To many people, postmodern design is synonymous with the Memphis Group. This Italian collaborative created the most radical and attention-getting designs of the period, upending most of the accepted standards of how furniture should look. Today, the Memphis Milano brand, which is managed by Alberto Bianchi Albrici, still produces designs created by the group between 1981 and 1988.
The Memphis story begins in 1980, when Ettore Sottsass, then a beacon of Italian postmodernism, tapped a coterie of younger designers to develop a collection for the Milan Furniture Fair the next year, determined that all the new furniture they were then seeing was boring. Their mission: Boldly reject the stark minimalism of the 1970s and shatter the rules of form and function. (Sottsass’s Ultrafragola mirror, designed in 1970, embodied many of what would become the collective’s postmodern ideals.)
The group decided to design, produce and market their own collection, one that wouldn’t be restricted by concerns like functionality and so-called good taste. Its debut, at Milan’s 1981 Salone del Mobile, drew thousands of viewers and caused a major stir in design circles.
So as a record of Bob Dylan’s “Stuck Inside of Mobile” played on repeat, they took their name from the song, devised their marketing strategy and plotted the postmodern look that would come to define the decade of excess — primary colors, blown-up proportions, playful nods to Art Deco and Pop art. A high-low mix of materials also helped define Memphis, as evidenced by Javier Mariscal’s pastel serving trays, which feature laminate veneer — a material previously used only in kitchens — as well as Shiro Kuramata’s Nara and Kyoto tables made from colored glass-infused terrazzo.
An image of Sottsass posing with his collaborators in a conversation pit shaped like a boxing ring appeared in magazines all over the world, and Karl Lagerfield furnished his Monte Carlo penthouse entirely in Memphis furniture. Meanwhile, members like Andrea Branzi, Aldo Cibic, Michele de Lucchi, Nathalie du Pasquier, Kuramata, Paola Navone, Peter Shire, George Sowden, Sottsass and his wife, journalist Barbara Radice, went on to enjoy fruitful careers.
Some people think of the Milan-based collective as the design equivalent to Patrick Nagel’s kitschy screenprints, but for others Memphis represents what made the early 1980s so great: freedom of expression, dizzying patterns and off-the-wall colors.
Eventually, the Reagan era gave way to cool 1990s minimalism, and Memphis fell out of fashion. Sottsass left the group in 1985, and by 1987, it had disbanded. Yet decades later, Memphis is back and can be traced to today’s most exciting designers.
“As someone who was born in the 1980s, Memphis at times feels like the grown-up, artsy version of the toys I used to play with,” says Shaun Kasperbauer, cofounder of the Brooklyn studio Souda. “It feels a little nostalgic, but at the same time it seems like an aesthetic that’s perfectly suited to an internet age — loud, colorful and utilizing forms that are graphic and often a little unexpected.”
Find a collection of Memphis Milano seating, tables, decorative objects and other furniture on 1stDibs.
To many people, postmodern design is synonymous with the Memphis Group. This Italian collaborative created the most radical and attention-getting designs of the period, upending most of the accepted standards of how furniture should look.
The Memphis story begins in 1980, when Ettore Sottsass, then a beacon of Italian postmodernism, tapped a coterie of younger designers to develop a collection for the Milan Furniture Fair the next year, determined that all the new furniture they were then seeing was boring. Their mission: Boldly reject the stark minimalism of the 1970s and shatter the rules of form and function. (Sottsass’s Ultrafragola mirror, designed in 1970, embodied many of what would become the collective’s postmodern ideals.)
The group decided to design, produce and market their own collection, one that wouldn’t be restricted by concerns like functionality and so-called good taste. Its debut, at Milan’s 1981 Salone del Mobile, drew thousands of viewers and caused a major stir in design circles.
So as a record of Bob Dylan’s “Stuck Inside of Mobile” played on repeat, they took their name from the song, devised their marketing strategy and plotted the postmodern look that would come to define the decade of excess — primary colors, blown-up proportions, playful nods to Art Deco and Pop art. A high-low mix of materials also helped define Memphis, as evidenced by Javier Mariscal’s pastel serving trays, which feature laminate veneer — a material previously used only in kitchens — as well as Shiro Kuramata’s Nara and Kyoto tables made from colored glass-infused terrazzo.
