Peter Shire Exp Signed Post Modern Ceramic California Pottery Splatter Cup, 1979

Glazed Whiteware ceramic mug sculpture by Peter Shire, 2016. Approx: 8 3/4" high x 13" wide x 23" long (to handle). Peter Shire: Peter Shire is an LA-based artist whose work elu...

Very nice and traditional work by the well known Los Angeles Artis Peter Shire.

Glazed whiteware ceramic mug sculpture by Peter Shire, 2015. Approximate measures: 11 3/4" high x 16 1/2" wide x 29" long (to handle) Peter Shire: Peter Shire is an LA-based art...

1980s Alpha-3 Mug designed by Kato Kogei for the Fujimori Collection. Made in Japan, this Memphis M mug is part of the Omega set.

A Japanese Mashiko Cup studio pottery with stylized designs in the brown glazed body in the manner of cloud-water flowing pattern and dating from arou...

Mid-Century Modern Danish Studio Pottery Mug from Kingo Keramik, 1960s, in Very Good conditions. Designed 1960 to 1969 This piece has an attribution mark, Additional information: Ma...

Ceramic pitcher by Roger Capron, France, Vallauris, 1950s. Pyjama decor. Model P2

Mid-Century Modern Danish Studio Pottery Mug Vase from Robert Rob Bentsen, 1960s

Stoneware ovoid vase with abstract decoration by Georges Martin. Artist signature on one side. Circa 1970-1980. Unique piece. H : 13.9’ x 4.3’ x 9.2’ inches.

“Untitled” ceramic, is an example of the kind of work by which John Glick became so famous. He was seduced by the effects of the reduction kiln, which decreased the levels of oxygen during firing, inducing the flame to pull oxygen out of the clay and glazes changing the colors of the glazes depending on their iron and copper content. In this way he achieved the rich gradients of ochre and umber and variations in stippling and opacity. This piece is signed on the bottom and can be found on page 92, plate #125 in “John Glick: A Legacy in Clay.” John was an American Abstract Expressionist ceramicist born in Detroit, MI. Though open to artistic experimentation, Glick was most influenced by the styles and aesthetics of Asian pottery—an inspiration that shows in his use of decorative patterns and glaze choices. He has said that he is attracted to simplicity, as well as complexity: my work continually reflects my re-examination that these two poles can coexist… or not, in a given series. Glick also took influences from master potters of Japan, notably Shoji Hamada and Kanjrio Kawai, blending their gestural embellishments of simple forms with attitudes of Abstract Expressionism. He was particularly drown to the work of Helen Frankenthaler whose soak-stain style resonated with Glick’s multi-layered glaze surfaces, which juxtaposed veils of atmospheric color with gestural marks and pattern. He spent countless hours developing and making his own tools in order to achieve previously unseen results in his work with clay and glaze. Glick’s “Plum Tree Pottery...