Sergio Maza Red "Toga" chair for Artemide

Voguish, chic and sophisticated chrome and vinyl lounge chair, designed by Leonart Bender, for Charleton circa 1970's. The chair features a heavy chrome structure of intersection hal...

Chic, architecturally designed side, desk, dining chair, by Shelby Williams, circa 1960s. The chair is structurally sound and sturdy, showing only light wear, normal and consistent w...

This chair has a continuous bent plywood back and seat, wood laminate arm rests, and tubular chrome frame. The wood finish shows wear, and the chrome frame shows cosmetic wear. We be...

Pr. Post Modern, Mid-Century Modern, swivel chairs, designed by Hugh Acton, for Burke Acton circa 1960's. The chairs feature commercial grade orange tweed upholstered seats, on styli...

Flame Red Zoe Chair by Guglielmo Berchicci Dimensions: D 57 x W 50 x H 84 cm. Seat Height: 44 cm. Materials: Polyethylene. Weight: 7 kg. Available in different color options. This p...

Referred to as "the most successful piece of Swiss Furniture of all time" by the Swiss Museum of Design in Zurich, the Rey chair is a Swiss design icon since 1971. This is the children's version of the famous Rey chair that was designed in 1971. Designed by Bruno Rey, the Rey chair is famed internationally for its elegance and style. Like the original, the Junior edition is constructed with Dietiker’s patented screwless wood-to-metal connection. The solid execution and rounded edges are perfectly suited for children. The chair is made with care from solid beech wood, with die-cast aluminum consoles and glides. - rounded edges for children safety - timeless design - unique screwless patented wood-metal connection - Rey Junior chair...

"Hacca" armchair by Bolzani, Spagnoli and Zerbi for Martini. Two twin Moplen shells connected together to create a comfortable chair. The piece can also be used detaching the two par...

A set of two Selene stackable chairs in red resin reinforced with fiberglass, designed by Vico Magistretti in 1967 and produced by Artemide Milano in the 1970s. The Selene chair was designed in 1967 by Magistretti to be produced in a plastic material, as he affirmed: "The seat and the back are simple curved surfaces. For me, the legs represented the real image of the piece, with as small a volume as that of any common wooden chair. I solved it by exploiting the molding of a plastic material formed by a simple 3-millimeter-thick sheet with a simple but very resistant "S" cross-section which inter-related the object with ordinary chairs without however the elephant legs so untypical of chairs. It was fun working with the model maker on the wood model." When produced in series, "a unit comes out of the machine every five minutes": Selene is the fruit of a single compression molding process on a pre-impregnated sheet (Ottagono 15 / 1969). Magistretti solves the problem of leg resistance by adopting an "S-shaped" configuration that confers resistance to a sheet only 3 millimeters thick. The formal and structural solution had already been previously adopted for the Chimera lamp...