An image of Sottsass posing with his collaborators in a conversation pit shaped like a boxing ring appeared in magazines all over the world, and Karl Lagerfield furnished his Monte Carlo penthouse entirely in Memphis furniture. Meanwhile, members like Andrea Branzi, Aldo Cibic, Michele de Lucchi, Nathalie du Pasquier, Kuramata, Paola Navone, Peter Shire, George Sowden, Sottsass and his wife, journalist Barbara Radice, went on to enjoy fruitful careers.
Some people think of the Milan-based collective as the design equivalent to Patrick Nagel’s kitschy screenprints, but for others Memphis represents what made the early 1980s so great: freedom of expression, dizzying patterns and off-the-wall colors.
Eventually, the Reagan era gave way to cool 1990s minimalism, and Memphis fell out of fashion. Sottsass left the group in 1985, and by 1987, it had disbanded. Yet decades later, Memphis is back and can be traced to today’s most exciting designers.
“As someone who was born in the 1980s, Memphis at times feels like the grown-up, artsy version of the toys I used to play with,” says Shaun Kasperbauer, cofounder of the Brooklyn studio Souda. “It feels a little nostalgic, but at the same time it seems like an aesthetic that’s perfectly suited to an internet age — loud, colorful and utilizing forms that are graphic and often a little unexpected.”
Find a collection of vintage Memphis Group seating, tables, decorative objects and other furniture on 1stDibs.
Super White with Colored Sockets EU 220V, by Martine Bedin from Memphis Milano
By Memphis Milano, Memphis Group, Martine Bedin
Located in La Morra, Cuneo
Here you are shown the EU wired, super white table or floor lamp in fiberglass with multicolored light bulbs. Designed in 1981, by Martine Bedin. Martin...
Glass, Fiberglass
Super All White US 110V Table or Floor Lamp by Martine Bedin for Memphis Milano
By Memphis Group, Martine Bedin, Memphis Milano
Located in La Morra, Cuneo
Here you are shown the US wired, Super All White table or floor lamp in fiberglass, designed in 1981, by Martine Bedin. Color options for light sockets also include: blue, yellow, and multi-colored sockets. Martine Bedin was born in Bordeaux in 1957. In 1981 she was one of the founding members of the Memphis group, she works as an architect, industrial designer and professor. Her works are exhibited in many museums and private collections. Memphis is the great cultural phenomenon of the 80s that revolutionized creative and commercial logics in design. Born from the idea of Ettore Sottsass and a group of young designers and architects, in Milan, coupled in the years by famous designers from the international scene, Memphis turned upside down all of the existing parameters on living. Ettore Sottsass as the backbone of the group, design gained a new concept and expression through new shapes, materials and patterns, expanding the creative limits of the industry. Memphis became a symbol of New Design. Its influence is still clear in various sectors of production and beyond. Additional Information: - Dimensions: L. 17.75" x H. 11.75" inches - Lighting Info: Bulb E14, W 40. -Additional Lighting Info: Please note that this item is wired in 110 V for the standard US light socket. - Price includes additional US rewiring cost for accessibility with US outlets. - If you are interested in the EU version of this light, please refer to the dealers storefront for the (EU) wired light fixture...
Glass, Fiberglass
Super Blue Table Light USA 110 Volts, by Martine Bedin for Memphis Milano Coll.
By Memphis Milano, Martine Bedin, Memphis Group
Located in La Morra, Cuneo
Here you are shown the US wired, Super Blue table or floor lamp in fiberglass, designed in 1981, by Martine Bedin. Color options also include: Yellow, White with Colored Sockets, and all White. EU VERSION 220v ALSO AVAILABLE IN ANOTHER LISTING Martine Bedin was born in Bordeaux in 1957. In 1981 she was one of the founding members of the Memphis group, she works as an architect, industrial designer and professor. Her works are exhibited in many museums and private collections. Memphis is the great cultural phenomenon of the 1980s that revolutionized creative and commercial logics in design. Born from the idea of Ettore Sottsass and a group of young designers and architects, in Milan, coupled in the years by famous designers from the international scene, Memphis turned upside down all of the existing parameters on living. Ettore Sottsass as the backbone of the group, design gained a new concept and expression through new shapes, materials and patterns, expanding the creative limits of the industry. Memphis became a symbol of New Design. Its influence is still clear in various sectors of production and beyond. Additional information: - Dimensions: L. 17.75" x H. 11.75" inches - Lighting info: Bulb E14, W 40. - Additional Lighting Info: Please note that this item is wired in 110 V for the standard US light socket. - Price includes additional US rewiring cost for accessibility with US outlets. - If you are interested in the EU version of this light, please refer to the dealers storefront for the (EU) wired light fixture...
