Percival Lafer “MP-211” Living Room Set for Lafer S.A., 1961, Set of 2

Percival Lafer “MP-211” Armchairs for Lafer S.A., leather and wood, 1961, Brazil, set of 2 The MP-211 is built on a structural logic that doubles as ornament. A wood frame of blade-...

Percival Lafer “MP-41” armchairs for Lafer MP, wood and cognac leather, Brazil, 1972 The “MP-41” armchairs by Percival Lafer embrace fluidity with a structure that appears weightless despite their solid wood frames. The absence of visible crossbars beneath the seat enhances this effect, allowing the thick, tufted cushions to seemingly float. The upholstery drapes over the structure like silk fabric on a sculpted form, a harmonious integration of material and frame. The butterfly-shaped joints refine the frame’s construction, tapering toward the center for a softened profile. The lateral tufting on the seat is not merely decorative—it creates a structured geometry that follows the contours of the body. The armrests, backrest, and seat merge into a single, uninterrupted form, maximizing ergonomic support. Leather straps secure the cushions to the frame, a signature Lafer detail that blends artisanal technique with industrial efficiency. The MP-41 prioritizes organic curves over strict geometric lines. The deep cognac leather, aged to a rich patina, enhances the warmth of the wood. The absence of ornamentation shifts focus to the raw materials, celebrating their natural textures and variations. Unlike Jean Gillon...

Percival Lafer “MP-41” Sofa for Lafer MP, wood and cognac leather, Brazil, 1972 The “MP-41” sofa by Percival Lafer embraces fluidity with a structure that appears weightless despite its solid wood frame. The absence of visible crossbars beneath the seat enhances this effect, allowing the thick, tufted cushions to seemingly float. The upholstery drapes over the structure like silk fabric on a sculpted form, a harmonious integration of material and frame. The butterfly-shaped joints refine the frame’s construction, tapering toward the center for a softened profile. The lateral tufting on the seat is not merely decorative—it creates a structured geometry that follows the contours of the body. The armrests, backrest, and seat merge into a single, uninterrupted form, maximizing ergonomic support. Leather straps secure the cushions to the frame, a signature Lafer detail that blends artisanal technique with industrial efficiency. The MP-41 prioritizes organic curves over strict geometric lines. The deep cognac leather, aged to a rich patina, enhances the warmth of the wood. The absence of ornamentation shifts focus to the raw materials, celebrating their natural textures and variations. Unlike Jean Gillon...

Giancarlo Piretti "Alky" Lounge Chair for Anonima Castelli, Dark Brown Leather, Italy, 1972. Designed by Giancarlo Piretti for Anonima Castelli in 1972, the "Alky" lounge chair is one of the more quietly resolved seating designs of the Italian rational...

In his designs, Percival Lafer sought ergonomy and comfort. This pair of MP-97 lounge chairs by Percival Lafer comprises a solid wood structure with a single piece of a loose foam se...

Produced by Móveis Lafer and designed by Percival Lafer, the MP 91 lounge chair dates to 1972 and is presented here as a pair. The frames are constructed in solid cedar, finished in ...

Mid-Century Modern Pair of Percival Lafer Armchairs, 1960s

Pair of De Sede model 'DS 40'. Switzerland, 1970s