Paper Secretaires

A distinguished 18th-century George III mahogany astragal glazed bureau bookcase, also referred to as a secretary desk or writing cabinet, is crafted from rich plum pudding mahogany....

Cees Braakman for Pastoe Jacaranda wood secretaire with drop down desk or dry bar and light with original wiring. Lightly refinished exterior ...

The Paris based label has distinguished themselves since their launch, with their iconic use of shagreen mixed with brass and other exotic materials. All furniture is handcrafted by ...

Elegant Italian secretaire produced in the 1950s, distinguished by its refined architectural form and exceptional craftsmanship. The cabinet is entirely veneered in a richly figured ...

Exceptional Baroque secretary or writing desk, probably from southern Germany, around 1760. The softwood corpus à deux corps, ornamentally veneered in walnut, burl and other preciou...

18th century Swedish oak secretary or "bureau" with a newer professionally applied layered gray painted exterior finish. The interior is painted a moody gray-blue with teal undertone...

This drop front secretary maintains a timeless appeal due to the deeply aged patina of the oak and European country styling. The interior has 6 drawers, 4 decorative "hidden" drawers...

This Jules Deroubaix display cabinet secretaire is timeless, functional, and effortlessly chic. Made of burl sandalwood, it showcases a drop door paneled wit...

A Biedermeier secre´taire a` abattant of unusual tapered form, goncalo alves with ebonized, inlaid and pewter decoration, and an enclosed fitted interior, Russian/Baltic, circa 1830.

This secretaire in palisander wood by Arne Wahl Iversen for Vinde Mobelfabrik is a great piece to be placed in a chic and refin...

Art Deco Thompson Secretary Walnut Root Wood Art Deco is a style of design, architecture, and visual arts that originated in France in the 1920s. It was popular in Europe and the Un...

This highly important secrétaire-cabinet was crafted for and specially ordered by King George I for the British Ambassador to Russia. From its craftsmanship and materials to its exceptional artistry, it is a work of royal and historic significance that exudes power in each and every detail. The broken pediment at its apex features the simplified royal coat of arms bearing the king’s crown, while the interior is adorned by portraits of the British Royal Family. Placed within the ambassador’s St. Petersburg home, this entirely unique piece of furniture would have been a potent reminder of England's grandeur and political importance. Relations between England and Russia during this period were at an all-time high. Peter the Great had traveled to England in 1698 as part of his widely known “Grand Embassy” tour, wherein he attempted to gain foreign support against the Ottoman Empire. He spent a period of nearly four months there, meeting with King William III and his court on numerous occasions. Noted academic Arthur MacGregor wrote concerning the impact of the trip, “For two decades following Peter's visit, British influence in Russia reached a peak. It manifested itself in social custom, in craft practice and in ships and naval organization... it reached a significant sector of the population before relations cooled once again and the two nations pulled back from this era of unprecedented cordiality.” First and foremost, however, it is a reminder of British might and influence. By the reign of King George I, England had come into its own as a world power. Unique in its design, this cabinet is a reflection of the country’s might. It is crafted from the highest-quality solid walnut and burr walnut adorned by gilded lock plates and engraved hinges. The presence of ormolu at its apex and lining the doors was a rarity for this period, and its addition makes manifest the importance of the design. The outer doors open to reveal multiple interiors, including fifteen separate drawers around a central cupboard; the cupboard doors each bear mezzotint portraits of George I and his father, Ernest Augustus, Elector of Hanover. An etching after the portrait of George I dating to circa 1716 is in London’s Royal Academy. A second, inner pair of doors are adorned by mezzotints of the Prince and Princess of Wales (later Queen Caroline and George II), which are both after portraits by Sir Godfrey Kneller dated 1716 in the Royal Collection. A final portrait is revealed on the very interior of the cabinet, where a mezzotint of Frederick, Anne, Amelia and Caroline, children of the Prince of Wales, resides. An etching (circa 1715-1720) after this portrait can be found in the National Portrait Gallery (London). Apart from its abundance of royal portraiture, the cabinet features stunning painted decoration, including floral designs as well as clouds, birds and trees in a bucolic motif reminiscent of Eden. Its lower portion is a study in both form and function, featuring a fitted secrétaire-drawer above three additional drawers for storage. The cabinet appears in The Shorter Dictionary of English Furniture by R. Edwards from 1964, a text that is regarded as the bible of British furniture design. Edwards describes it as a “writing cabinet...given by George I to the British Ambassador at the Russian court.” The cabinet was likely made for the 18th-century German diplomat and writer Friedrich Christian Weber, who represented English interests at the Russian court from 1714 until 1719. Although Weber’s tenure as ambassador was relatively short, while in St. Petersburg, he authored his account entitled Das veraenderte Russland (The Present State of Russia), which was published in three volumes in 1721, 1739 and 1740. It may, however, also have been made for George Douglas, 2nd Earl of Dumbarton, who served as ambassador alongside Weber in 1716. Diplomatic relations ceased between the two countries in 1721. In 1928, the cabinet appeared for sale at the International Exhibition of Antiques & Works of Art in Olympia. It had previously been in the collection of the Woltner family of Bordeaux, the celebrated vintners who owned the estate Château Laville Haut-Brion and produced wine of the same name. According to the family, Monsieur Woltner was given the cabinet as a gift from an aunt who lived in Russia for many years. After leaving the Woltner collection, the cabinet was acquired by William Berry...