Italian Bauhaus Chairs by Pizzi Arredamenti, Steel Frame and Yellow Velvet, 1970

Pair of Utrecht armchairs designed by Gerrit Thomas Rietveld in 1935, an iconic example of early modern Dutch design. Characterized by their striking geometric composition, the chair...

Pair of Superleggera chairs designed by Gio Ponti for Figli Di Amadeo Cassina. Made of solid ash wood and rattan. Italy, 1957. Their construction challenge lies in the triangular sec...

Mid-century chairs model "Leggera 646" designed by Gio Ponti for Cassina. Made of solid ashwood structure with original upholstery. Discover the timeless ...

Set of 4 "Medea" chairs designed by Vittorio Nobili. Lacquered metal structure and curved laminated wood seat with a "Medea" stamp beneath it. Italy, 1950s. The chairs are good condi...

Pair of armchairs Beech frame Standard yellow or white velvet upholstery but can be upholstered in choice of fabric Photos show chairs upholstered in blue boucle as chosen by the ...

Italian mid-century modern chairs in wood and yellow fabric, 1960s Set of six wood and fabric chairs. The frame is dark wood, with tapered, slightly tapered legs and connecting cross...

Modernist lounge chairs in tubular chromed steel, yellow leather, Italy, 1970s, set of 2 With their sleek cantilever structure and soft round forms, these modernist lounge chairs encapsulate the radical spirit of 1970s Italian design. The chromed tubular steel frame defines a low-slung silhouette that balances structural clarity with sculptural presence. A continuous loop forms the base and supports both seat and backrest, showcasing an expressive mastery of bent metal—a material language that traces its roots back to the revolutionary designs of Le Corbusier and Charlotte Perriand in the 1930s, such as the iconic LC7 chair for Cassina. The round backrests and wide seats are upholstered in yellow leather, introducing a bold chromatic accent and a sensual tactile quality to the otherwise minimal composition. The contrast between the industrial frame and the saturated upholstery echoes the experimental ethos of postmodern design—reminiscent of the formal investigations by Giandomenico Belotti or Cini Boeri, whose work often blended technical precision with emotional softness. Though the author of these chairs remains unidentified, their design reflects the avant-garde energy of the Italian furniture scene in the late 20th century—a moment defined by material experimentation and structural boldness. Comparable in spirit to Belotti’s “Spaghetti” chair...

Couple of armchairs upholstered in yellow leatherette, legs of brass and steel tubs. Manufactured in the 1950s.