Cambodian More Furniture and Collectibles

Carved out of a single block of grayish brown stone (likely granite type), this Buddha head represents Northern Qi style in China (550-577AD) and likely of the period. The Northern Q...

Unique and finely carved sculpture for the black forest and mountaineer enthousiasts. If you are or if you have a friend who is a mountaineering enthousiast then this hand carved mo...

A Thai bronze head of the Buddha. Sukothai period, late 16th-early 17th century. His face with serene expression, arched eyebrows above incised eyes a...

This elegantly carved temple drum wase use in Buddhist Temples. It’s carved from teak and lacquered black with red and green stripped details. The top and straps are made of leather. These gigantic goblet...

A fine lacquer decorated carved boxwood netsuke of a Noh dancer in a Hannya role, unsigned, Meiji period, late 19th century, Japan. The boxwood netsuke finely carved as a kneeling Noh dancer dressed in striking geometric patterned robes. The actor holds an opened war fan behind their back in one hand, a Shinto wand slung over the shoulder in the other. The war fan, tessen, decorated in red lacquer with a golden rising sun at the center. Tessen were sturdy fans used by samurai as protective devices, and sometimes as weapons. The wand, called an onusa, is a traditional Shinto ritual implement comprised of folded paper streamers, shide, attached to a wooden wand, often used in purification rituals. Here, the shide are crafted from silver maki-e, with the handle of the natural boxwood. The actor wears a fierce and unearthly hannya mask...

17th Century Southeast Asian Bronze Tobacco Pipe — Tay Nguyen Plateau, Vietnam A rare 17th-century bronze tobacco pipe unearthed in the Central Highlands of Vietnam, near the Cambodian border on the Tay Nguyen Plateau. Attributed to the Montagnard (Jarai) hill tribes, this piece dates to the 17th century or possibly earlier. The pipe features a bronze bowl with a short, curved stem that once accommodated an elongated reed or bamboo mouthpiece. Its elegant, angular form reflects both indigenous craftsmanship and subtle Chinese design influences. The surface exhibits a rich, natural patina developed over centuries, enhancing its sculptural presence and authenticity. This artifact represents a transitional moment in Southeast Asian material culture — when traditional highland utility met emerging trade influences from neighboring regions. Mounted on a custom steel display base, it reads as both an archaeological relic and a minimalist bronze sculpture...

"Symbolizing strength, power, and blessings from a divine source and In Morocco the Hamsa holds particular significance within Jewish communities." From an old Moroccan collection...

The Buddha statue was made from a copper alloy in a standing position with hands in double Abhaya mudra. This mudra symbolizes the act of dispelling fear in the face of adversity. In Laos and Thailand where this mudra are used as one of the most iconic gestures, with its origin was pre-Buddhism era, when it was a symbol of good intentions and friendship when approaching strangers. In contrast to Indian iconography, it was often shown with both hands raised to the level of the shoulder in Southeast Asia. The statue was made in the classic Lopburi style, which historically was heavily influenced by Khmer art...

Black Forest hand-carved linden-wood hand-carved pipe tobacco holder stand also have seen examples of it used as a decanter or liqueur Stand with the holders being used for shot or small glasses. Modeled as hiking bear with walking stick...

This lovely clothing fastener -fibula- is richly decorated with a finely engraved flower and vines on its obverse and with eight (8) suspended miniature hamsa hands below. An attract...

A large early 20th century taxidermy of a bream. It is mounted in a setting of reeds and grasses in a wooden vitrified case. Made in Germany circa 1900. Measures: Width: 22.24" (56....

Buddhist Art of Myanmar by Sylvia Fraser-Lu and Donald Martin Stadtner. Published by the New Haven Asia Society Museum, 2015 for an exhibition February 10...