
Opaline Suspended Four Glass Pendant
Located in New York, NY
Rare 1960's Italian pendant with four opaline glass cups, suspended by wood clamps.
Mid-20th Century Italian Mid-Century Modern Chandeliers and Pendants
Glass, Wood
The name Poul Henningsen is synonymous with the best and most innovative modern Scandinavian lamps and other lighting. The Danish designer created a signature vocabulary of fixtures with tiered and layered shades in sculptural arrangements that are at once naturalistic and geometric.
Henningsen grew up in a town on the outskirts of Copenhagen and studied architecture at the Technical University of Denmark. He would become a noted art critic, journalist and screenwriter, but his first love was lighting design.
Henningsen’s childhood home was illuminated by oil lamps. When his family switched to electrified lighting, he was alarmed and repelled by the harsh glare cast by an incandescent bulb, and in his late teens he began conducting quasi-scientific experiments to measure which materials and methods best diffused or reflected light to give it a warm brightness. His work came to the attention of the lighting-fixtures firm Louis Poulsen, which sponsored the development of a prototype lamp. The design won a gold medal at the 1925 Paris Expositions Internationales des Arts Decóratifs et Industriels Modernes — from which the term Art Deco derives. The lamp, whose three-part shade is said to be inspired by the arrangement of a dinner plate atop a soup bowl atop a teacup, became the basis for Henningsen’s most successful design, the PH 4/3 desk lamp.
All told, Henningsen would design some 100 lighting fixtures in his career. Some of his most notable creations are hanging lamps, which include the Septima (1929), a pendant composed of seven graduated frosted-glass layers; the Spiral (1942), made of a single ribbon of enameled aluminum; and the Artichoke lamp (1958), whose 70 glass or metal fins in a staggered and graduated arrangement on a central steel frame resemble those of its namesake. The last is likely Henningsen’s masterwork and an icon of mid-20th-century design. Like all Henningsen lighting designs, it is striking, sculptural and — thanks to his insistence on the primacy of the quality of the light cast — superbly functional.
Find a collection of authentic Poul Henningsen table lamps, floor lamps and other lighting on 1stDibs.

Murano Glass Chandelier by Mazzega, Italy, 1970s
By Mazzega
Located in New York, NY
One of a series of chandeliers that were originally in a casino in Italy. They have a spectacular look due to the shape of the Murano glass elements that hang from the frame. We have...
Murano Glass

Niels Esmann & Hans C. Jensen Geometric Red Pendant Wall Light, Denmark 1960s
Located in New York, NY
A strong midcentury designed pendant with the original teak and brass wall bracket. The height is as seen in the photos but can me adjusted longer or shorter. Dimensions: Red Lamp Sh...
Brass

Swirl White Pendant Wall Lamps by Simon Henningsen, Denmark, 1960s
By Lyfa
Located in New York, NY
Swirl white pendant wall lamp by Simon Henningsen for LYFA, Denmark, 1960s. Made of sheet metal, painted white on the outside and orange on the inside, gives a beautiful warm light w...
Metal, Sheet Metal

Max Ingrand Ceiling Mounted Wall Lights for Fontana Arte, Italy 1959
By Max Ingrand, Fontana Arte
Located in New York, NY
These rare lights were custom made for an apartment in Valenza, Italy. We believe they are four of only eight made, the other four kept by the family. They mount to the ceiling but t...
Brass
Counterweight Scrittoio Brass Table Lamp by Angelo Lelli for Arredoluce
By Angelo Lelii, Arredoluce
Located in New York, NY
Black counterweight brass table lamp by Angelo Lelli for Arredoluce. Italy, 1950s. Features a brass base and black enameled weight and aluminum shade. Counterweight arm and shade art...
Aluminum, Brass