Josef Frank, rare stool model B313, Thonet, 1928

Austrian architect and furniture and fabric designer Josef Frank was a leading voice for a gentle, humane modernism. His advocacy of warm, comfortable, eclectically styled environments was highly influential in his adopted country of Sweden, and it’s now widely regarded as a harbinger of the backlash against doctrinaire modernism and the embrace of the homespun that occurred in the late 1960s.

The son of a successful Viennese textile manufacturer, Frank studied architecture at Vienna University of Technology, graduating in 1910. From the first years of his practice, he marched counter to the orderly, symmetrical architectural layouts and decors prescribed by contemporaries such as Adolf Loos.

Frank drafted rooms of varying shapes and called for flexible interior-design arrangements. His furniture pieces are light and easy to move — and his chairs are always made of wood, most often with lushly curved steam-bent arms and slatted backs. Frank openly loathed the tubular steel furnishings and “machine for living” aesthetic promoted by Le Corbusier and Ludwig Mies van der Rohe and other Bauhaus principals. “The home must not be a mere efficient machine,” Frank once said. “It must offer comfort, rest and coziness…. There are no puritan principles in good interior decoration.”

Frank — who was Jewish — sensed the dire implications of the rise of Nazism in Germany and Austria, and in 1933 he moved to Stockholm with his Swedish wife, Anna. He became the design chief for the furnishings maker Svenskt Tenn and found a perfect match culturally for his brand of simple, relaxed and bright creations. Like many modernists — notably Charles and Ray Eames and Alexander Girard — Frank had a deep love of folk art, which influenced his designs for a wide array of colorful, richly patterned upholstery fabrics, many based on the classic “Tree of Life” motif.

In all his designs, Frank took inspiration from a broad variety of sources. In his furniture, one can discern traces of Asian patterns, Rococo, Italian Renaissance, Scandinavian handicrafts and even Chippendale pieces. As such, the work of Frank — the friendly modernist — is at home in any type of décor.

Find vintage Josef Frank pillows, armchairs, floor lamps and other furniture on 1stDibs.

For more than 180 years, Thonet — or Gebrüder Thonet — has produced elegant and durable tables and cabinets as well as chairs, stools and other seating that wholly blur the lines between art and design. Widely known as a trailblazer in the use of bentwood in furniture, the European manufacturer has reimagined the places in which we gather.

Changes in the organizational structure of Thonet since its inception in 1853 included a merger with Mundus, a Viennese company that Rudolf Weill & Co.'s Leopold Pilzer founded in 1907. Mundus was a joint stock firm that comprised a range of small bentwood furniture makers. The Thonet and Mundus merger took place in the early 20th century, which followed Mundus’s becoming a majority stakeholder in J. & J. Kohn. The merger yielded the formation of Thonet-Mundus in 1922.

Noted for his skill in parquetry, German-Austrian company founder Michael Thonet received an invitation from Austrian Chancellor Prince Metternich to contribute Neo-Rococo interiors to the Liechtenstein City Palace in Vienna. The Boppard-born Thonet had honed his carpentry skills in his father’s workshop, where he carried out experiments with plywood and modified the Biedermeier chairs that populated the studio. 

Thonet’s work for the chancellor raised his profile, and the cabinetmaker gained international recognition, including at London’s Great Exhibition of 1851, which featured works created by members of the Arts and Crafts movement as well as industrial products of the day. Thonet showed a range of furniture at the fair and won the bronze medal for his bentwood chairs. He ​​incorporated his family’s company, the Thonet Brothers, with his sons in 1853. 

Bentwood furniture dates as far back as the Middle Ages, but it is the 19th-century cabinetmaker Thonet who is most often associated with this now-classic technique. Thonet in 1856 patented a method for bending solid wood through the use of steam, and from there, the bentwood look skyrocketed to furniture fame. The works of renowned mid-century modern designers such as Alvar Aalto, Arne Jacobsen, and Charles and Ray Eames that put this technological advancement to use would not be as extensive or celebrated were it not for the efforts of the pioneering Thonet.

Considered the world’s oldest mass-produced chair, Michael Thonet’s ubiquitous Chair No. 14 demonstrated that his patented bentwood technology made it possible to efficiently produce furniture on an industrial scale. Now known as the 214, it won the German Sustainability Award Design for 2021, a recognition of the company’s commitment to environmentally responsible production.

Often called the Coffee House chair — the company’s first substantial order was for a Viennese coffeehouse — the No. 14 remains an icon. Thonet originally designed the chair in 1859, and it is considered the starting point for modern furniture.

The bentwood process opened doors — there were investments in machinery and new industrial processes, and the business began mass-producing furniture. By the end of the 1850s, there were additional Thonet workshops in Eastern Europe and hundreds of employees. Michael Thonet’s reputation attracted the attention of notable architects including Otto Wagner, Marcel Breuer and Ludwig Mies van der Rohe. 

The No. 14 was followed by the No. 18, or the Bistro chair, in 1867, and the 209, or the Architect’s chair, of which Le Corbusier was a fan. (The influential Swiss-French architect and designer used Thonet furniture in his Pavillon de l’Esprit Nouveau at the 1925 International Exposition of Decorative Arts in Paris.)

Thonet’s chair designs also appeared in artwork by Toulouse-Lautrec, John Sloan and Henri Matisse in his Interior with a Violin Case. The noteworthy Thonet rocking chair remains a marvel of construction — in the middle of the 19th century, Michael produced a series of rockers in which the different curved parts were integrated into fluid, sinuous wholes. Thanks to Thonet, the humble rocker acquired something unexpected: style. It was captured in the paintings of Pablo Picasso, Pierre-Auguste Renoir and James Tissot. 

Thonet is currently split into global divisions. Thonet Industries U.S.A. was acquired in 1987 by Shelby Williams and joined the CF Group in 1999, while the Thonet brand in Germany is owned by Thonet GmbH.

Find antique Thonet-Mundus furniture on 1stDibs.