclassical styles, as well as monumental vases, and decorative plaques. Many of these objects can be found today in major museums as a result of Frederick II’s penchant for sending KPM porcelain as diplomatic gifts throughout Europe. Unlike Meissen, which was known for crafting porcelain sculptures of dazzling complexity, KPM is revered for the precision and splendor of its surface decoration, and for its porcelain plaques depicting scenes from history and mythology. One especially lovely example circa 1790 is a neocalssical-style tea service decorated with gold accents and a grisaille design of figures from the ancient world. By contrast, this boldly colorful narrative cup and saucer set from the 1840’s depicts scenes from real life as colorfully as a painting. The set was commissioned by a gentleman for his wife as a tongue-in-cheek gift commemorating her misadventures while in town for a visit to the opera, which resulted in her opera glasses being stolen. The saucer shows the thief and the glasses, and the cup reveals the scene of the crime in vivid hues.
KPM was forced to move from its original location in 1867 due to the building of the new Prussian Parliament building, and this afforded the company the opportunity to to create a new factory with the newest equipment and materials of the day. With the growing popularity of Art Nouveau and the western fascination with Asian ceramics, KPM began formulating glazes that evoked the color palette and rich surfaces of Chinese porcelain. By the turn of the century, KPM was exhibiting its wares to a global audience at international expositions. At the end of World War I with the collapse of the Prussian monarchy, KPM was renamed the State Porcelain Manufactory Berlin, continuing to use the name KPM and its use of the cobalt blue sceptre mark that is painted on the bottom of every piece.
By the late 1920’s, the designers and craftsmen of KPM were inspired by the tenets of Modernism, particularly the styles of the Bauhaus and the Deutscher Werkbund. During this period, the firm’s aim was to produce useful household porcelain for a range of consumers, rather than catering to a small elite. Among the most successful patterns of this era was designer Trude Petri’s Urbino line, which is still produced today. Following World War II, KPM was temporarily housed in the town of Selb, and only returned to its rebuilt quarters in Berlin in 1957. In the 1980s, KPM became an private company independent of the state, and began to focus production on the preservation of historic forms, designs, and techniques. KPM continues to collaborate with designers from all over the world, most recently on the Berlin dinnerware service with designer Enzo Mari, and a collaboration with the luxury brands Bottega Veneta and Bugatti.

Porcelain KPM Berlin Vase Designed by Liselotte Lüpke
By KPM Porcelain
Located in Vienna, AT
Drop-shaped white porcelain with glossy glaze, designed by Liselotte Lüpke in 1939, this one was produced in the 1950s. Up to 4 piceses available, price per vase.
Porcelain

Porcelain KPM Berlin Vase Designed by Theo Schmuz-Baudiss
By KPM Porcelain
Located in Vienna, AT
Bottle-shaped white porcelain with glossy glaze, designed by Theo Schmuz-Baudiss in the 1960s. Up to 2 piceses available, price per vase.
Porcelain

German White Matte Porcelain Vase by Rosenthal Studio Line
By Rosenthal
Located in New York, NY
A German white matte porcelain vase by Rosenthal Studio-Line Collection, circa late-20th century, Germany. Oval in shape with organic modern design on around - front, side and back. Maker's mark on bottom...
Ceramic, Porcelain

Modernist White Porcelain Vase by Rosenthal Studio-Linie
By Rosenthal
Located in San Diego, CA
A very nice modernist white porcelain vase by Rosenthal Studio-Linie, circa 1970s. The vase is in very good vintage condition with no chips or cracks and measures 6"W x 3"D x 6"H. ...
Porcelain

Manner of Wirkkala White Ceramic Vase by Naaman Artline Porcelain, Israel, 1970s
Located in Miami, FL
Combination of matte & glossy white glazing makes this modern and beautiful tall Vase much more interesting. The band of matte white in the center front and back has a raised decoration of bubbles reminiscent of the work of Tapio Wirkkala for Rosenthal in 1960s and 70s. Stamped in blue underglaze on the bottom, Naaman Artline...
Ceramic, Pottery

Large White KPM Berlin Porcelain Vase Trude Petri Bauhaus, Germany 1930s
By Trude Petri, Königliche Porzellan-Manufaktur (KPM)
Located in München, BY
Large white porcelain vase, designed by Trude Petri for the Königliche Porzellan-Manufaktur KPM in Berlin, Germany 1930s. Elegant, minimalist vase in a rare large size. This is a pe...
Porcelain

Thomas Keramik White Rounded Porcelain Vase, Postmodern
By Thomas Keramik
Located in New York, NY
Stunning white porcelain vase by Thomas. The rounded pleat design catches light and shadow beautifully from different angles. Measurements: H 8", W 5.5", D 3".
Ceramic
Schumann Artzberg Mid-Century White Porcelain Vase, 8.5\
Located in Queens, NY
Bavarian German Mid-Century white porcelain cylindrical-form vase with a vertical raised dashed line pattern. (mark on bottom, SHUMANN ARZBERG BAVARIA GERMANY)
Ash