Canadian Masks

Expressive early classic cubist Dan mask with refined expressive look, narrow open eyes and mouth and fine line scarification marks around outside of face. Created early 20th century by the Dan People...

"The Last Supper" metal relief. Relief measurements without frame: 24 in x 14 in.

A very decorative fertility mask by the Baule tribe, associated with the Akan people who live both in Ghana and in the Ivory Coast. The sides with three...

Very beautiful mask with large pronounced eyes with the circular cavity shape. The mask depicts a nocturnal bird that can see in the darkness and manifest the presence of divinities ...

This striking hand-carved Northwest Coast Killer Whale (Orca) mask, dated 1961 and attributed to artist Johnny Johns, is a powerful example of mid-20th-century Native American carving rooted in the traditions of the Pacific Northwest Coast—particularly the Tlingit and related cultural groups. Expertly carved from wood and painted in the classic Northwest Coast palette of deep black and vibrant red, the mask features bold formline design—an iconic visual language defined by fluid, ovoid shapes and precise linework that has been central to Indigenous coastal art for centuries. The Killer Whale, or “Blackfish,” is among the most important crest figures in Northwest Coast culture, symbolizing strength, protection, family lineage, and a profound connection between the human and spirit worlds. It frequently appears in ceremonial regalia, storytelling, and clan identity, embodying both ancestral presence and supernatural power. Signed on the reverse with initials “JJ,” this mask is attributed to Johnny Johns, a recognized carver whose work reflects traditional Indigenous design principles while engaging with the 20th-century market for Northwest Coast art. The scale, craftsmanship, and stylistic execution are consistent with works produced for both ceremonial-inspired use and collector audiences during this period. Compact yet visually impactful, the mask displays strong sculptural depth and expressive detailing, making it ideal for wall display or inclusion in a curated collection of Native American or tribal art. Its bold graphic presence aligns seamlessly with both traditional and modern interiors. The piece remains in good antique condition, with professional restoration noted—having been repaired after a historical break. The repair is stable and minimally visible, preserving both the integrity and visual appeal of the mask. Key Features: Attributed to Johnny Johns, signed “JJ” and dated 1961 Northwest Coast / Tlingit style carving Hand-carved and hand-painted wood construction Killer Whale (Orca) crest motif with symbolic significance Classic black and red formline design Mid-20th century Native American artwork Professionally restored with stable structure Ideal for collectors of Indigenous, tribal, and ethnographic art A compelling and highly decorative example of Northwest Coast carving...

Set of four hand made and painted tiles professionally framed it wood frame , depicting caricatures from The Carnival of Venice. Which is annual festival held in Venice, Italy. The festival is world-famous for its elaborate masks. The celebration takes place over ten days in which people dress up and take part in organized parades or simple processions on the street. The costumes are seventeenth-century Venetian dresses.

An antique 20th century plaster sculpture of a Nike, the Greek goddess of victory. Constructed from fibrous plaster with a painted finish, this unique sculpture depicts the headless...

Vintage African Wood Decorative Mask Sculpture. Hand-carved African Mask from Ghana. African decorative wall mask sculpture, hand-carved of sese wood with intricate patterns. The African mask is carved and embossed with geometrical designs that forms a symbol of power, love and serenity. Great decorative piece of African wall art...

An african Dan Gabon dance mask. Ivory Coast. Wood, fur and metal. Good condition. Signs of wear. Visible marks.

Fantastic sculptural clay mask wall art made in Italy. Hand made in an aged adobe color with a short rope which ties off on the face of the mask. Hangs from a single screw making ins...

The African Kuba Bwoom tribal mask is the oldest known mask, the Kuba bwoom mask. The materials used for the realization of the Mask are: Wood, colors and vibrates plants, caures, beads, animal hair. In dance it expresses exuberance and joy. The style is similar to that of the middle Kasai. This mask is a helmet with animal hair, carved with a very wide forehead and hollow cheeks that are announced by motifs or dashes and beads. The mouth of the mask is very pronounced carved in wood and then applied on the mask. To distinguish the forehead in different areas are used black and white beads to draw attention to other aspects of the face such as the nose and chin. The entire edge of the chin is surrounded by beads of various colors. The person wearing the mask cannot look because there are no holes for the eyes present; the mask must create the feeling of being blind. Some masks similar to the bwoom mask include the funny mask, the ram mask and initiation masks such as Nnup. The real Kuba masks...

Expressive antique Bacchus wall mask in plaster, France circa 1900–1930. Beautifully aged surface with natural moss patina, showing the Roman god of wi...