Tiptoe Bench Table by dAM Atelier

Tori bench by Ries Dimensions: W150 x D30 x H44 cm Materials: Sand cast aluminum Ries is a design studio based in Buenos Aires, Argentina, focused on product and conemporary fu...

Vol2 bench by Jean-Baptiste Van den Heede Signed and numbered Dimensions: L 115 x W 32 x H 43 cm Materials: oakwood, metal sheet seat, natural handwoven esparto fiber The VOL2 ...

Tocker bench by Matthias Scherzinger Dimensions: H 48 x W 40 x L 120 cm Materials: oak white lyed, oil seat: needled felt light-grey Also available i...

X Bench by Jean-Baptiste Van Den Heede Dimensions: D 34 x W 118 x H 43 cm Materials: Hand-carved wood Jean-Baptiste Van den Heede defines himself as a cabinetmaker-designer and an a...

Listed price is for the Division Bench with either a travertine, white carrara, or negro marquna top, and Flat Black or Flat White powder coat base. Prices exclude packing / cratin...

The A_FORMA series brings together simple forms with rich colors and textures, creating pieces that feel both contemporary and timeless. Rooted in Around’s archetypal design approach...

Crafted from 3 precisely carved blocks, the curved figure of the M_005 Bench emphasizes the connection between its parts. Its soft curves playfully bend the structure, its engineerin...

Matthias Biberon (Paris, 1977) lives and works in Perche (Normandy / France). He began working with wood in 2019, leaving behind photography and ceramics, which he had practiced successfully for many years. In wood, he finds the pleasure of imagining shapes and building them, with a combination of both naivety and attention to detail, and a freedom that neither conceptualism nor ceramics had given him. His furniture is organic, respecting the original shape of the wood and following its knots and veins. The search for balance and precision is one of the cornerstones of Matthias's work. Carefully sourced, the wood types used - Oak, Elm, Cedar, Walnut - have been dried for decades, giving them an unrivalled patina. His trademark? Visible construction and the blending of materials, with stone a natural addition to his creations; for each of them, he seeks a form of balance, purity and softness, a functionality that is both poetic and sculptural, the simplicity and force of a haiku. Passionate about art, it was while progressing towards Arts & Crafts that he embraced the aesthetics of functionalism, Mingeï and the thinking of William Morris. He is sensitive to the Arte Povera of Jannis Kounellis and Giovanni Anselmo, the Zen influence of John Cage, the freedom of Don Cherry...