Table Lamp by Lee Rosen for Design Technics, 1967

A classic, bulbous vase form rendered as a large curvaceous high glaze ceramic table lamp. Sold with an installed solid brass custom light fitting consisting of a circular cover plate for the rod hole, vertical rod, double socket ball cluster each socket with a barrel chain...

Based on Rosen’s earlier ceramic forms, the hand thrown ‘3300 Series’ of 1967 expanded the types of hand applied glazes with an enlarged palette of colors and glaze techniques. Sold ...

A hand-thrown cylinder-form ceramic table lamp having a rich, glossy red-orange glaze and encircling deeply textured sgraffito decoration. At the time of production there was a 25% p...

A Gilbert Watrous designed carved wood lamp with red stain. Made by Heifetz Lighting Co. in the USA, circa 1950s. Base height 22".

A wonderful and unusually refined ceramic table lamp by Design Technics, featuring a rare footless variation of a form more commonly seen with a pedestal base. Executed in a soft, ma...

A striking and sculptural ceramic table lamp designed by Lee Rosen for Design Technics, finished in an unusually vivid yellow glaze that adds a bold visual impact. The lamp is signed...

The CET table lamp by Florian Schulz from 1980 is made of a white, round-cut fiberglass mat that has been shaped into a cone. This is inserted into a brass diabolo body (double cone)...

A beautifully proportioned and sculptural table lamp by Ugo Zaccagnini, featuring a soft robin’s egg blue crackled glaze with subtle tonal variation and surface depth. The gentle craquelure enhances the organic curves of the ceramic body, lending the lamp a tactile quality and a sense of quiet movement. The original rosewood cap and base provide a rich material contrast—dark, refined, and architectural against the delicate surface of the glaze. This interplay of texture and tone reflects the studio’s deep sensitivity to form and finish. Zaccagnini, one of Italy’s most respected 20th-century ceramicists, worked at the intersection of tradition and modernity. Known for his sculptural forms and refined glazes, his work was widely exhibited and retailed through top galleries and luxury decorators in postwar Europe and the United States. This lamp’s silhouette is bold yet fluid—equally at home in a richly layered interior or a clean-lined, organic modernist space. The cool, pale blue makes it a versatile design element: it can act as a subtle pop of color in a neutral room, or as a cool, calming contrast against deeper hues and dark woods. Designers such as Gio Ponti, Billy Baldwin, or Kalef Alaton...