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Original Seils-Sterling Circus Poster

$950List Price

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The Cristiani family originally came to America from Italy in the 1930s and established themselves as the best circus bareback riders of all time. In the 1950s they established their...

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Equestrian Circus Poster by Ringling Bros Ca. 1971 Featuring "Miss Helen Girard"

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There is a lot going on in this equestrian themed, bright and colorful circus poster portraying famous early 20th century circus performer "Miss Helen Girard". She is in a horse drawn cart in one image, while two men ride horses in two other images, and Helen Girard in full portrait is featured on the left. Her claim to fame is stated at the bottom "Empress of the Equestrian World" and "Side Saddle Queen". This is a reissued poster by Ringling Brothers from 1971 of one of their original, very early, 1903 promotional circus posters. To commemorate their 100th anniversary, in 1971, Ringling Brothers and Barnum and Bailey, produced reissues of some of their select and most famous authentic posters...

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Barnum and Bailey Circus Lithograph, Late 20th Century, Unframed

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Circus Poster by Ringling Bros., circa 1971, Portraying Six Seated Clowns

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This bright and colorful circus poster depicts six seated clowns with their backs to the audience and an alphabet letter on their back spelling out the word "Circus". It is a reissued poster by Ringling Brothers from 1971 of one of their original 1936 promotional circus posters. To commemorate their 100th anniversary, in 1971, Ringling Brothers and Barnum and Bailey, produced reissues of some of their select and most famous authentic posters dating from 1883 until the 1930's. There were 30 different posters, and they were advertised as "The only antique posters authorized by the greatest show on...

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1900 Three-Sheet Theater Poster

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Located in Peekskill, NY

This was an estate find and part of a beautiful collection of rare excellent turn of the century posters. They were hidden away for over 100 years. This is a rare and impressive 3 sheet poster that is 7 foot tall. It make quite a statement. About the poster: You'd think that a play called "The New Baby" might feature said child in its promotional material. But here's the thing - there really isn't a baby at the centre of the comedy, and that's the crux of this entertainment. The plot concerns a husband who is so bored with country life that he dreams up the idea of having an illegitimate son in London as a way to get into town for an occasional 'night off'. When his wife decides that the child should be adopted, the expected comic tissue of falsehoods and misunderstandings frays and hilarity ensues. Adapted from German by A. Bourchier, the farce opened in London in 1896 to what a local critic termed 'much mirth'. Several years later, when the play had crossed the Atlantic and entered the repertory of David de Wolf cleverly called the Baby's chaperone on the poster and his troupe of traveling players, that understated review was translated into the more American howling success. The cast and director would've been totally unfamiliar with the British hinterlands, so this splendid design concentrates on the hi-jinks of the characters and their situation. At the start of the 20th century, America was in the full glory of its cultural adolescence, bursting with energy and optimism. In 1900 in New York there were 33 legitimate Broadway theaters...

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Original 1902 American Playhouse Poster

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This was an estate find and part of a beautiful collection of rare excellent turn of the century posters. They were hidden away for over a 100 years. About the poster: You'd think that a play called 'The New Baby' might feature said child in its promotional material. But here's the thing, there really isn't a baby at the center of the comedy, and that's the crux of this entertainment. The plot concerns a husband who is so bored with country life that he dreams up the idea of having an illegitimate son in London as a way to get into town for an occasional 'night off'. When his wife decides that the child should be adopted, the expected comic tissue of falsehoods and misunderstandings frays and hilarity ensues. Adapted from German by A. Bourchier, the farce opened in London in 1896 to what a local critic termed 'much mirth'. Several years later, when the play had crossed the Atlantic and entered the repertory of David de Wolf - cleverly called the Baby's 'chaperone' on the poster - and his troupe of travelling players, that understated review was translated into the more American howling success'. The cast and director would've been totally unfamiliar with the British hinterlands, so this splendid design concentrates on the hi-jinks of the characters and their situation.' At the start of the 20th century, America was in the full glory of its cultural adolescence, bursting with energy and optimism. In 1900 in New York there were 33 legitimate Broadway theatres, and many more would be built within the next decade to meet growing audience demand. New York's exploding population was also enjoying increased mobility. In 1904, the city opened its first underground commuter railroad lines. Thanks to these 'subways,' tens of thousands living far from the theatre district could catch a Broadway show and still sleep in their own beds. Add in the ever-increasing numbers of tourists who came into the city by rail and steamship, and it was easy to see why Broadway could now support more productions and longer runs than ever before.' We believe this magnificent and awe inspiring poster typifies the best of musical history and musical posters...

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