Judaea or Terra Sancta, Twelve Tribes of Israel – Sanson Map, c.1680
This antique map depicts Judaea or the Holy Land divided among the Twelve Tribes of Israel, based on biblical geography as described in the Old Testament. Titled Judæa seu Terra Sancta quæ Hebræorum sive Israelitarum Terra, in suas duodecim tribus divisa, the map presents the tribal territories both west and east of the River Jordan, including Judah, Benjamin, Simeon, Ephraim, Manasseh, Issachar, Zebulon, Asher, Naphtali, Reuben, and Gad. Major cities, deserts, mountain ranges, and waterways are carefully delineated, with the Dead Sea, River Jordan, and Mediterranean coast prominently shown.
The map was engraved after the work of Guillaume Sanson (1633–1703), son of Nicolas Sanson, the founder of French scientific cartography. This example was issued in Amsterdam around 1680, reflecting the continued popularity of Sanson’s biblical cartography in the Dutch Republic. The geography follows biblical tradition rather than modern surveying, emphasizing scriptural divisions and historical interpretation.
Decoratively, the map is distinguished by a large allegorical cartouche in the upper left, featuring classical figures presenting the title within drapery, as well as an additional decorative vignette in the lower right. The map is finely engraved on copper and finished with contemporary wash coloring to differentiate the tribal boundaries, lending both clarity and visual appeal. The combination of detailed engraving, rich iconography, and restrained coloring makes this an attractive example of late 17th-century Holy Land cartography.
This map is well suited to collectors of early biblical maps, Sanson family cartography, or 17th-century engraved maps of the Holy Land. It also works well as a decorative interior piece, particularly in a study, library, or gallery setting.
Condition:
Fair to good condition. Engraved map with original horizontal and vertical folds as issued. Occasional marginal closed tears, some light creasing, and general age-related toning. No major loss to the engraved image.
Framing tips:
This map frames well with a warm off-white or light parchment mat to complement the period paper tone. A dark wood or gilt frame enhances the allegorical cartouche and reinforces the late 17th-century character. UV-protective glazing is recommended.
Technique: Copper engraving with contemporary wash coloring
Maker: Guillaume Sanson, Amsterdam, circa 1680