Stock Exchange Interest - Large Sterling Silver Centrepiece or Plate by Garrard

Antique Sheffield Silver Plated Salver Signed "Mappin & Webb Triple Deposit Princes Plate, London & Sheffield." Mappin & Webb was Founded...

Baroque style centerpiece in 800 solid silver, completely handmade and subsequently embossed and chiseled. The edge of the centerpiece was embossed with fruit motifs and masks, typical of the Baroque period. The outer edge and the part of the centerpiece are smooth. The centerpiece rests on three feet made with the fusion and chisel technique that lift it from the support surface. Italian...

An elegant vintage Solid Silver Salver by noted Silversmith R E Stone. The Round Tray is decorated with Art Deco fan elements. This Salver is a perfect size for a drinks serving tray...

English Sterling silver tray with case by Elkington English, 1911 Tray: Height 5cm, diameter 51cm Case: Height 8.5cm, width 55cm, depth 55cm This charming solid silver tray is ...

George III sterling silver salver. Made by Robert Rew in London in 1769. Round and ogee well with engraved armorial in floral surround. Sides tapering, and rim scrolled and gadrooned...

Electroplated salver, circa 1920, made in London by S.B. & Co. Electroplated nickle silver marks. Marked Made in England. Fine condition - the border design repeated in the vine & gr...

An important antique silverplate charger created by Elkington & Co., based on a sculpture by French artist Morel Ladeuil. Cast by one of the most significant and highly respected English silver firms in history, the classically-designed repoussé form displays an intimate scene of a lady being dressed by her attendants. Surrounded by a border of Greek anthemions and supported its elm and mahogany solid wood frame, this plaque is a tour-de-force of silver plate artistry. Elkington & Co. patented the first commercial electroplating process and held Royal Warrants for Queen Victoria, King Edward VI...

The Salver stands on three hoof feet and displays a raised shaped border decorated with scrolls and Rococo shell details. The centre of the Salver is engraved with a contemporary Arm...

This is a wonderful English antique George III sterling silver 10 inch salver, by the world famous silversmith Paul Storr. It has clear hallmarks for London 1811 and the makers mark of Paul Storr. It is typical of his work with the raised gadrooned rim with anthemion at intervals, on four fabulous foliate bracket feet. The salver is engraved with a crest and motto and the underside is later engraved Charlotte J. Parke from C. J. Parke, March 1893' The centre is engraved with a crest above a motto 'True and Fast' and I have researched this crest: The Crest of Parke The crest as engraved upon this George III English Sterling Silver Footed Salver by Paul Storr hallmarked London 1811 is that of the family of Parke. It may be blazoned as follows: Crest: A stag’s head couped sable holding in the mouth a key or Motto: True and fast The family of Parke originally hailed from the County of Cumberland in the northeast of England1 later settling in the County of Dorset at Henbury House, Sturminster Marshal, near Wimborne. Given the evidence of the inscription found on the underside of the salver ‘Charlotte J. Parke from C. J. Parke, March 1893’ it was undoubtedly at one time in the possession of Charles Joseph Parke (died 9th March 1893) of Henbury House aforesaid and gifted to Charlotte Josephine Parke (baptised 4th January 1857 died 2nd January 1941) his third daughter by his wife, Ellen Mary Ethelston. I would venture the following hypothesis that the salver was bequeathed to Charlotte in her father’s will that was granted probate at London on the 20th May 1893. The ‘March 1893’ of the inscription acts as a remembrance of the month of the death of her father. It was noted that Charlotte’s father left an estate worth some £66,892, 19 shillings and one pence, a very considerable sum in the last decade of the 19th Century and even thereafter. Charlotte never married and was living at the time of her death at The Coppice, Sixpenny Handley in the County of Dorset. Her will was proved for probate at Llandudno on the 25th March 1941. She left an estate worth £18,866, 10 shillings and 4 pence. Again, a comfortable sum in 1941. See the photo of Henbury House, Sturminster Marshal, near Wimborne, Co. Dorset. The former seat of the Parke family. The house was destroyed by fire, the remains of which were demolished in the 1990's. There is no mistaking its unique quality and design, which is sure to make it a treasured piece by any discerning collector. Condition: In excellent condition with clear hallmarks and no dings, dents or signs of repair. Please see photos for confirmation. Dimensions in cm: Height 2 x Width 26.5 x Depth 26.5 Weight 0.69 kg Dimensions in inches: Height 1 inch x Width 10 inches x Depth 10 inches Weight 1.5 lbs Paul Storr born in London England in 1771, was to become one of the most talented silversmiths of the nineteenth century. Today his legacy of exceptionally well crafted silver, found worldwide in museums and private collections, leaves one in awe when compared to that of his contemporaries.After having served a seven year apprenticeship from the age of 14, he began his career in 1792 when he went into a brief partnership with William Frisbee. This did not last and in 1793 a new mark, (his initials ‘P S’) was entered. By the beginning of the nineteenth century he had established himself as one of London’s top silversmiths producing, amongst others, commissions for Royalty. In 1801 he married Elizabeth Susanna Beyer with whom he was to have ten children. In 1807 Paul Storr entered into a working relationship with Philip Rundell and by 1811 was a partner, and managing the workshops for Rundell, Bridge & Rundell. During this period he kept his own marks and separate workshop. However it was through Rundell, Bridge & Rundell who were appointed Goldsmith in Ordinary to George III in 1804 that his reputation as a master silversmith grew. His talents lay in being able to transform ideas and designs from Rundell, Bridge & Rundell’s designers, William Theed...

A fine signed French Art Deco period tazza. In silver plate. Apparently marked for Durousseau & Reynaud of Lyon, France. Simply a fine French Art Deco form! Date: Early 20th Cent...