Turkish Cicim Runner, Hand-Knotted Wool, Sivas Design, Mid-Century

Also in this case the red background color has been softened and attenuated by the sun's rays. The wools have been dyed with vegetable substances. Put this cheerful runner at the en...

nr. 840 - soft color with a strong black finishin (or starting ?) frame for this old Turkish kilim runner. Now with an interesting price for closing...

A hand knotted vintage Turkish Anatolian runner with an all-over geometric design. This rug measures 2'7" x 12'3".

This is a Southern Anatolian Antique Kilim from the Malatya region with a rare and beautiful color composition. It was originally a kilim with two halves, but this is one half. Encountering such a piece is precious. Half of them are somewhere else in the world, or they are the survivors of Kilims who might otherwise have disappeared from this world due to special damage that is difficult to repair. Kilim is such an organic existence. That's why you can enjoy the encounter with your piece a once-in-a-lifetime chance. As you can see at a glance, each color is a very beautiful kilim. You can enjoy the goodness of ablush from the deep red to the bright color close to orange. Dark blue, orange, khaki, and white complement each other, making each color more vivid. What makes it unique is the beauty of khaki. Also, the dark brown on the border that tightens all the colors is a modest presence, but I think it's very beautiful to change the expression. Malatya is a town built on one main street that continues for several miles. It is situated in the Tohmasuyu River basin which is encircled by the high peaks of the eastern Taurus Mountains. This is a fertile agricultural region, particularly for apricots, and has been a prolific weaving area for many years. The modern town was established in 1838; old Malatya, which is close by, was once an important city in Armenia Minor. In Roman times it was important as a garrison town on the eastern frontier, and the settlement came under Ottoman rule in the early fifteenth century. Considering the number of kilims woven in this region there is a surprising lack of diversity in design, especially in the larger kilims; this is possibly a direct result of the Kurdish tribal tradition of weaving only one type of design. Small prayer rugs...