Glass, Fiberglass
Super Blue Table Light 'EU' 220 Volts, by Martine Bedin from Memphis Milano
By Memphis Group, Martine Bedin, Memphis Milano
Located in La Morra, Cuneo
Here you are shown the EU wired, super blue table or floor lamp in fiberglass, designed in 1981, by Martine Bedin. Color options also include: Yellow, White with Colored Sockets, and...
Glass, Fiberglass
Super Yellow USA 110V Table or Floor Light, by Martine Bedin for Memphis Milano
By Memphis Group, Martine Bedin, Memphis Milano
Located in La Morra, Cuneo
Here you are shown the US wired, Super Yellow table or floor lamp in fiberglass, designed in 1981, by Martine Bedin. Color options also include: Blue, White with Colored Sockets, and all White. Martine Bedin was born in Bordeaux in 1957. In 1981 she was one of the founding members of the Memphis group, she works as an architect, industrial designer and professor. Her works are exhibited in many museums and private collections. Memphis is the great cultural phenomenon of the 1980s that revolutionized creative and commercial logics in design. Born from the idea of Ettore Sottsass and a group of young designers and architects, in Milan, coupled in the years by famous designers from the international scene, Memphis turned upside down all of the existing parameters on living. Ettore Sottsass as the backbone of the group, design gained a new concept and expression through new shapes, materials and patterns, expanding the creative limits of the industry. Memphis became a symbol of New Design. Its influence is still clear in various sectors of production and beyond. Additional information: - Dimensions: L. 17.75" x H. 11.75" inches - Lighting Info: Bulb E14, W 40. - Additional Lighting Info: Please note that this item is wired in 110 V for the standard US light socket. - Price includes additional US rewiring cost for accessibility with US outlets. - If you are interested in the EU version of this light, please refer to the dealers storefront for the (EU) wired light fixture...
Glass, Fiberglass
Super Yellow EU 220V Table or Floor Light, by Martine Bedin from Memphis Milano
By Martine Bedin, Memphis Group, Memphis Milano
Located in La Morra, Cuneo
Here you are shown the EU wired, super yellow table or floor lamp in fiberglass, designed in 1981, by Martine Bedin. Color options also include, blue, white with colored sockets, and...
Glass, Fiberglass
Memphis Milano Super Lamp, White by Martine Bedin
By Martine Bedin, Memphis Milano
Located in Toronto, ON
Demonstrating the playful spirit of Memphis, Martine Bedin's Super can be dragged along like a puppy on a leash (with a back arched like a stegosaurus' armour). Super consists of a f...
Metal
Martine Bedin Super Memphis Milano Postmodern
By Memphis Group, Martine Bedin
Located in Shibuya-ku, Tokyo
Famous Super lamp deigned by Martine Bedin. Six light bulb along with its back. With wheel and movable. Iconic one in Memphis Milano and 1980s Postmodern designs.
Stainless Steel
Martine Bedin 1st Edition Super Lamp, Memphis Milano, Postmodern, Italy, 1980s
By Martine Bedin, Memphis Group
Located in Vienna, AT
Early first edition postmodern Super lamp, designed by Martine Bedin in 1981 for Memphis Group. To use a rolling table or floor lamp. From the first edition...
Metal
Super Table Lamp by Martine Bedin Memphis, 1981
By Martine Bedin, Memphis Milano
Located in Milano, Lombardia
Super table lamp designed by Martine Bedin for Memphis in 1981. The project fits perfectly into the context of the birth of the Memphis movement, of which Bedin is one of the foundi...
Metal
Memphis "SUPER" Table Lamp by Martine Bedin, Colorful Design, 1981
By Martine Bedin
Located in Tinton Falls, NJ
The Classic super lamp with rubber wheels by early Memphis inceptor Martine Bedin (France). Understated elegance meets Memphis eye-popping colour all-in-one! The lamps are by Marti...
Fiberglass, Rubber, Lacquer
Super Table Lamp by Martine Bedin for Memphis Milano, Italy, 1981
By Martine Bedin, Memphis Milano
Located in Beirut, LB
Designed in 1981 by the visionary Martine Bedin, the Super Table Lamp stands tall as one of the most iconic creations of the Memphis group. Constructed from fiberglass, this masterpi...
Metal
