Japanese Matcha Bowl for Tea Ceremony FUJIN Kyo-kiyomizu Narutakigama

This is a bowl that we use during tea ceremony. This is made with porcelain and it was made around 1980 in Showa era. This bowl has a style Kyo raku. It is called Kyo ware and it was...

This is a matcha bowl for tea ceremony. This bowl is made with porcelain and it was made around 1970s in Showa era. This bowl featuring an elegant flowing wave design in blue and go...

This is a matcha bowl which we use for tea ceremony. This bowl was made around 1980s in Showa era in Japan. This is made with porcelain. Dimensions: 13x 13 x H 6 cm

This is a matcha bowl which we use during a tea ceremony in Japan. There are a signature written on the bottom of this bowl 'Mizuho'. This matcha bowl was made in Japan around 1990s ...

Introducing this rare and exquisite bowl from Meiji period, dating back to the 19th century. Additional information: Material: Porcelain & Pottery Region of Origin: Japan Period: 19...

Japanese Taisho Period Tea Bowl in Tomobako,Earthenware Japan Tea. A very nice tea bowl The box is included Additional information: Material:...

A Japanese chawan (tea bowl) of Kyo-yaki (Kyoto ware) attributed to Nin'ami Dōhachi, also known as Takahashi Dōhachi (1783–1855). Potted sensitively wi...

A rare ceramic bowl with overglaze paint decoration by Japanese imperial potter Makuzu Kozan ((1842–1916). Unlike the better-known works Kozan made for the expositions in the west and export to the foreign market, this piece exemplifies his work for the domestic market and the tea ceremony. The bowl was made in the so called "Utusushi" Ogata Kenzan (1663-1743), a celebrated Edo painter and ceramicist. Utusushi is loosely translated as "in the spirit of". It is not at all a simple imitation of a master, but a Japanese concept of embracing the spiritual essence of a master while the creator is free to mix in his or her own unique artistic interpretation and flavor. The bowl was made to hold fruits during the tea ceremony. It has a very distinguished form with a circular lower body morphing into a square upper portion that further opening with flared rim. The surface has a grey glaze onto which Asagao flowers (Japanese morning glory) on the vines were painted in a free and poetic style. White was used for the petals, green for the leaves with touches of gold highlight. Asagao, the symbol of the summer was rendered in the spirit of Ogata Kenzan, and interestingly the shape of the blossom echoes the unique form the bowl. It was likely reserved for the tea ceremony during the summer months. Under the base, Kozan was signed in black on a white porcelain plaque inlay. For two similar examples of Kozan's work Utusushi Kenzan, see Page 168-169 of the book: Sekai ni Aisa Reta ya Kimono Miyagawa Kozan Makuzu...