Painted Neoclassical Sofa

Custom painted Empire sofa. Sofa has a down filled seat cushion. Legs and frame has carvings.

Late 19th Century French painted sofa with gilt decoration.  The sofa has been fully reupholstered and the cushion is feather filled. Circa 1890.

This elegant 20th-century French Louis XVI-style sofa exudes timeless sophistication, showcasing the craftsmanship and design elements characteristic of the Louis XVI period. Constru...

Three seater reupholstered French settee with wood frame in original paint finish. Circa 1930 H 98cm (SH 54cm) x W 200cm x D 91cm

An early 19th century ebonised mahogany sofa. The original squab cushion and horse hair upholstery newly recovered in a pale sage linen.

Elegant 18th Century walnut Venetian sofa in the rococo manner. With outswept arms and raised on cabriole legs recently reupholstered in grey woollen cloth.

Small Settee in the neoclassical taste Boston, Massachusetts (active 1804–17), about 1810 Mahogany (secondary woods: ash) Measures: 35 1/8 in. high, 59 3/4 in. long, 19 1/8 in. deep Although the diminutive scale of this settee places it in a unique category, the piece itself partakes of a vocabulary that is common in Boston furniture of the Late Federal period. Its sabre legs, for example, as seen straight on from the left and right ends, are closely related to the legs, as seen from the front, on a group of chairs of undisputed Boston origin, including a spectacular armchair with scrolled arms (see Stuart P. Feld, Boston in the Age of Neo-Classicism, 1810–1840, exhib. cat. [New York: Hirschl & Adler Galleries, 1999], p. 37 no. 6 illus. in color), as well as a number of side chairs, including a set made for Nathan Appleton (see Page Talbott, “Boston Empire Furniture, Part I,” The Magazine Antiques, CVII [May 1975], p. 887 fig. 12). In all, the legs are ornamented with two bold, somewhat flattened reeds set between corner beads, a pattern which is repeated here on the front and end seat rails as well. The superb quality of the piece is further demonstrated in the finely drawn profile of the arms, as well as the delicately bulbous surface of the fronts of the arms and legs. As in the best of the related chairs, the sabre legs end in delicately carved paw feet. The added refinement of the beautifully carved rosettes at both the fronts and backs of the arms suggests that the piece may have been designed to be used in the round. Stylistically harmonious with these pieces is also a group of larger sofas with frontally set sabre legs and scrolled arms (see Page Talbott, “Seating Furniture in Boston, 1810–1835,” The Magazine Antiques, CXXXIX [May 1991], p. 963 pl. 11) that represent an indigenously Boston form. Although none of the furniture in this group has been effectively attributed, they can certainly be related to various Boston card tables...

A Swedish 18th century Rococo period sofa with beautiful carved wood decoration and original paint.

Very attractive and comfortable 19th Century painted-shaped settee. This piece is upholstered in linen with contrasting buttons and piping. The distre...

This exquisite French Louis XVI style canapé is a masterclass in Neoclassical elegance and artisanal craftsmanship. The piece features a gracefully curved, wrap-around backrest that ...