Handmade Carpet Oriental Rust, Red Wool Rustic Runner Rug 400x70cm

This vintage wool runner rug was woven by hand in the 1960s and featured a rich red background and geometric design made up of brown and beige...

This fine wool rug was woven by hand in the 1940s and features a rich red background and elegant repeat pattern design. Constructed with the finest organic materials including hand-spun wool which has been intricately hand knotted to create an excellent an excellent wool pile. The beautiful colors come from organic vegetable dyeing techniques which have been used for generations. Both the sophisticated tribal style and the traditional construction techniques make this piece the perfect accent rug for any home interior. Perfect for use as a hallway runner, entryway runner or stairway runner...

This elegant runner rug was woven by hand in 1950 and features a fantastic repeat pattern design. The central design features a red background with brown and cream accents that make ...

This fine wool runner rug was woven by hand in 1950 and features a fantastic geometric repeat pattern. The decorative repeat pattern central design has been woven in beige, cream and...

This fabulous Hand-Knotted carpet has been created and designed for extra strength and durability. This rug has been handcrafted for weeks in the traditional method that is used to m...

Chili Red, New Zoroastrian Hussainabad with All Over Design, Full Pile and Soft, Hand Knotted, Pure Wool, Runner, Oriental Rug Primary materials: Wool Latex: No Pile height: 0.25 In...

Auburn Red, Antiqued Fine Heriz Re-Creation, Medallions Design, Denser Weave, Vegetable Dyes, Hand Spun New Zealand Wool, Hand Knotted, XL Runner, Oriental Rug Primary materials: Woo...

Stately, warm, and glowing with the deep chromatic richness of the great Persian classical tradition at its most confident and accomplished, this magnificent Tabriz classic runner from India is a hand-knotted masterpiece of exceptional botanical refinement and decorative authority. Its deep crimson red field — rich, saturated, and velvety in tone — provides a sumptuous ground for a sweeping allover floral vine scroll composition of extraordinary elegance and naturalistic fluency, where large fully bloomed lotus and peony forms, bold palmette heads, cascading acanthus leaf sprays, and sinuous arabesque tendrils rendered in antique gold, sage green, olive, teal blue, ivory, and near-black flow across the crimson surface with the stately, unhurried grace of a great Persian garden in perpetual bloom. The Tabriz tradition stands at the absolute apex of the Persian classical weaving heritage — originating from the great city of Tabriz in northwestern Iran, which for centuries served as the primary commercial and artistic centre of the Persian rug world and the birthplace of some of the most technically accomplished and artistically significant hand-knotted rugs ever produced. The Tabriz style is defined above all by its extraordinary fineness of botanical drawing, its mastery of allover floral vine compositions of seemingly infinite complexity and naturalistic beauty, and its characteristically sophisticated use of richly saturated field colours against which warm gold and ivory floral forms create palettes of maximum decorative brilliance. This Indian interpretation carries that supreme heritage forward with remarkable fidelity and confidence. The allover vine scroll composition unfolds across the deep crimson field with a controlled, stately grace — large lotus and peony rosette forms in antique gold and ivory anchor the vine scroll at generous intervals, their warm tones glowing with exceptional luminosity against the rich dark ground. The central composition is structured around a bold vertical vine axis from which branching arabesque tendrils extend symmetrically outward, carrying large palmette heads, acanthus leaf sprays, and secondary blossom forms in sage green, olive, teal, and near-black. The teal and sage green leaf forms provide particularly striking cool counterpoints to the warm crimson ground, creating a palette of exceptional tonal complexity and chromatic sophistication that elevates this piece well above standard red-field production. The border is superbly executed and boldly proportioned — a wide near-black primary guard densely populated with a continuous repeating sequence of large floral rosettes, bold leaf forms, and scrolling vine ornaments in brick red, antique gold, sage green, and ivory, framed by narrow inner guards in antique gold and ivory that complete the composition with crisp classical precision. The dramatic contrast between the deep crimson field and the near-black border creates a frame of exceptional visual impact and decorative authority — a dark, jewel-box surround that intensifies the chromatic richness of the field and gives the entire piece the quality of a glowing Persian illuminated manuscript...