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Fine Hammered White Bronze Floral Credenza – Hollywood Regency Cabinet

$10,400per item
£7,839.20per item
€9,168.94per item
CA$14,720.19per item
A$14,987.29per item
CHF 8,631.33per item
MX$180,585.29per item
NOK 100,167.10per item
SEK 101,062.42per item
DKK 68,534.04per item
Quantity

About the Item

The Floral Credenza 80" in Fine Hammered White Bronze has carved botanical vines across the full front face in Fine Hammered White Bronze metal, two cupboard doors on each outer section and three central drawers set within the carved front. The body is rectangular on six-inch legs; the carved botanical surface covers the front panels, door faces, and drawer fronts continuously in Fine Hammered White Bronze. The top and sides are clad in the same surface. The wood is carved to the botanical pattern before Fine Hammered White Bronze metal is hand-fitted to each surface. The relief requires careful fitting: the metal follows each carved form and is secured with flush-set nails once correctly positioned. Interior: teak veneer with adjustable shelving. Measures 80 by 18 by 32 inches on six-inch legs. Four shelved cupboard sections and three central drawers. Functions as a credenza, sideboard, buffet, or dining storage piece. Available in all twelve standard finishes. Custom sizing available. Made entirely to order. Designed by Stephanie Odegard for the Stephanie Odegard Collection. The floral carving is drawn from the botanical motifs of Rajasthan's palace paintings, translated into a carved and metal-clad furniture surface by artisan workshops in Udaipur whose skills in this tradition have been in continuous practice for generations. Made to order, each piece may show slight variations that are a natural result of handmade metal-clad production. The Fine Hammered White Bronze surface will gradually mellow in tone over time, which is part of the material's natural character. The images shown in this listing may be photographed in different lighting conditions or may include 3D illustrations created to represent the available finishes. We warmly encourage customers to request an individual sample or a complete sample set of all twelve finishes to experience the surface, tone, and character firsthand. Please note that moisture in the air, seasonal climate shifts, and the natural movement of wood over time may cause the metal surface to develop slight wrinkles or occasional bubbling. We use well-seasoned reclaimed teak and high-quality marine-grade MDF wherever technically possible to minimise these natural effects, but complete stability of metal cannot be guaranteed. All smooth finishes will show subtle tool marks. These are not defects but a natural and unavoidable result of hand-working and hand-polishing metal sheets. Our hammered finishes are recommended where a more textured, forgiving surface is preferred. None of our metal-clad pieces are sealed with a permanent protective coating. This allows the metal to age naturally and beautifully over time. We polish every piece carefully before packing. A clear PU coat can be applied on request. The antiqued white bronze finish will react with natural elements the fastest in the beginning, but it too will stop reacting and settle into a stable state like copper after 6-12 months. Since it is already antiqued and looks intentionally tarnished, this early reaction does not change the overall appearance. In that way, this surface is the most forgiving. The antiqued white bronze finish is done by applying an acidic chemical over the white bronze to recreate a natural patination. Like the aging of silver, copper, or brass, the final result and colour uniformity cannot be guaranteed. The goal of this finish is to achieve rainbow-like tones with dull, shiny, cloudy, and lightly streaked patches to give an illusion of antiquing. As a default practice, we offer a protective wipe-on PU coat only on this finish. If a designer prefers the natural, uncoated aging, we can leave it untreated just like the other finishes. A PU coat helps keep the surface looking the same as when shipped, but it does not create a fully uniform patina; natural variation will always remain part of this finish.

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